Sentences with phrase «surrealist landscape»

With its 10 - color palette, Penridge adds, it recalls at once Seurat's pointillism and a surrealist landscape, while also referencing Amharic, the glyph - based language spoken in Ethiopia.

A range of references spring to mind: Henri Rousseau, William Blake and the polychromatic visionary paintings of Samuel Palmer, and on from there through to the mid-20th century and the peculiarly British surrealist landscape paintings of artists like Paul Nash and Graham Sutherland.

The works in the show are gathered around a painting from the Nottingham City Museums and Gallerie's collection; a surrealist landscape called Three Stones by Marion Adnams (1898 — 1995).

PATTERNS in brain activity can be used to determine whether someone is looking at a surrealist landscape by Salvador Dali or the cubist lines of Pablo Picasso.

His subject matter ranged from personal narrative and cultural history to surrealist landscapes and political allegory.

Ahead of her first solo show at Brooklyn gallery Signal later this month, you'll find two of Kasey's voluptuous, Botero - like figures and dreamy, surrealist landscapes in Nicelle Beauchene's booth: a fleshy, reclining figure, Person Lying on a Salty Beach (2015; $ 10,000), that hangs in the booth's interior and fake plant at a restaurant (2015; $ 8,500), a mysterious tableaux where a bellybutton, a pierced ear, and the tips of fingers curiously peek between leaves, which calls fairgoers into her painted world.

This exhibition follows that British eye for place and space from Georgian times to the 20th - century surrealist landscapes of Paul Nash.

Not exact matches

More importantly, it's a surrealist adventure full of crazy landscapes, crazier enemies, and a bird that shoots eggs out of its mouth.

Even the internal texturing on the landscape resembles the organic, fecund drawings of surrealists like Max Ernst.

We see giant scorpions, boats floating across fields, dog - faced guards, statue - faced birds and amazing landscapes straight out of a piece of surrealist art.

From still life to abstract painting I had an interval of landscape painting where I got on the track of true abstract painting away from the cubists or the surrealists (and their grotesque pictures).

In 1941 he painted the small surrealist painting, composing the dreamy landscape of a sewing machine with umbrellas and their terrifying long shadows.

You would initially associate Schwitters with Dadaism, however just looking through this major exhibition in the Tate Britain you will find scraps of the surrealists and the cubists; despite this it does feel that he didn't belong in any of these movements, always trying something new or something very bland and documentary, for example his portraits or his landscapes in which he had friends commission him for.

These snippets of built environment are overlaid against barren natural landscapes, creating not - quite - picturesque views that could be a surrealist postcard from the fringes of Phoenix or Houston.

Shadbolt, deeply affected by the richness of the landscape and Northwest Coast Indigenous Art, has interpreted these themes in a highly personal surrealist manner.

Jeremy Anderson began making sculpture in the late 1940's and developed a highly unique language of hand - carved surrealist forms and figures, often arranged as a landscape tableau.

1999 Impossible Landscapes of the Mind, Hirschl & Adler Galleries, New York, NY Linear Impulse, Micahel Rosenfeld Gallery, New York, NY Surrealism in America During the 1930s and 1940s: Selections from the Penny and Elton Yasuna Collection, Salvador Dali Museum, St. Petersburg, FL The Surrealists in Exile and the Origin of the New York School, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain; Musées de Strasbourg, Strasbourg

The post-internet-heavy exhibition featured Huxtable's own self - portraits (featuring the artist in head - to - toe body paint and set against surrealist Teletubby landscapes in shades of pastel) and Frank Benson's 3D - printed sculptural rendering of her nude body, cast in a futuristic, metallic sheen.

This body of work can be grouped into two categories: watercolors with web - like black lines interwoven over masses of color suggesting successive layers of depth, and oil paintings of extremely heavy consistency in which controlled randomness allows for the appearance of an unconscious, interior landscape or what the French surrealist artists called an «inscape.»

1999 Shaping a Generation: The Art and Artists of Betty Parsons, Hechscher Museum of Art, Huntington, NY Linear Impulse, Michael Rosenfeld Gallery, New York, NY Waxing Poetic: Encaustic Art in America, Montclair Art Museum, Montclair, NJ; Knoxville Museum, Knoxville, TN Surrealism in America During the 1930s and 1940s: Selections from the Penny and Elton Yasuna Collection, Salvador Dali Museum, St. Petersburg, FL; Smart Museum of Art, University of Chicago, Chicago, IL; Cape Museum of Fine Art, Cape Denis, MA The Surrealists in Exile and the Origin of the New York School, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain «As America As...»: 100 Works from the Collection of the Parrish Art Museum and Keith Sonnier: Tri-Parrish, Parish Art Museum, Southampton, NY Postmodern Transgressions: Artists Working Beyond the Frame, Yale University Art Gallery, New Haven, CT Impossible Landscapes of the Mind, Hirschl & Adler Galleries, New York, NY

In between that are the works of Juxtapox x Superflat's Paco Pomet and his masterful surrealist interventions and Sebas Velasco's poetic portrayals of night time urban landscapes of Eastern Europe.

Friedrich's landscapes exercised a strong influence on the work of German artist Max Ernst (1891 — 1976), and as a result other Surrealists came to view Friedrich as a precursor to their movement.

On view through May 11 are Colorado artist Rosane Volchan O'Conor's complex mixed - media installation with organic - shaped ceramics, Organismo; New York artist Claire Watson's surrealist found - object sculptures, Now What; and Los Angeles - based Texas - native Paul Rodriguez's shifting, color - manipulated videos of surfers, landscapes and still - lifes in Post Penis.

Biomes was created to simulate surrealist paintings in motion, like the drippy landscapes of Yves Tanguy a century ago.

Rothko's work would move onto to more bizarre landscapes and draw, according to Weiss, «primarily on the subaqueous surrealist images of Yves Tanguy... whose pictures were understood to represent inner landscapes of the mind.»

There is also something reminiscent in Sullivan's of the late surrealist oeuvre of Franco - American painter Yves Tanguy, with its psychologically incisive landscapes of unearthly colors and shapes.

In these recent paintings, I've continued my ongoing explorations in landscape, this time immersing myself in studying the unsteady, biomorphic worlds of the Surrealists, specifically Yves Tanguy and his wife Kay Sage, two painters I greatly admire.

Using mixed media like oil, watercolor and pencil, he creates hauntingly evocative paintings that allude to the surrealist beauty of Cuba's changing cultural landscape.

Instead, his surrealist often - cropped faces are carefully constructed landscapes composed of lips, eyes, nails, and noses on monochrome, bright backgrounds.

[1] In addition to work showing a personal version of precisionism, he produced paintings, drawings, and prints in the social realist, Mexican muralist, and surrealist styles as well as still lifes, portraits, and landscapes that defy easy classification.

Her personal iconography often featured organic imagery such as birds, eggs, leaves, fruit and tendril - like automatist lines depicted with a sense of «surrealist black humour and violence», often within a dreamlike landscape.

In this new take, subjects were deliberately selected to represent psychic states and the random dream imagery favored by European Surrealists gave way to something more akin to lucid dreaming that carefully reflects on the interaction between physical and mental landscapes.

Her surrealist poetry and reductive landscapes have been largely unrecognized until recently; at the age of 87, her paintings were a huge hit at Kassel's dOCUMENTA in 2012.

Paul Nash (1889 - 1946) British surrealist, War Artist, illustrator, landscape painter.

Kelsey has written extensively on photography, landscape, and American art and will speak about the American surrealist photographer Frederick Sommer.

Other important contributors to action painting include: Mark Tobey noted for his White Writing style of calligraphic gesturalism; Franz Kline, an artist whose works include colour field compositions as well as vigorous gestural work, sometimes compared to gigantically enlarged fragments of Chinese calligraphy); Robert Motherwell (in his series entitled Elegy to the Spanish Republic, and his powerful black and white paintings); Cy Twombly (in his gestural works based on calligraphic, linear symbols) and Adolph Gottlieb (noted for his abstract surrealist series including Pictographs, Imaginary Landscapes and Bursts).

1999 Surrealism in America During the 1930s and 1940s: Selections from the Penny and Elton Yasuna Collection, Salvador Dali Museum, St. Petersburg, FL The Surrealists in Exile and the Origin of the New York School, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain; Musées d'Art Moderne et Contemporain, Strasbourg, Germany Severed Ear: The Poetry of Abstraction, The Creiger - Dane Gallery, Boston, MA Paper Invitational II, Woodward Gallery, New York, NY Linear Impulse, Michael Rosenfeld Gallery, New York, NY Calm and Commotion: Abstract Art from the Permanent Collection, Mississippi Museum of Art, Jackson, MS Impossible Landscapes of the Mind, Hirschl & Adler Galleries, New York, NY

Impressionism, much of Post-Impressionism, the Surrealism of painters like Magritte (along with contemporary surrealist revivals), the majority of Pop Art painting, Photorealism, and the contemporary varieties of landscape or figure painting belong in this category.

By 1933, the young artist had settled in the French capital, where he was surrounded by a number of painters devoted to surrealism, and although he claimed little affinity with this style, his landscape work sometimes hints at the influence of surrealist masters such as Giorgio de Chirico.