Sentences with phrase «surfaces of graphite»

Multipanel drawings from the 1970s employ crisp geometries, with surfaces of graphite layered with beeswax, giving them a rich depth of pigment.
Study for Greek Alphabet Series # 2 is a symphony of visual noise with the artist abrading and scratching into the layered surface of graphite applied over a chalk ground.
The metallic - looking surface of the graphite covers almost entire pages, revealing in the negative space elements of the racing form — tiny american flags, stacks of dollars, coins, and little horses jumping off the page.

Not exact matches

Prior results from the Refractory Zone suggest it hosts a much higher - grade, near - surface deposit of flake graphite.
Because it has such near - surface zones of graphite, it's easy to define an open pit.»
If there were enough char or graphite to contribute significantly to the non-stick qualities of seasoning, wiping the well seasoned surface (seasoned by your flax seed oil method) with a paper towel should show lots of black stuff coming off.
On the left, a scanning tunneling microscope image captures the bright shape of the moly sulfide nanocluster on a graphite surface.
However if the charging rate is too high, lithium ions deposit as a metallic layer on the surface of the anode rather than inserting themselves into the graphite.
So Banhart used a kind of substitute soldercreated on the spotto link two crossed nanotubes: he focused a narrow beam of electrons from a scanning electron microscope at the point where the tubes met, thereby converting contaminants on their surfaces into bridges made from graphite - like carbon that can conduct electricity.
Scanning tunneling microscope (STM) imaging was used to characterize the nanoscale arrangement of the supramolecular lattices formed on graphite and graphene surfaces, which determines the periodicity and geometry of the induced potentials.
In the new study, researchers placed tiny particles of silicon carbide (one represented by the group of tan molecules in this artist's concept) covered with graphite (hexagonal networks of gray atoms) in a vacuum chamber that duplicated the deep - space conditions surrounding many stars (temperatures between 900 and 1500 kelvins and pressures less than one - billionth that found at Earth's surface).
But graphite, the form of carbon found in pencil lead but also found coating the surface of many particles of interstellar dust, is also made of one - atom - thick sheets of carbon atoms arranged into hexagonal rings.
Terrestrial contamination of the Apollo sample appears highly unlikely, because the deposits exist below the surface of the sample, and graphite whiskers only form in extremely high temperatures that the sample has not likely seen since its formation.
This prevents the individual graphene layers from restacking into graphite, which would reduce the storage surface and consequently the amount of energy storage capacity.
Graphene - based materials, prepared from the exfoliation of graphite oxide, are used as a model of interstellar carbon dust as they contain a relatively large amount of atomic defects, either at their edges or on their surface.
«But these mesas form at the top graphite surface only, and they are pure metal composed of multilayers, which is a first.
As with the coupe, the Volante affords customers the prospect of specifying the optional 10 - spoke 20» forged aluminium lightweight wheel with diamond - turned surface — available in either silver or graphite finishes.
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The ALL NEW Honda of Downtown Chicago is Proud to offer you this Exceptional 2004 INFINITI G35, Appointed with the Trim and is finished in Brilliant Silver Metallic over Graphite w / Leather Appointed Seating Surfaces inside.
If you've always thought digital doodling never quite felt like the real thing, that the Apple Pencil, Microsoft Surface Pen and Samsung's S Pen couldn't quite hold up to a humble piece of HB graphite, then this might be the tablet you've been waiting for.
Motifs glide in and out; graphite lines trace the contours of unknown plants and body parts, accented by strokes of green, yellow, orange, and red crayon drifting like blossom petals across the surface... the drawings in this show suggest that Gorky's aesthetic is invested in the cultivation of visual ideas that transcend the individual artwork, a process that is occasionally frozen in paint.»
The relief panels, depicting the rise and fall of the tide and shifting horizon lines, are densely arranged on graphite - colored walls where Fernández has extended the blue - hued images by drawing directly on the wall surface.
The surfaces of these wooden works are variously inscribed with watercolor, enamel, and acrylic paint, lacquer, oil, colored pencil, and graphite — materials that they share with the drawings that trace the evolution of individual pieces.
Further texturing the work, von Rydingsvard rubs powdered graphite into each faceted surface, which emphasizes each movement made to create her sculptures while also giving the illusion of movement to the works.
«It is not the raw, limitless potentiality of oil, clay, wood, bronze, graphite, or any «fine art» material that motivates Bradford, but the functionally specific, socially bounded character of materials that have an explicit purpose in the world before their incorporation into his work» — Christopher Bedford «I do not like conversations about Winsor & Newton and surface and transparency and luminosity and glazing.
It involves rendering an image by placing a sheet of paper over an object or dimensional surface and rubbing it with a marking agent such as graphite or wax crayon.
The Arundel series of paintings, begun in 1973, [11] features barely visible graphite lines and accumulations of white paint on white surfaces.
Lewis, the youngest artist in the exhibition, also divides his compositions but with a strong line, using pencil and graphite powder to create sooty surfaces reminiscent of the grit of the city, while maintaining a connection to the modernist grid.
The surfaces of the final works, stained with oils and acrylics, or embellished with delicate hand drawn geometric patterns in graphite or crayon, deliver Simpson's sculptural forms back to the realm of drawing.
The surface of the paper is laboriously prepared with layer upon layer of rabbit skin glue and gesso before graphite is applied with meticulous mark making to give an ethereal and luminescent quality.
His latest carved plaster tablets and graphite drawings arrive at similar aesthetic states but from opposite directions: the painted tablets respond to surface texture and chance operations, excavating compositions through deconstructive sgraffito techniques, while the drawings depart from landscape imagery and are built up into complex, almost - recognizable images created through a process of repetitive mark - making, erasure, and re-drawing.
The subtle texture of her delicately worked surfaces, the fragility of the thin graphite lines and the frisson caused when the two meet, leaves the viewer with a feeling of quiet euphoria.
as part of the creative process, suh covered flat walls and three - dimensional fixtures of the interior and exterior of architectural sites with vellum, and rubbed each surface with colored pencil or graphite.
In - Hyung Kim uses the textures of paint and graphite to give life to the texture of paper's surface.
«The sensual surfaces of Susan York's graphite sculptures bring together sight and touch without favoring either.»
In this collection of photographs and moving images an ocean laps a crimson island, black fireworks explode in a white night sky and a submarine surfaces in a graphite sea.
The show also includes graphite works on paper and paintings from the 1990's, which demonstrate Knifer's consistent reductionism, pushing «the meander» to the edge of the canvas to create nearly monochrome black or white surfaces.
Paired with life - size graphite objects fixed to the surface (an oar, a ladder, a hand dryer, and a lavatory cistern) they generate a sense of psychological dissonance.
The paintings represent a striking variety of surfaces and materials including oil on canvas, pastel graphite and charcoal on paper, vinyl polymer paint on aluminum, double - baked porcelain enamel on oxidized copper panels, and ink on glassine, to name some.
The paintings represent a striking variety of surfaces and materials including oil on canvas, pastel graphite and charcoal on paper, vinyl polymer paint on alu
When you draw with graphite on a white surface, you've got to spend a lot of time varying the pressure and switching between multiple H and B pencils to achieve a nice range of values.
Both processes demonstrate a concern for surface which results in a visceral transmutation of each material: the paint slides across an altered version of what was once natural paper, now transformed with a life of its own; the graphite builds upon itself to create a texture that activates and envelops its surface.
Kon Trubkovich's heavily worked graphite drawings of TV static, the result of his labored reduction of surface, search for memories that hover in the blankness of the past.
The use of the body indexically in works by artists like Jasper Johns and Yves Klein, where figures haunt a surface in paint or graphite are conventional artistic mediums and nod towards the absence of a figure.
Rather than painting in the traditional sense, Cooper is left to negotiate with the natural movement of the paint as it wills itself across the surface of the paper in a process similar to Helen Frankenthaler's «soak stain» paintings as well as local artist Seana Reilly's liquid graphite ones.
The gallery will also present graphite works on paper, and paintings from the 1990's, which demonstrate Knifer's consistent reductionism, pushing the meander to the edge of the canvas, creating nearly monochrome black or white surfaces.
Vija Celmins's carefully rendered graphite drawing, Untitled (Double Moon Surface), for example, is a picture of a picture, not a picture of the moon.
The pages of the graphite drawings are heavily worked with dense crosshatched pencil lines resulting in a near - reflective, active surface.
In... all these bright ideas (2013), one of a series of three paintings, the entire surface is covered in powdered graphite, which creates extreme variations in texture and color contrast, as muted gray paint mingles with neon blue drips.
This is especially clear in a new series of burnished graphite works in which tiny white spots resulting from air bubbles in the gesso result in overall patterns.Not only the spots but also their distribution and the texture they give to the surface are the beyond the artist's control.
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