Sentences with phrase «surveillance culture in»

An LA - born installation and performance artist working with the early web, Scher's practice often concerns themes of surveillance culture in online works such as Securityland and Wonderland.

The role played by surveillance culture in the struggle for social justice frames changing and prevailing ideas about race, justice, and freedom in America.

But they were being hampered from doing so because of the impact of workload and the monitoring and surveillance culture in schools which was also damaging teachers mental health.

Not exact matches

In light of the Facebook data scandal more people are beginning to challenge the web's pervasive surveillance culture.

And in investigating the cover - up, the Federal Bureau of Investigation found not only a blue wall of silence, but also a nasty departmental culture, typified by retribution and surveillance, with Mr. Burke at its center.

protected animals»); studies on in vitro systems (whole perfused organs, tissue slices, cell and tissue cultures, and subcellular fractions); and human studies (including estimations of occupational and environmental exposure, postmarketing surveillance, epidemiology, and the ethical and strictly controlled use of human volunteers).

In the book, entitled The Crisis of Presence in Contemporary Culture: Ethics, Privacy and Speech in Mediated Social Life, Dr Miller examines the relationship between the freedom provided by the contemporary online world and the control, surveillance and censorship that operate in this environmenIn the book, entitled The Crisis of Presence in Contemporary Culture: Ethics, Privacy and Speech in Mediated Social Life, Dr Miller examines the relationship between the freedom provided by the contemporary online world and the control, surveillance and censorship that operate in this environmenin Contemporary Culture: Ethics, Privacy and Speech in Mediated Social Life, Dr Miller examines the relationship between the freedom provided by the contemporary online world and the control, surveillance and censorship that operate in this environmenin Mediated Social Life, Dr Miller examines the relationship between the freedom provided by the contemporary online world and the control, surveillance and censorship that operate in this environmenin this environment.

NEPC annual reports on Schoolhouse Commercialism have highlighted the intensifying surveillance culture and other dangers to student privacy in the digital age, and Facebook has emerged as a primary culprit.

We discuss, among other topics, about photography in the Middle East with Peggy Sue Amison, artistic director at East Wing; net art and networked cultures with Josephine Bosma, Amsterdam - based journalist and critic; urban digital art and criticality in the media city with curator and researcher Tanya Toft; art and technology with curator Chris Romero; the politics of surveillance and international security with political scientist David Barnard - Wills; art and architecture with Maaike Lauwaert, visual arts curator at Stroom, an independent centre for art and architecture in the Netherlands; the intersections of art, law and science with curator and cultural manager Daniela Silvestrin; the architecture of sacred places with curator Jumana Ghouth; the historical legacy of feminism today with Betty Tompkins and Marilyn Minter; hacktivism and net culture with curator and researcher Tatiana Bazzichelli; culture, place and memory with Norie Neumark, director of the Centre for Creative Arts in Melbourne; anthropology and the tactical use of post-digital technologies with artist and philosopher Mitra Azar; or feminism and the digital arts with curator Tina Sauerländer.

Representative examples from these projects are joined in this exhibition by Conrad's last sculptures and installations, which evoked and critiqued what he perceived as an emerging culture of surveillance, control, and containment.

Convening luminary artists, curators, researchers, and writers to discuss how technology is transforming culture, the first edition of Open Score will consider how artists are responding to new conditions of surveillance and hypervisibility; how social media's mass creativity interfaces with branding and identity for individual artists; how the quality and texture of art criticism is evolving in a digital age; and what the future of internet art might be in light of a broader assimilation of digital technologies.

Jon Rafman immerses viewers in environments where gaming landscapes and physical reality fuse as dark, hypnotizing hybrids; Yves Scherer probes celebrity culture and popular media in works that toe the line between critique, satire, and celebration; and Simon Denny examines surveillance and digital subcultures by plumbing the depths of images, information, and communication stored on the internet.

Online and offline surveillance accompanied by the consumer capitalist culture within today's society are the main issues surrounding his work, in association with current and future utopian environments, the continued automation of our daily lives in relation to the internet of things and the various cultures associated with online communities.

Titled Room Sensed Motion, it stresses the illusion of order that surveillance culture brings — in this instance in the form of cameras and motion sensors in a family home, a narrative echoed in the piece Hello!

Contemporary art and the transition to post-democracy, the occupation of time by the technologies and industries of culture (art among them), to precarity of work, control, surveillance and militarization are among the other key themes we find in her oeuvre.

In a culture marked with contradictions, the Jidouhanbaiki are halfway between traditionalism and the ephemeral, collective consciousness and individualism, humanised service and modern automation, surveillance and fear.»

Astro Noise sees her reconsidering the moving image toward other ways of addressing and engaging an audience, presenting the culture and mechanisms of surveillance and the war on terror in a very different way, through structured visual experiences that provide much more than information and compel an audience to enter into a visceral experience.»

From her early performances as the fictional Roberta Breitmore to her recent surveillance installations, Leeson has focused on the role that technology, media and artifice play in contemporary culture.

Artist Simon Denny will discuss hacking, surveillance and power in a panel discussion, Culture Hacking at the RCA in London on January 28.

«Who Knows» speaks both to the context of 21st century surveillance (from the Snowden revelations to the ubiquity of CCTV cameras in urban space) as well to the cultures of gossip, scandal seeking, phone hacking and to the playful and flirtatious eye that people keep on each other through social media.