Sentences with phrase «surfaces after painting»

In a future post, I'd love to hear how you get such smooth surfaces after painting.

Not exact matches

The study, involving researchers from UCL, Imperial College London and Dalian University of Technology (China) and published today in Science, shows how the new paint made from coated titanium dioxide nanoparticles can give a wide - range of materials self - cleaning properties, even during and after immersion in oil and following damage to the surface.

If you want a smooth surface, try sanding with fine grit sandpaper after the final coat has dried or painting with a sponge roller.

If there is bleed through of the tannins or stain in the wood after one coat of chalk paint, you should use clear shellac over the surface first, let dry, then apply another layer of chalk paint.

Hi Lori — When you say bumpy, was the mixture itself thick and lumpy or after you painted the surface, did the surface feel gritty?

Hi Debbie — For prepping for chalk paint you don't need to use Mineral Spirits — that is for cleaning a surface after you remove old stain or poly.

The primer at that time wasn't up to the task of keeping paint adhered to the surface of the vehicle and so, after a few years of baking in the sun, it lets loose and vehicles start looking like yours.

This Cadillac includes: CADILLAC CUE INFORMATION AND MEDIA CONTROL SYSTEM WITH EMBEDDED NAVIGATION AM / FM Navigation System AM / FM Stereo Auxiliary Audio Input MP3 Player LUXURY COLLECTION PREFERRED EQUIPMENT GROUP BLACK RAVEN TRANSMISSION, 8 - SPEED AUTOMATIC (STD) 8 - Speed A / T A / T JET BLACK WITH JET BLACK ACCENTS, LEATHER SEATING SURFACES Woodgrain Interior Trim Leather Seats SEATS, FRONT BUCKET (STD) Bucket Seats 18 AFTER MIDNIGHT PREMIUM PAINTED WHEELS Aluminum Wheels ENGINE, 2.0 L TURBO, I4, DI, DOHC, VVT 4 Cylinder Engine Gasoline Fuel Turbocharged * Note - For third party subscriptions or services, please contact the dealer for more information.

Blade Silver paint covers the wide bodywork borrowed from the Z06, and Grand Sport fender hashes were added after delivery along with clear Xpel film over the front bumper, front portions of the hood and fenders, and vertical surfaces of the rear quarter panels.

The bad includes a front speaker rattle which Volkswagen can not fix after three attempts, and hard surfaces especially on the door, cheap thin paint.

As for the fruit, I was desperate to pick up some Russet apples because of their gorgeous cranky surface, but instead made do with some soft pears that I knew would bruise well after a few days painting.

One of the owners vanished after stealing the painting from a bank vault in Geneva; the painting surfaced 30 years later when it was consigned for sale at Sotheby's in New York in January 2014.

Hantaï always used primed canvas, a fact that reveals itself in the wrinkles that are general across its surface: they remain «underneath» after the paint application takes place.

I often wonder why this particular visual experience continues to surface and why it spontaneously began to appear as a dominant form in my painting twenty - three years after the original experience and ten years after I'd last seen the snapshot.

They were impressed that Picasso and Miró didn't stop after the pot was thrown, but continued working on it, manipulating it, cutting it, and using the clay surface as a medium to paint on.

The surfaces of the works are comprised of layer after layer of paint — a skill he has been honing his whole career.

According to Alvarez, «the painted, drawn, or juxtaposed surface emerges like a worn dance floor, long after the song ends.»

Since oil paint has a prolonged drying time, many of the works remain wet just below the surface even after they've been transferred to canvas.

Five paintings structured after works by Kandinsky and Malevich — McElheny's Crystalline Prism Painting I, II, III, IV, and VI — feature press - molded and polished glass prisms inset into a field of black, matte oil paint brushstrokes, visible behind or through a surface made of a sheet of «museum glass».

Its coarse surface announces anything but the immediacy of a photograph, and he painted after an image of the future in The Times.

After I had children my life began centering around our home much more, and the order and design of each room and its surfaces became this impossible ideal in my mind that was easier to mock in painting than to actually try for at home.

After she painted on the acetate with acrylic polymers, it was mounted onto colored plexiglass, a process that results in irregularly textured, sometimes slightly bubbly surfaces.

Frankenthaler, Louis and Noland formed the core of a group known as the colour field painters, though the critic Clement Greenberg preferred one of his own clunking coinages, «post-painterly abstractionists», meaning that after the «painterly» surfaces of the abstract expressionists, the purely colour - based paintings of Noland and the others marked out a different and more advanced stage of art's march to absolute abstraction.

Not long after, Dawson produced a series of completely abstract paintings that featured parabolas, hyperbolas, and circles scattered across the picture surface.

Richter's process is well known: he applies layer after layer of color, often wet into wet, using a squeegee to pull the paint across the surface in various directions.

Then, a sponge and felt - brush were used after each pour to push the wet paint across the surface.

Price loved surfaces, to the point that after 1983 he dropped the traditional technique of glazing, which bakes colors into the clay, in favor of painting them.

She explains that she had to «grapple with the flatness as it was suffocating [and] restraining,» «worked more in flat surfaces after coming back from India and started feeling trapped,» and «needed to get space back into the painting.»

With surfaces that have been continually painted over after every new appearance of graffiti, paper posts, and other marks, the «paintings» in Surface Tension are, in fact, found objects chronicling past erasures.

After working and reworking the surface and forms of a painting it arrives at a place that is no longer literal or predictable.

After a while he took a can of black enamel (he usually starts with the color which is at hand at the time) and a stubby brush which he dipped into the paint and then began to move his arm rhythmically about, letting the paint fall in a variety of movements on the surface.

The Paris Paintings at Nathalie Karg are richly dark works with ripples of white, blue, green, rust, and red running horizontally across their heavily worked surfaces; one exception — a mosaic - like patchwork of earth tones, dark greens, and reds from 1953 — provides a bridge to Held's approach after he returned to NewYork.As the debut works of a major American artist, Held's sensual, mysterious, and dynamic Parisian nocturnes are emblematic of the restlessness and audacity that would become hallmarks of his career.

He experimented with color, surface texture, and simple symbols after he had encountered Jasper Johns» target paintings at the Venice Biennale in 1958.

Malevich's black square is framed by a wide, white border, and the painting's surface is cracked after years of neglect from the Soviet government.

Sam Gilliam's «After Micro W» 2» marks his departure from the standard, stretched canvas as he rids himself of the traditional confines of painting on a two - dimensional surface.

These works are made from sheets of mirror - finished stainless steel, fitted with a full - length portrait photograph that has been meticulously traced and painted onto its surface (after 1971 the image was silkscreened on).

June 11 - August 17, 2014 «Beauty Reigns: A Baroque Sensibility in Recent Painting», organized by René Paul Barilleaux, the McNay Art Museum's Chief Curator / Curator of Art after 1945, assembles the work of thirteen emerging and mid-career abstract painters whose art is characterized in whole or part by high - key color, obsessive layering of surface imagery, use of overall and repeated patterns, stylized motifs, fragments of representation, and a tension between melancholy and the sublime...»

After building up the surfaces with countless layers of acrylic, she began to paint — a meticulous yet imprecise process of mark making, erasure, and loosely rendered brush strokes.

After filming, Schneemann manipulated the celluloid by cutting, painting the surface, dipping it in acid, and setting it ablaze.

After coating them with as many as eight layers of translucent or opaque paints, he binds the initial blobs onto the surface, producing gorgeous, intriguing, collagelike works that gleam with luscious hues and palpable paint.

For twenty years after Johns painted Flag, the surface could suffice — for example, in Andy Warhol's silkscreens, or in Robert Irwin's illuminated ambient works.

Richter attacks a huge green painting with one sweeping, decisive gesture after another, first squeegeeing paint across the surface, than selectively scraping it off to reveal the reds, yellows, blues and whites underneath.

I took on this insight wholesale and verbatim in my earliest paintings after graduate school, employing thick stretchers and particularities of metallic paint surfaces to exaggerate the objectness of a painting in the face of the circulation of digital images of paintings.

After layering tar paper, tar, foil sheets, and aluminum paint to make a «malleable canvas,» as McCloud puts it, he then heats the surface with a blowtorch and hammers decorative patterns into it using a woodblock.

After he soaks the panel in oil, he manipulates paint across the slick surface, mostly using his hands.

An even surface of polymer resin is applied to the hard - edged acrylic paint job, adding a thickness and sheen that becomes brilliantly apparent after a thorough going over with a propane torch to remove air bubbles.

In painting after painting, the fabric's rough surface became a very active element.

The composition mirrors the squaring effect of their aluminum companions, but unlike the panels that are assembled after painting, these pieces are painted in sections on the same canvas surface.

With surfaces that have been continually painted over after new appearances of graffiti or scuffings, these found objects have been refashioned as art.

After 1964 Noland filled the entire surface of his paintings with colored bands, giving them a forceful and compact presence.