Sentences with phrase «surrealist images»

Fantasy narratives inspired by ancient Egypt, plus wiry, surrealist images of sewage, genitalia and bondage, are among about 100 drawings and storyboards in the intriguing, unorthodox and creepy «Subliming Vessel: The Drawings of Matthew Barney,» a mid-career survey at New York's Morgan Library & Museum.

Combined with imagery from his dream diary that he kept since 1978, as well as nods to his favored artists such as Chirico, Warhol, Lichtenstein, Jakuchu, or Escher, the new pieces are converting his fears and traumatic experiences into energetic pop - psychedelic - surrealist images.

Largely collage, these range from early defiant political collages, to gentler feminist social satire to striking, sensual surrealist images.

Rothko's work would move onto to more bizarre landscapes and draw, according to Weiss, «primarily on the subaqueous surrealist images of Yves Tanguy... whose pictures were understood to represent inner landscapes of the mind.»

His boundless imagination and artistic manipulation of digital images allow him to create abstract and surrealist images where fine art and computer graphics merge into one.

Smutz's artwork, which he creates late at night while most of the world sleeps, is a dream - like world of surrealist images that brings to mind something by Salvador Dali or M.C. Escher.

Low tides create perfectly still reflective waters that you can use to capture surrealist images of the beautiful headland mirrored in the beach.

His hero is Salvador Dalí, who explicitly renounced surrealist images of sexual fantasy and contortion, and went on to recreate the Christian iconographic tradition for his own day.

Not exact matches

«To put out a manifesto, you must want,» says Blanchett, quoting the surrealist Philippe Soupault, intones over the image of a fuse sputtering in the darkness, «to organise prose into a form of absolute and irrefutable evidence.»

This image, at once surrealist and satirical, speaks volumes of the contemporary Broadway theater's distance from its noble legacy and the infuriating but optimistic ignorance of the generation now awash on its shores.

Surrealism and the Surrealist artists are here short described and explained for art students, older pupils and maybe even for art teachers, including selected surrealist art images.

Bristling with saturated tangerine, crimson, and aquamarine hues, these scathing yet sanguine images brilliantly satirize American race and gender dynamics while fusing surrealist, pop art, and abstract expressionist aesthetics.

Friday, November 22, 2013 Doors open at 7 pm, Performance starts promptly at 7:30 pm Space limited RSVP is now closed Drifting: A Theatrical Exquisite Corpse draws from the surrealist tradition of the exquisite corpse, a collaborative exercise using words and images to construct a figure or phrase.

Featured images: The Paris Surrealists, 1933, via Rusty's Artists; Yves Tanguy — I Await You, 1934; Salvador Dali — Sleep, via Bureau de Estilo Renata Abranchs; Rene Magritte — Every day, 1966.

By combining both realism with the many techniques favored by the surrealists, including the alteration of space, perspective, tonality, focus, manipulation, the content of the image is then open to the viewer's personal interpretation.

She chooses to put these connections under the microscope, examining and displaying the correlation of imagination and reality, the conscious and the unconscious, tapping on surrealist ideas of the image as vehicle.

If the proto - surrealist painter Arcimboldo had been a sushi chef, his creations might have looked something like Yumiko Utsu's deliciously unsettling images.

Fueled by grey skies, political madness, music, and dreams, these new works survey a surrealist field of recurring images: memories and visions of birth, sex, death, dance, and childhood.

Using the language of contemporary social media, «spamming» the viewer with an array of seemingly unconnected images, she creates a contemporary narration whilst using the fundamental ideas found in seminal texts from Roland Barthes, Laura Mulvey, Susan Sontag and the Surrealists.

Using striking images and imposing structures, often imbued with surrealist absurdity and irony, they represent and perform this pervasive sense of global chaos and disorder.

Among the significant artwork included in the exhibition are Porter's 1970s photographs alluding to space and the body, and a series of prints referencing surrealist René Magritte that interrogate image, representation and simulacra.

The image is surrealistic, despite the fact, that the human - dog figure is not visually unsettling, a frequently used theme evident in other surrealist paintings such as Leonora Carrington's «Recital of Dreams» (c. 1930) and Max Ernst's «Attirement of the Bride» (1940).

Doig's painting Echo Lake is a David Lynch - like image of the nocturnal menace of the great outdoors; Bourgeois drew all night because she had insomnia; while Blake, long before the surrealists, drew his dreams.

A comparable awareness of darker, organic colors is notable in his surrealist, anthropomorph - inhabited paintings such as Astral Image (1946).

With absurdist images and surrealist GIFs, the Berlin - based artist explores sexuality and female objectification using disembodied breasts.

The article which is illustrated with two images by Elina Brotherus and Kyle Weeks, also outlines that Photo London will present rarely seen artists from the past such as Jerzy Lewczynski and surrealist Polaroid's by Guy Bourdin.

On one side of this canvas, which sticks out of the wall like something from a surrealist painting, bears on one side one of the blurry, photographic images that Richter specialised in during the early «60s.

These range from photographs of disturbingly posed dolls by Hans Bellmer and Ruth Bernhard to images of bizarrely dressed mannequins in the surrealists» 1938 exhibition in Paris.

It was a three - dimensional realization of his 1926 painting of the same title, by René Magritte, which depicts an artist's studio, the starting point for an array of responses to the Belgian surrealist's image.

With a surrealist approach (The Surrealist Manifesto was published just one year following the launch of TIME magazine), Moran ultimately documents the efforts of an invisible class by creating a series of potentially confusing images that visualize TIME's absurd language describing the women's labor.

The eclectic array of goodies on show spans geographies, cultures and civilizations, ranging from pre-historic shamanistic totems and early religious images of vision and ecstasy, through to modern works by Kandinsky, surrealist pieces by Miro and Man Ray, and specially installed works by Anish Kapoor and Marina Abramovic.

Often described as a surrealist, the artist actually fuses naturalistic and surrealistic approach in her images of heads that seem to be dissipating like smoke, and doubled, fragmented faces, as if reflected in a broken mirror.

The Indestructible Lee Miller The exhibition considers Miller's life from multiple perspectives: assistant, collaborator and muse of surrealist artist Man Ray; and pioneering fine art, fashion, and war photographer whose images of the London Blitz, liberation of Paris, and Dachau and Buchenwald concentration camps were among the most powerful photographs of World War II.

It was this sense of magic, embodied in works like Image Tirée du Boudoir (1922) and Klee's use of spontaneous or «automatic» drawings as the basis for his paintings, that caught the eyes of Surrealists, who included Klee's paintings in their first group exhibition in 1925.

The Tate said her sculpture, installation, performance and video bring «a surrealist sensibility to popular culture» and «seduce the viewer with comic and unexpected combinations of images, materials and words».

In fact they conformed more to the image that I had of what a painter should be than the Surrealists.

Then there's Lisa Yuskavage's scene of her internal mindscape that reveals her sophisticated art historical knowledge that unifies Renaissance art, cubism, surrealist art, pop art, whatever images that spring from past to popular contemporary culture.»

However, there are important precedents for DIS's approach, especially in the exhibitions organized by Britain's Independent Group, such as «This Is Tomorrow» (1956), where images of Robbie the Robot and Marilyn Monroe mingled with surrealist - inflected sculptures.

Where previously he had sought to tap his unconscious self by painting images of it — mythic creatures, fantasies, and so on — the «drip» technique allowed him simply to «let go,» to release spontaneously the psychic and bodily energies that surrealist theory had encouraged the artist to explore during the creative act.

Contemporary surrealist Anne Luther expresses her mysterious and dream - like images through her whimsical mixed - media assemblage.

Fashioned in the style of the surrealist artist, Max Ernst, these collages capture a surreal, hallucinatory universe populated by images of flora and fauna, machine parts, and disembodied figures.

Her works are bold and abstract, featuring forms which combine to create images reminiscent of the Surrealists.

The 2018 Toilet Paper wall calendar features photographs conceived by Maurizio Cattelan and Pierpaolo Ferrari and taken from their magazine, an image - only publication devoted to the realization of surrealist ideas via commercial photography.

Much like a surrealist trompe l'oeil, the play on the image and the double entendre of the title Night Lie gives new meaning to the romance of Paris, the city of love.

Focusing from the beginning on the nude and on portraiture, Barton also painted numerous still - life images and later essayed straightforward cityscapes and surrealist fantasies.

From William Henry Fox Talbot's earliest «photogenic drawings» and Charles Nègre's translation of photographic images into a variety of mechanical processes, to the photogram process that was a staple for Man Ray, Dada, and the Surrealists, Past Picture draws from the extraordinary holdings of late nineteenth and early twentieth - century photographs in the collection of the National Gallery of Canada to present prints and images by some of photography's most innovative and influential inventors and practitioners.

The first is a series of wall - hung, photographic collages that meldtogether images by two British Surrealists, Eileen Agar and Paul Nash.

The jokey surrealist montages juxtapose images both found and manipulated — a pair of sausages, a cartoon snail, a graffiti - covered wall, an open mouth, a Hong Kong supermarket.

She has published on surrealist film, theories of attention in film and the role of the body in moving image work.

Almost all the images present real - life settings without much alternations, and yet the works still carry a surrealist feel to them, mostly for the mentioned elements that create tension and uncertainty.