We encounter the slug as if behind a gate, the frame and
surrounding objects acting as a barrier to a malevolent salt - wielding child.
Not exact matches
Picking up on chance constellations of
objects in her bedroom, or familiar images cast in a new light, she is interested in the «common things» that
surround us, using these to guide phenomenological compositions about the
act of looking and recognising, and the potentiality that might lie in the gap between.
Instead of
acting as a device that
surrounds the drawing, the frame itself becomes the drawing and imposes itself as an
object.
Rhodes takes the concept of the painted
object as his starting point, posing questions that
surround the
act of painting and the cultural values assigned to paint, surface and display strategies.
That is «forces
acting opposite to the relative motion of any
object moving with respect to a
surrounding fluid» or in this case air.