Sentences with phrase «surprise ending of the film»

The surprise ending of the film shows it be a follow - up to «Unbreakable», which starred Bruce Willis as security guard David Dunn who discovers he has super-human strength and resistance to injury.

Not exact matches

The depth of emotions you begin to feel for these animals was a great surprise and I wanted more by the time the film ended.

The only reason my rating is so high is the fact that I never expected it to be as good as it was, It come as quite a surprise how funny it was, Ice Cube basically plays the same character that made his role in the Jump Street films so good, It's nothing new but it's full of cheap laughs from start to finish and the fight at the end was pretty entertaining, Yes it's predictable but it's allot of fun.

Highlights among the 26 episodes in this seven - disc set include a great time - travel tale involving a previous starship Enterprise, with a surprise guest spot from deceased crew member Tasha Yar (Denise Crosby), and the season - ending cliffhanger, the assimilation of Capt. Picard (Patrick Stewart) by the cybernetic Borg, the lynchpin to the big - screen «Trek» film «First Contact.»

Unless you're one of those people that is taken completely by surprise when you see a flock of birds in a film and they end up pooping on someone, usually as the punctuation to a scene to embarrass or get revenge, this is scraping mighty low in the gag department to turn this into a comedy.

The viewer ends up more or less surprised by the films sudden escalation, because of the needless time wasted showing other characters without developing them.

Yet once said surprise is introduced, Awake once again finds itself at loose ends, failing to generate any palpable tension from its scenario, as well as positing absurd conceptions of the afterlife and offering up monotonous inner dialogue from Christensen that makes one want to assume a state of mind opposite to the film's title.

Earlier today, the Producers Guild of America announced their nominees for their year - end awards in both film and television, resulting in a group of 11 feature film nominees for their top award that were mostly expected, but with a surprise or two thrown in.

The experience of watching the film is forever changed and one wonders just how much more enjoyable it may have been were the events that unfold at the end of the first act a surprise.

Deadpool was a surprise hit for the studio: After Reynolds spent years lobbying to get a standalone Deadpool movie made, the film about the «Merc with the Mouth» ended up becoming the highest grossing rated - R film of all time.

However, when Wright welcomed Dern to the stage as a surprise guest after the film ended, little did he know that the actress had a surprise guest of her own.

Its story holds precious few surprises and the title character ends this film as pretty much the same person he was when we met him at the beginning — without quite becoming the person Luke Skywalker and Obi - Wan Kenobi found and pulled out of a wretched hive of scum and villainy on Tatooine.

I'm sure it isn't a surprise that Kong's relationship with Joe doesn't end the same way that the other guy's ended in the beginning of the film.

While the «Dheepan» win surprised many here in Cannes — the film devolves into revenge killings capped by a happy ending — clearly Audiard's brand of straightforward, well - tooled craftsmanship appealed to the Coens and their fellow jurors.

Everyone from Omar Little of «The Wire» to Tony Soprano of «The Sopranos» have familiarized audiences with the genre's tropes so much so that much of the film's runtime comes with few surprises, making for an elongated ending to Seal's entrepreneurial smuggling empire.

Wright didn't reveal any deep, festering secrets about his adaptation of Bryan Lee O'Malley's beloved slacker / video game comedy (outside of the not - wholly surprising revelation, also discussed on the film's commentary track, that test audiences were super torn on the movie's end).

One of the biggest twists and surprises in Thor: Ragnarok came near the end of the film, when Thor battled Hela for the fate of the realm.

Then the film concludes not with a «surprise ending» but with a series of shots that brilliantly summarize all that has gone before.

The ending of The Guest is a little silly, however with the tangent that the film takes, this is not entirely surprising.

After all the buzz, out of Sundance for Dee Rees (Pariah) new film, many were surprised it ended... Read More

As bad as the film is, I must admit, it is almost a bit of a guilty pleasure because it is SO bad, that quite frankly, I was expecting to be thrown for a loop with a surprise ending.

This is most definitely going to surprise a lot of you guy and end up as one of your favorite horror films of the year...

I'd heard mixed reviews - that the ending brought the film down, that the script wasn't any good - so I was pleasantly surprised by the poignancy of this film.

Perhaps Burger was trying to reflect the stoic culture of the period, but while we know the character's motivations, we never quite grasp their emotions — especially Eisenheim, who becomes quite distant and inscrutable during the second half of the film (this may explain why the ending takes some by surprise).

12:00 M — TCM — The Big Heat Director Fritz Lang came out of the German Expressionist movement of the 1920s, so it's not surprising that he ended up making some of the better noir films, given film noir's borrowing of Expressionist style.

As far as the «Pirates of the Caribbean» films go, «At World's End» was certainly the worst, so it doesn't come as much of a surprise to discover that the Blu - ray release is just as bad.

The announcement caught many off guard as although there had been rumors swirling of a fourth Toy Story film, it remained surprising given the perfect ending to the third film.

7:30 am — TCM — The Big Heat Director Fritz Lang came out of the German Expressionist movement of the 1920s, so it's not surprising that he ended up making some of the better noir films, given film noir's borrowing of Expressionist style.

A scene in which Milo's vaguely hilarious food allergy comes into play is curiously never resolved, two of Milo's hacker pals from the old days are so similar in appearance and voice to one another that I was abstractedly surprised to see them on the screen together at the end of the film, the reveal of a secret molestation is abused in an insulting and clumsy way, and a stock blue - collar cop character is introduced as the worst kind of deus ex machina: the late - in - the - game triumph of a heretofore marginalized comic foil (see: Barnard Hughes in The Lost Boys).

The new film picks up not long after the explanations and surprise twists that ended the last one, and sends the hero Thomas (played by Dylan O'Brien) out into a ravaged post-apocalyptic landscape, where he and and fellow Maze - escapees try to get to the bottom of a global conspiracy, while dealing with storms, monsters, and rival survivors.

The surprise ending of «Third Person» is ridiculous, and although Haggis has a top - shelf cast at his disposal (including Liam Neeson, Adrien Brody, Maria Bello, Mila Kunis, James Franco and Olivia Wilde), the film's unrelenting grimness and seriousness squeeze the life out of it.

# 2: The End of Love - Mark Webber starred in three films at Sundance this year (unfortunately I missed For a Good Time Call...), and while it's clear I loved the actor in Save the Date, it's his work behind the camera as well as in front of it that made The End of Love a surprise treasure.

I'm also quite surprised at how many people think the film ends with a shot of sunflowers.

Seeing James Newton Howard's name in the end's musical credits was surprising as the muted music of the film did nothing to heighten tension or encourage the edge it's sorely lacking in.

It's all surprise, all mystery, one twist after the other, going off like firecrackers until the end of the film.

As the family lynchpin with limited self - worth, her bonding with Eliza at the end of the film is a joyful surprise.

The film offers a few surprises (as per routine with a Marvel movie, stay for the end credits), a good number of sight gags, and a full - bodied exploration of a fringe player in the comic book domain.

It is also apparent that some major and last - minute editing was performed; one entire subplot involving Hunt and Mrs. Phelps is so obscured throughout the film that its sudden reappearance at the end of the film is as much a surprise as a clarification of audience expectations.

Not having read the book, the alternative revealed at the end of the film came as a surprise.

It does indeed run a little on the long side, but given how much it has to juggle, it's somewhat surprising that the film didn't end up being a good three hours (though there's always the possibility of there being a number of deleted scenes that could easily make it so).

To reveal more would be a crime; let's just say that this fluid, sharply observant, and continually surprising film begins in the key of horror and ends somewhere completely different.

6:15 pm — TCM — The Big Heat Director Fritz Lang came out of the German Expressionist movement of the 1920s, so it's not surprising that he ended up making some of the better noir films, given film noir's borrowing of Expressionist style.

Rise of the Planet of the Apes was one of the best surprises of 2011 — a film I watched grudgingly and ended up loving — so I was eager to see if they could match that success with a sequel.

The Shallows ended up being one of the surprises of the summer as Scott Menzel called the film «one of the most entertaining big - budget films of the year.»

Many fine films (Identity and Shutter Island spring to mind) could be ruined if it became obvious that a twist was coming, because from a few strokes of narrative setup, it was possible to guess the so - called «surprise» ending.

After the slightly disappointing numbers «Fantastic Beasts» made on the weekend, no surprise to hear (though the plan was probably already afoot, considering that cameo at the end of the film) the Warner brass are going to retool further chapters in the series to more resemble their sure - thing «Harry Potter» franchise.

I didn't expect to be thrilled or even scared because I thought after seeing the surprising ending of the original 1960s «Planet of the Apes,» there was nothing else that could scare me in an «Apes» film.

I won't spoil the ending of the film, but let me say I was definitely shocked by one of the surprising developments involving your character.

The most surprising realisation for me was that, in figuring out a list of top films for 2016, I ended up giving my preferences to «unusual suspects» and essentially to films that corresponded to the single criterion of «sparkling joy» (as per Marie Kondo's superbly life - changing magic rule for all sorts of decisions in life).

There are true surprises in store — even if you have seen the previous film — and a very satisfying ending (which concludes the story while pointing, of course, to future installments).