Multipanel drawings from the 1970s employ crisp geometries, with
surfaces of graphite layered with beeswax, giving them a rich depth of pigment.
Study for Greek Alphabet Series # 2 is a symphony of visual noise with the artist abrading and scratching into the layered
surface of graphite applied over a chalk ground.
The metallic - looking
surface of the graphite covers almost entire pages, revealing in the negative space elements of the racing form — tiny american flags, stacks of dollars, coins, and little horses jumping off the page.
Not exact matches
Prior results from the Refractory Zone suggest it hosts a much higher - grade, near -
surface deposit
of flake
graphite.
Because it has such near -
surface zones
of graphite, it's easy to define an open pit.»
If there were enough char or
graphite to contribute significantly to the non-stick qualities
of seasoning, wiping the well seasoned
surface (seasoned by your flax seed oil method) with a paper towel should show lots
of black stuff coming off.
On the left, a scanning tunneling microscope image captures the bright shape
of the moly sulfide nanocluster on a
graphite surface.
However if the charging rate is too high, lithium ions deposit as a metallic layer on the
surface of the anode rather than inserting themselves into the
graphite.
So Banhart used a kind
of substitute soldercreated on the spotto link two crossed nanotubes: he focused a narrow beam
of electrons from a scanning electron microscope at the point where the tubes met, thereby converting contaminants on their
surfaces into bridges made from
graphite - like carbon that can conduct electricity.
Scanning tunneling microscope (STM) imaging was used to characterize the nanoscale arrangement
of the supramolecular lattices formed on
graphite and graphene
surfaces, which determines the periodicity and geometry
of the induced potentials.
In the new study, researchers placed tiny particles
of silicon carbide (one represented by the group
of tan molecules in this artist's concept) covered with
graphite (hexagonal networks
of gray atoms) in a vacuum chamber that duplicated the deep - space conditions surrounding many stars (temperatures between 900 and 1500 kelvins and pressures less than one - billionth that found at Earth's
surface).
But
graphite, the form
of carbon found in pencil lead but also found coating the
surface of many particles
of interstellar dust, is also made
of one - atom - thick sheets
of carbon atoms arranged into hexagonal rings.
Terrestrial contamination
of the Apollo sample appears highly unlikely, because the deposits exist below the
surface of the sample, and
graphite whiskers only form in extremely high temperatures that the sample has not likely seen since its formation.
This prevents the individual graphene layers from restacking into
graphite, which would reduce the storage
surface and consequently the amount
of energy storage capacity.
Graphene - based materials, prepared from the exfoliation
of graphite oxide, are used as a model
of interstellar carbon dust as they contain a relatively large amount
of atomic defects, either at their edges or on their
surface.
«But these mesas form at the top
graphite surface only, and they are pure metal composed
of multilayers, which is a first.
As with the coupe, the Volante affords customers the prospect
of specifying the optional 10 - spoke 20» forged aluminium lightweight wheel with diamond - turned
surface — available in either silver or
graphite finishes.
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Surfaces inside.
If you've always thought digital doodling never quite felt like the real thing, that the Apple Pencil, Microsoft
Surface Pen and Samsung's S Pen couldn't quite hold up to a humble piece
of HB
graphite, then this might be the tablet you've been waiting for.
Motifs glide in and out;
graphite lines trace the contours
of unknown plants and body parts, accented by strokes
of green, yellow, orange, and red crayon drifting like blossom petals across the
surface... the drawings in this show suggest that Gorky's aesthetic is invested in the cultivation
of visual ideas that transcend the individual artwork, a process that is occasionally frozen in paint.»
The relief panels, depicting the rise and fall
of the tide and shifting horizon lines, are densely arranged on
graphite - colored walls where Fernández has extended the blue - hued images by drawing directly on the wall
surface.
The
surfaces of these wooden works are variously inscribed with watercolor, enamel, and acrylic paint, lacquer, oil, colored pencil, and
graphite — materials that they share with the drawings that trace the evolution
of individual pieces.
Further texturing the work, von Rydingsvard rubs powdered
graphite into each faceted
surface, which emphasizes each movement made to create her sculptures while also giving the illusion
of movement to the works.
«It is not the raw, limitless potentiality
of oil, clay, wood, bronze,
graphite, or any «fine art» material that motivates Bradford, but the functionally specific, socially bounded character
of materials that have an explicit purpose in the world before their incorporation into his work» — Christopher Bedford «I do not like conversations about Winsor & Newton and
surface and transparency and luminosity and glazing.
It involves rendering an image by placing a sheet
of paper over an object or dimensional
surface and rubbing it with a marking agent such as
graphite or wax crayon.
The Arundel series
of paintings, begun in 1973, [11] features barely visible
graphite lines and accumulations
of white paint on white
surfaces.
Lewis, the youngest artist in the exhibition, also divides his compositions but with a strong line, using pencil and
graphite powder to create sooty
surfaces reminiscent
of the grit
of the city, while maintaining a connection to the modernist grid.
The
surfaces of the final works, stained with oils and acrylics, or embellished with delicate hand drawn geometric patterns in
graphite or crayon, deliver Simpson's sculptural forms back to the realm
of drawing.
The
surface of the paper is laboriously prepared with layer upon layer
of rabbit skin glue and gesso before
graphite is applied with meticulous mark making to give an ethereal and luminescent quality.
His latest carved plaster tablets and
graphite drawings arrive at similar aesthetic states but from opposite directions: the painted tablets respond to
surface texture and chance operations, excavating compositions through deconstructive sgraffito techniques, while the drawings depart from landscape imagery and are built up into complex, almost - recognizable images created through a process
of repetitive mark - making, erasure, and re-drawing.
The subtle texture
of her delicately worked
surfaces, the fragility
of the thin
graphite lines and the frisson caused when the two meet, leaves the viewer with a feeling
of quiet euphoria.
as part
of the creative process, suh covered flat walls and three - dimensional fixtures
of the interior and exterior
of architectural sites with vellum, and rubbed each
surface with colored pencil or
graphite.
In - Hyung Kim uses the textures
of paint and
graphite to give life to the texture
of paper's
surface.
«The sensual
surfaces of Susan York's
graphite sculptures bring together sight and touch without favoring either.»
In this collection
of photographs and moving images an ocean laps a crimson island, black fireworks explode in a white night sky and a submarine
surfaces in a
graphite sea.
The show also includes
graphite works on paper and paintings from the 1990's, which demonstrate Knifer's consistent reductionism, pushing «the meander» to the edge
of the canvas to create nearly monochrome black or white
surfaces.
Paired with life - size
graphite objects fixed to the
surface (an oar, a ladder, a hand dryer, and a lavatory cistern) they generate a sense
of psychological dissonance.
The paintings represent a striking variety
of surfaces and materials including oil on canvas, pastel
graphite and charcoal on paper, vinyl polymer paint on aluminum, double - baked porcelain enamel on oxidized copper panels, and ink on glassine, to name some.
The paintings represent a striking variety
of surfaces and materials including oil on canvas, pastel
graphite and charcoal on paper, vinyl polymer paint on alu
When you draw with
graphite on a white
surface, you've got to spend a lot
of time varying the pressure and switching between multiple H and B pencils to achieve a nice range
of values.
Both processes demonstrate a concern for
surface which results in a visceral transmutation
of each material: the paint slides across an altered version
of what was once natural paper, now transformed with a life
of its own; the
graphite builds upon itself to create a texture that activates and envelops its
surface.
Kon Trubkovich's heavily worked
graphite drawings
of TV static, the result
of his labored reduction
of surface, search for memories that hover in the blankness
of the past.
The use
of the body indexically in works by artists like Jasper Johns and Yves Klein, where figures haunt a
surface in paint or
graphite are conventional artistic mediums and nod towards the absence
of a figure.
Rather than painting in the traditional sense, Cooper is left to negotiate with the natural movement
of the paint as it wills itself across the
surface of the paper in a process similar to Helen Frankenthaler's «soak stain» paintings as well as local artist Seana Reilly's liquid
graphite ones.
The gallery will also present
graphite works on paper, and paintings from the 1990's, which demonstrate Knifer's consistent reductionism, pushing the meander to the edge
of the canvas, creating nearly monochrome black or white
surfaces.
Vija Celmins's carefully rendered
graphite drawing, Untitled (Double Moon
Surface), for example, is a picture
of a picture, not a picture
of the moon.
The pages
of the
graphite drawings are heavily worked with dense crosshatched pencil lines resulting in a near - reflective, active
surface.
In... all these bright ideas (2013), one
of a series
of three paintings, the entire
surface is covered in powdered
graphite, which creates extreme variations in texture and color contrast, as muted gray paint mingles with neon blue drips.
This is especially clear in a new series
of burnished
graphite works in which tiny white spots resulting from air bubbles in the gesso result in overall patterns.Not only the spots but also their distribution and the texture they give to the
surface are the beyond the artist's control.