Sentences with phrase «surrounded by other artists»

Yours Mine & Ours has Jeremy Couillard's silly sculpture of an alien seated at a computer, surrounded by other artists» work.

He enjoys the Torpedo Factory because he is surrounded by other artists.

The program is a great opportunity to escape energy - sapping routines, recharge creative batteries, and live and work surrounded by other artists and writers.

Not exact matches

The obsessed artist and entrepreneur works and operates the best when they are surrounded by others who understand and support their obsession.

The best horror films of the 1980s might not have all went so far into the ether as Kubrick or Carpenter, but each one clearly came from both a unique point of view and an ambitious, capable artist, surrounded by technical geniuses and other artists who help them out as best they can.

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

A Rail Curatorial Project lead by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

Glass Gallery Curated by Phong Bui and Rail Curatorial Projects A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

Obayashi has resisted the temptation to surround these permanent pieces with an array of works by other artists.

Their initial response to an invitation last year by the artist George Henry Longly to take part in a two - stop touring group show was typically immaterial — they conducted seemingly «purposeless» studio visits with each of the other artists (thus questioning and to an extent short - circuiting the careerist expectations that surround the studio visit as a social and professional phenomenon).

Curated by Director Dr. Karl E. Willers and the Museum's staff, highlights of «Kenny Scharf» include the expansive mural Pop Renaissance that surrounds the viewer, a version of the artist's Cosmic Cavern club - like environment, and a recreation of the artist's former Brooklyn studio complete with spattered walls, painted furniture and other workspace ephemera.

A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, OCCUPY MANA focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

Featuring gallery and invited artists, and with a focus on depictions of houses and other dwelling places, House Work reflects a diversity of physical structures — from lone houses surrounded by nature, to buildings in urban and suburban settings.

Buck is an artist who is fascinated by the cultural imagery surrounding his two homes (one in Bozeman, Montana, and the other on the Big Island of Hawaii), current events, popular culture, and the irony inherent in world history.

The surrounding walls of the entrance gallery sport colorful vinyl banners by the Guerrilla Girls, the anonymous artists collective that uses billboard and other advertising techniques to chronicle sexism in the worlds of art and popular culture.

Recent independent curatorial projects include: CORPORATE OCCULT, let's talk about the body baby, NU Performance (2016), which presented works by international artists that dealt with contemporary issues surrounding gender and the body; Art in the Era of Digital Capitalism (2016), a conference considering the tendencies of acceleration and post-2011 institutional alternatives, which included Franco Bifo Beradi as its keynote speaker; and numerous others.

For World Wide the artist created a process, repeated in exhibitions at several other museums, by which he enlarged images and details from his paintings and screened them on transparent sheets of vinyl, hung so that they surround the viewer.

Spanish artist Lara Almarcegui's installation at the 55th Venice Biennial 2013 revolved around a huge mountain of cement rubble, roofing tiles and bricks smashed into gravel, surrounded by smaller, similar mounds of other materials.

Surrounded by his paintings, prints and collages, Motherwell explored the art of printmaking like no other Abstract Expressionist artist, combining traditional techniques with impromptu drawings and pasted paper.

The central canvas shows a portrait of the artist in profile, surrounded by other smaller paintings.

Rikrit Tiravanija's Untitled (bicycle shower)(2010) was created by the artist as a means of showering for artists and others who visit «The Land,» an experimental space in Thailand without running water that, among other things, serves as a rice field and garden feeding members of the communities that surround it.

Surrounding those with works by other female artists seemed natural, said gallerist Marc Glimcher.

Featuring gallery and invited artists, and with a focus on depictions of houses and other dwelling places, House Work reflects a diversity of physical structures - from lone houses surrounded by nature, to buildings in urban and suburban settings.