Sentences with phrase «surroundings as any viewer»
The paintings might be participants, responding to their surroundings as any viewer.
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Instead of acting as a simple physical barrier, the frame — not unlike the first glossy black «mirror paintings» of Michelangelo Pistoletto, also commenced in the 1960s — reflects a shard of the viewer's own surroundings, creating a direct continuum with the external space they occupy.
The juxtaposition between the lush organic shape and its shiny, steel materiality here creates a psychedelic impression, but ultimately the bulbous forms emerge as celebratory and animated, absorbing viewers and their surroundings in their own image.
«As a landscape painter, I strive to create images that connect viewers to their immediate surroundings,» explains Peter.
These modernist works function as benches, stools, and chairs, and explore the connectedness between the object, its surroundings, and the viewer.
The viewer and his immediate surroundings are momentarily reflected on the lacquered stainless steel, becoming an integral element of the composition itself and defying preconceived notions of artwork as an inanimate object.
Importantly, as a viewer is reflected in their surface, the works also change dramatically as a result, instigating an ongoing choreography for the paintings, their audience and surroundings.
Not only does «The Secret Sharer» aim to tell the audience something by opening its mouth, but the mirrors also allow the viewers to share glimpses of themselves as well as the sculpture's surroundings.
Cataloging his momentary surroundings as an artist, Bienvenu uses humor and sex to give the viewer an entry point.
Reflecting the surroundings and the viewer as part of the image breaks down traditional notions of figurative art in an ever changing spectacle, combining material form, pictorial space and gesture.
Polished to create a reflective surface, the works mirror their surroundings as well as the viewer standing before them, exploring ideas of perception.