Sentences with phrase «surface texture and color»

On the one hand, a painting is a flat two - dimensional object, with its surface texture and color shapes.

Pedro Almodovar's movies are so beguiled by lustrous surface textures and colors (fabrics, hair, makeup, architecture, upholstery, jewelry) that the title «The Skin I Live In» (or «The Skin That I Inhabit,» as I've seen «La piel que habito» translated elsewhere) would serve well as the name of his artistic autobiography.

Not exact matches

These knobs are brightly colored and have different textures on the surface.

Vibrant colors encourage visual perception, textured surfaces allow for tactile development, and delightful sounds provide stimulation.

Like patterned wrapping paper covering a plain white box, a texture map is a flat image applied to a 3D model, thereby adding detail, color and surface texture.

This enhanced color image of the dwarf planet helps scientists detect differences in the composition and texture of Pluto's surface.

«We knew Vesta's surface had some variation in color, but we did not expect the diversity that we see or the clarity of the colors and textures, or their distinct boundaries.

Capture color inspiration from any surface, material or fabric - even small, patterned, multi-colored textures and textiles - and match it quickly and accurately to a Pantone Ccolor inspiration from any surface, material or fabric - even small, patterned, multi-colored textures and textiles - and match it quickly and accurately to a Pantone ColorColor.

Marsala's plush characteristics are enhanced when the color is applied to textured surfaces, making it an ideal choice for rugs and upholstered living room furniture.

Capture color inspiration from any surface, material or fabric — even small, patterned, multi-colored textures and textiles — and match it quickly and accurately to a PANTONE Ccolor inspiration from any surface, material or fabric — even small, patterned, multi-colored textures and textiles — and match it quickly and accurately to a PANTONE ColorColor.

While paints would be an acceptable medium for this project, chalk was perfect, easy to apply, and really gave my 3 - year old a lesson in coloring on textured surfaces.

Crafted in a taupe color, it also contains black and white fibers which together create a beautiful textured surface with tiny loops and curls.

This handmade vessel sink features a soft, texture - like white sand color and boasts a smooth matte white surface.

A faux mohair throw covering the dressing bench lets you lounge on an incredibly soft surface, and decorative velvet pillows add another texture plus a splash of color.

In its purest form, Upstream Color can be viewed as a balancing act of textures and surfaces — the crucial discourse between image and sound to depict a state of pureness within our complex and achingly human world.

The hallmarks of his rough - edged, location - shot style (gritty textures, slurred motion, blown - out source lights, and oversaturated colors) are analogous to the calculated use of distortion and feedback in commercial music: the surface static keeps the dance beat and pop melodies from seeming saccharine.

Colors look authentic and true to the theatrical experience, and definition is flawless, providing detailed and lifelike skin tones and surface textures.

Interior styling receives updates in the form of new colors and textures for the instrument panel, along with premium fabric for Odyssey LX and EX seating surfaces.

The textured, non-skid surface is black in color and robotically applied to yield consistent 90 mil floor and tailgate thickness along with 50 mil box sidewall thickness.

The Textured Non-Skid Surface Is Black In Color And Robotically Applied To Yield Consistent 90 Mil Floor And Tailgate Thickness Along With 50 Mil Box Sidewall Thickness.

Tile floors in the Kauai condo have been replaced with hardwood surfaces and the walls treated with elegant molding, textured grasscloth wallpaper and a splash of bright colors.

In keeping with RockResorts» commitment to the environment, The Osprey's sophisticated design incorporates warm colors and richly textured surfaces (such as leather, birch, iron, and onyx) made from locally sourced stone, indigenous metals, and Forest Stewardship Council (FSC)- certified wood.

With its richly textured surfaces and warm colors, this slope - side resort exudes alpine sophistication infused with contemporary personality.

Helen Frankenthaler (American, 1928 — 2011) had her first solo exhibition at Tibor de Nagy Gallery in 1951, an exhibition that synthesized the most radical aspects of works by Arshile Gorky, Willem de Kooning, and Jackson Pollock, with ambitious canvases of textured surfaces, pale color, and calligraphic drawing.

Building a tapestry of structure and dimension through a weaving of loose and tightly knit brush strokes, Casteel builds upon the canvas» plain surface an orchestra of color and texture, with the application of paint not unlike the caress of a familiar hand.

Essentially abstract, Sall's expressive canvases evoke references to real world imagery and reflect his fascination with scale, texture, color, surface, and process.

Utilizing simple hand - held looms and tools, various yarns, cloth strips and other materials, attendees are encouraged to experiment with color and texture to create a myriad of surface patterns.

Jules works dominate the walls as he undergoes experiment with color and surface texture.

They are grounded in minimal abstraction, but his surface colors, textures, and depths vary.

The paint is applied with great bursts of energy, creating a surface, if I am successful, that is supercharged with texture and color.

His work actively engages the viewer in an ongoing search for resolution as one attempts to reconcile the ongoing tension present among all aspects of his compositions: the colors, the ambiguous roles of the mallets, the concave / convex push and pull of the space; he very purposefully uses texture to give materiality to a surface, thereby adding more layers to the mystery, not illuminating it.

Through his play with surface texture, forms and color, Mizù has adopted the representational system of maritime flags and created an abstract body of work that is both visually and mentally stimulating.

Over time, he developed his signature color palette in which tones vary widely but hues are restricted, and the surfaces of his canvases became increasingly textured.

Bridging painting and sculpture, the works formally address Miles» combined preoccupations with three - dimensional form and forming, material presence and spatial actuality, texture and surface, as well as color, mark, light, and visual effect.

She simultaneously exploits the medium's limitations — the inflexible grid that forms the basis of weaving, the particular ways in which color relationships can develop, the textures that make the surface — and moves beyond them by assembling and juxtaposing found images to explore ideas about human existence.

Both qualities are evident in Knight's Heritage, an important transitional piece in which Truitt still employed a brushy texture to define the paint surface and actual grooves to mark the three divisions (elements she abandoned in her later, smoother work) but began to break out of the somber tones of her earliest work and embrace glowing color.

Indeed her works, which would be characterized abstract art rather than abstract painting, share some common ground, such as the spectacular use of colors, contrasts and shadows, the playful use of diagonals that creates a solid sense of perspective while different levels construct both volume and composition, but also the smooth way she moves from one texture to another, giving her paintings a rough surface by using colors impasto or with a palette knife or simply by incorporating different materials.

Lost is the intimacy of Huckaby's textured surfaces and the overwhelming blend of colors that swallow our perception.

Martin's specific process of using acrylic lends her work a highly - sophisticated tonality; colors absorb and reflect light, adding a particular luminescence that appears to dissolve the painted surface, no matter how textured and corporeal, into atmospheric light.

But he is interested in the texture of the painting's surface, the relationships of colors, and expressing a feeling about what he sees.

Ultimately, the power of the White Paintings lies in the shifts in attention they require from the viewer, asking us to slow down, watch closely over time, and inspect their mute painted surfaces for subtle shifts in color, light, and texture.

The resulting paintings, often distinguished by an arc shape that imbues them with a sense of movement, are also distinct for their attention to surface texture and experimental application of color as in Harmonica YP (1972), a highlight of BAMPFA's collection.

And while there are some surface - level congruities to Grant's selection and her paintings (color, form, texture), I wonder how accurate that really is, or rather is it just me projecting my thoughts onto thAnd while there are some surface - level congruities to Grant's selection and her paintings (color, form, texture), I wonder how accurate that really is, or rather is it just me projecting my thoughts onto thand her paintings (color, form, texture), I wonder how accurate that really is, or rather is it just me projecting my thoughts onto them?

Swarovski rhinestones affixed to the canvas accentuate the jewels on Sandra's arms but also the skin of her neck and the shape of her makeup, adding color, shading, and texture to the surface of the painting.

As a self - professed «classical modernist,» Quaytman's paintings are characterized by his combined interest in shape, color, line, geometric pattern, and surface texture.

By obscuring these erotically charged images beneath richly colored and textured surfaces, Larmon creates a feeling of sensual congestion in which the depicted nudes and fine fabrics merge with the lushness of the paint itself.

Later, his long, swerving ribbons of color contract to short, straight marks, and as these marks accumulate they generate textures akin to the ones that spread across the surfaces of his Abstract Expressionist paintings.

[28] Lyrical abstraction shares similarities with color field painting and abstract expressionism especially in the freewheeling usage of paint — texture and surface.

Paintings and sculpture both large and small will exhibit organic, textured surfaces through mark making, translucency, and color.

By design, the densely textured, almost hyperactive surface catches and reflects light, creating a visual experience that invariably includes a range of colors, from grays to brilliant whites.