Sentences with phrase «surrounding walls of the gallery»

Barth then extends this plane of composition onto the surrounding walls of the gallery by arranging her photographs in response to the room itself.

Also included is a work from 1969 in which lengths of braided stainless steel wire form a horizontal sequence of five subtly - reflective squares, mounted flat against the wall; and Untitled (Eight - part Vertical Construction), 1992, a composition of black, gray, white, and red lengths of yarn stretched vertically between floor and ceiling in perpendicular and parallel configurations that relate to the surrounding walls of the gallery.

Not exact matches

An exhibition, either solo or shared has been the most profitable experience in galleries but I found that it was too long between drinks just having a few pieces on their walls surrounded by many other works, often made up of pieces that had been created to fit in with that years interior design colour schemes and priced accordingly.

The editions will be displayed on the outside wall of Marian Goodman Gallery's booth (C21), which surrounds the gallery's solo presentation of Pierre Huyghe's «Expédition Scintillante Act II (Light Box)Gallery's booth (C21), which surrounds the gallery's solo presentation of Pierre Huyghe's «Expédition Scintillante Act II (Light Box)gallery's solo presentation of Pierre Huyghe's «Expédition Scintillante Act II (Light Box)(2002).

Through drawing, she responds to the garden, the wall, the space of the gallery, and the verdant convolutions of Riverside, an Olmsted designed oasis surrounded by Cook County's relentless grid.

Representative of his continued experimentation with computer language, one black and one uncolored, embossed print of a computer graphic used in Poemfield minimally preface one's entrance into the main gallery where Poemfield No. 1, No. 2, No. 3, No. 5, and No. 7 vibrantly and loudly pulsate across surrounding walls.

The northern façade, in contrast, features a curtain wall of windows that bring natural light into the museum's galleries and allow visitors to take in views of the sculpture garden and the surrounding cityscape.

With orange, pink and white striped walls, Apfelbaum turns the second floor of the gallery into an immersive environment and expands the visuals of the political landscape surrounding the 2017 election and the women's march that it inspired.

Of my writings published online on this blog and The Huffington Post since last April 2010, the ones that have in any small way gone viral, very relatively speaking, were those in which I wrote fast enough about current hot news items or ones relating or engaging with artworld celebrities: as one example, «My Whole Street is A Mosque,» written within 24 hours of the news cycle surrounding the proposal for a Islamic cultural center near Ground Zero, was picked up by various web aggregators; «Looking for Art to Love, MoMA: A Tale of Two Egos» also did very well because of my speculation about how or whether Marina Abramovic peed during her performance «The Artist is Present» at MoMA, a subject of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3Of my writings published online on this blog and The Huffington Post since last April 2010, the ones that have in any small way gone viral, very relatively speaking, were those in which I wrote fast enough about current hot news items or ones relating or engaging with artworld celebrities: as one example, «My Whole Street is A Mosque,» written within 24 hours of the news cycle surrounding the proposal for a Islamic cultural center near Ground Zero, was picked up by various web aggregators; «Looking for Art to Love, MoMA: A Tale of Two Egos» also did very well because of my speculation about how or whether Marina Abramovic peed during her performance «The Artist is Present» at MoMA, a subject of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3of the news cycle surrounding the proposal for a Islamic cultural center near Ground Zero, was picked up by various web aggregators; «Looking for Art to Love, MoMA: A Tale of Two Egos» also did very well because of my speculation about how or whether Marina Abramovic peed during her performance «The Artist is Present» at MoMA, a subject of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3of Two Egos» also did very well because of my speculation about how or whether Marina Abramovic peed during her performance «The Artist is Present» at MoMA, a subject of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3of my speculation about how or whether Marina Abramovic peed during her performance «The Artist is Present» at MoMA, a subject of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 3of my Facebook friends» comments for «Should we trust anyone under 30?

The finished drawings are then pinned to the surrounding gallery walls, becoming part of the exhibition.

Warner has selected and arranged the letters, drawings, photocopies, and found objects like t - shirts, tennis balls, and random beach trash - the material of Johnson's art - on an assembly of thirteen tables and surrounding gallery walls.

We encounter lovers lifted from an Indian temple sculpture; monkeys and lion dogs borrowed from Chinese art; a grape - eating goat surrounded by lovely leaves (some made of felt), suggestive of folk art; and seemingly abstract planes of color that turn out to depict gallery walls, urban skyscrapers or a sendup of a suave brown Hollywood interior.

Standing, sitting and kneeling on three levels of scaffolding, more than a dozen artists drew scribble marks Monday on the walls surrounding the stairwell at Albright - Knox Art Gallery.

In terms of the wide range of media employed, the show looks like it could have been made by several different artists: sculptures similar to the ones shown a the Whitney occupy one gallery; another room boasts huge, scribbly pencil drawings on walls that surround a replica of a hearth («the traditional focal point of the American home»); in another, stacks of mannequins wearing identical outfits and wigs create a chute through which you can walk to view floor - facing monitors screening videos featuring the real - life character the mannequins seem to be modeled after (the artist's mother).

Wilson's «Sala Longhi» installation, which he premiered at the 2011 Venice Biennale, takes up the second gallery, with a white glass chandelier emerging from a wall - mounted picture frame surrounded by smaller frames filled with black glass out of which face - shaped circles have been cut.

Hodges is currently working on mosaic - like paintings, constructed with small shards of mirror that reflect / warp the viewer and surrounding space with a disturbing elegance; site - specific wall drawings that reorient gallery architecture with a full Prismacolor palette and Lewitt like precision; and collages made with assorted sheet music that reference the Cubists and John Cage, allowing for a performable poetry that includes a «milk - y Blue per - fec - tion» located «Some - where near — the end of the skies.»

Large scale shadows fill the gallery walls and the viewer, who was initially towering over the fragile paper cities, is now surrounded by layers of giant shadow.

Recent exhibitions include a solo show at the Chicago Artists» Coalition entitled In the Absence of a Body, in which he lived for 3 weeks behind the walls of the gallery to embody the uncertainty and unknowns surrounding Obama's December 17, 2014 announcement; a two - person show with collaborator Cara Megan Lewis at The Mission Gallery and participation in the Rapid Pulse International Performance Art Festival at Defibrillator Gallery, all in Cgallery to embody the uncertainty and unknowns surrounding Obama's December 17, 2014 announcement; a two - person show with collaborator Cara Megan Lewis at The Mission Gallery and participation in the Rapid Pulse International Performance Art Festival at Defibrillator Gallery, all in CGallery and participation in the Rapid Pulse International Performance Art Festival at Defibrillator Gallery, all in CGallery, all in Chicago.

In the South London Gallery's main exhibition space, Grosse has made the void the dramatic centre of her project, masking the floor with a large foam stencil, then painting over it and the surrounding walls.

Palmsonntag is composed of a 40 - foot - long palm tree, cast in fiberglass and resin, that lies on its side across the Gallery floor, surrounded by a cycle of 44 massive panels hanging in rows on the walls above.

The surrounding walls of the entrance gallery sport colorful vinyl banners by the Guerrilla Girls, the anonymous artists collective that uses billboard and other advertising techniques to chronicle sexism in the worlds of art and popular culture.

The work is meant to be seen in daylight as when the sun shines through the windows, it casts evocative shadows on the walls and floor, many stemming from the slender pillars (white columns) Irwin erected in the space surrounding the chambers to emphasize the original architecture of the gallery.

The two - part installation «Something About Two Birds and One Stone» features a crumpled tee - shirt displaying the face of curator Jeffrey Deitch and the words «Team Jerry» («Ain't No «I» in «Team»») as well as a check from Gagosian Gallery, framed, and surrounded by large scissors wall decals («Any Way «You» Cut It»).

These accessories to the canvas (meant in the conspiratorial sense, not the trivializing material sense) create a hierarchy of spaces outside the painting: the wall, the edge and surrounding space, the gallery itself.

The installation consists of a large plywood construction that dominates the space of the Paper Works Gallery, and drawings / sourced imagery that are hung on the surrounding walls.

It will include a collection of approximately 30 sculptural Soundsuits in the main gallery, offset by a room of seven newly commissioned artworks surrounded by a wall - based tapestry inspired by Cave's childhood watching the night sky.

Two monumental sculptures anchor the installation, surrounded by murals painted directly on the walls of the gallery, paintings on panel and paper, and other sculptural objects.

It's especially apparent at the 21st Street branch, where the gallery took the strange step of building a freestanding structure in the middle of the gallery to house the paintings and left the surrounding walls untouched.

For his recent exhibition at Blum & Poe, the Los Angeles - based painter created an expansive installation that included a recreation of his studio, a faux pool surrounded by astroturf, and a vacant dirt lot complete with a graffiti - covered crumbling wall and full - size tree sprouting from the gallery floor.

The work in the entry gallery, All or Nothing, is a triptych of LCD screens mounted on the wall, surrounded by an altar with fresh flowers and water for the visitors.

In the exhibition space of the Future Generation Prize at the Palazzo Contarini Polignac during the last Venice Biennale, the viewer was surrounded by looped hand - drawn animations of 9 naked woman projected onto the wall of the gallery space.

Across from the Golden series the surrounding white walls of the gallery become grounds for Epic.

In the exhibition the two books will be shown surrounded by a large scale new wall work in via incognita (2017), a frieze of images that will circle round the gallery.

The mother and daughter on horseback, their quiet faces implacably black against the blue and white of the sky; the marchioness in her chair (the walls in the gallery have been painted the same rich red as the room in this painting); and Selective Histories, a wry close - up of a wall of heavily framed paintings, hung salon - style and surrounding a tribal mask.

Thisfeeling of being unable to retrieve and read data in a manageable way was expressed in tangible form on the gallery wall in the form of digitally printed wallpaper, the central element of which was a «wait» cursor from an obsolete generationof Apple software — a black wristwatch — surrounded by blurry, vector - drawn steam - trainsand a Greek temple: the out - of - date ridiculed by the seriously antique (Some Civic Shades, 2011).

Hundreds of copies of this same image paper the walls of the main gallery, surrounding the viewer.

We have played with the idea of adding a gallery wall or some fun wallpaper or a splash of color in here... but for now, the statement is the light fixture and the illusion it creates all over the surrounding walls.

Adding a gallery wall surrounding helps soften the harshness of the TV and helps to fill the blank walls around it.

And since we live in a farmhouse style home that sits on the edge of a lake, in a community called «The Waters» (which is surrounded by cow pastures and cotton fields)- I always like to reflect a little bit of that on our gallery wall in the living room too: