Sentences with phrase «survey of work on paper»

This winter the Hammer Museum presents a retrospective of drawings by Rachel Whiteread, the first large - scale museum survey of work on paper by the British artist.

The Hammer Museum Presents Rachel Whiteread Drawings in First Drawings Retrospective of the British Artist On View January 31 - April 25, 2010 This winter the Hammer Museum presents a retrospective of drawings by Rachel Whiteread, the first large - scale museum survey of work on paper by the British artist.

Avigdor Arikha, who died in 2010 at the age of 81, had been with the gallery for more than 35 years - a retrospective survey of his works on paper was shown at the École des Beaux - Arts in Nîmes in 2012.

Meanwhile, «Cecily Brown: Rehearsal» is a survey of works on paper by the painter known for her eroticized quasi-abstract figuration.

Art Projects International is pleased to present a survey of works on paper by Zheng Xuewu.

This survey of works on paper, curated as radical performance, corrects that, freeing the artist in ways not anticipated.

In 2003 The Aldrich Museum of Contemporary Art presented a survey of his works on paper, and he was included in Art — A Sex Book by John Waters and Bruce Hainley.

To mark her recent election as a Royal Academician, Beardsmore Gallery presents a survey of her works on paper from the 1980s to the present day.

This volume constitutes a 30 - year survey of works on paper by New York - based painter Carroll Dunham (born 1949).

A survey of works on paper by both Syliva and her husband, fellow artist Robert Mangold, is being presented at Annemarie Verna Galerie in Zurich, through May 24.

Not exact matches

In their April 2013 working paper entitled «Exchange Rate Expectations of Chartists and Fundamentalists», Christian Dick and Lukas Menkhoff compare the behavior and performance of technical analysts (chartists) and fundamental analysts (fundamentalists) based on monthly surveys of several hundred German professional dollar - euro exchange rate forecasters, in combination with respondent self - assessments regarding emphasis on technical and fundamental analysis.

Actually, a survey of some of the most important works devoted to Whitehead's metaphysics suggests that the current interpretations of the concept of God are based on the last ten pages of the book, and shows that the three passages featured here in this present paper have been, at best, neglected in the elaboration of those interpretations.

The paper is based on a survey of more than 2,000 employees working for large (500 - plus employees) companies in six countries: Brazil, China, India, Germany, the United Kingdom and the United States (the sample was balanced for gender and age).

Paired with a mentor who aimed to give him a broad look at the intersection of health services research and medicine, Neiman worked on a paper about total knee replacement, a project surveying part of the FDA's drug approval process, and another study about shared decision - making between patients and doctors.

The current paper combines previous findings with new work using visual surveys and path analysis to quantify the direct and indirect effects of sheephead on sea urchins and macroalgal assemblages.

Drawing on survey and interview data, as well as programmatic tools from an existing partnership between a large mid-west university's school of education and an affiliate alternate route organization, the paper underscores the sometimes conflicting messages beginning teachers must decipher from the university teacher education program, the partnering organization, and the school in which they are working.

Economics is a subject in which most of the work is based on the statistical data as a result of which research paper written on Economics are full of research based on the data collected through surveys and questionnaires.

Building on his pioneering work on the RAFI ™ Fundamental Index ™ approach to investing with Rob Arnott in 2005, he has published numerous articles on the topic, notably including «A Survey of Alternative Equity Index Strategies,» which won a 2011 Graham and Dodd Scroll and the Readers» Choice Award from CFA Institute, and «The Surprising Alpha from Malkiel's Monkey and Upside - Down Strategies,» which won the 2013 Bernstein Fabozzi / Jacobs Levy Award for Outstanding Paper in the Journal of Portfolio Management.

A press release also notes that Gavin Brown's Enterprise and Paula Cooper Gallery are returning to the show after taking some years off, and hints at some interesting projects — David Zwirner will be showing Josef Albers's works on paper, for instance, and Petzel will be hosting a four - decade survey of works by Joyce Pensato.

This exhibition, a survey of Truitt's sculpture, painting, and works on paper from 1961 to 2002, traces the career of an artist who developed her work quietly and independently in the former carriage and row houses of this city.

The exhibition Mernet Larsen: Getting Measured will feature never - before - seen early drawings, a select group of studies and works on paper, and a survey of paintings from the 1960s to the present.

Cheim & Read is pleased to announce Joan Mitchell: Drawing into Painting, a survey of works on canvas and paper from 1958 through 1992, the year of the artist's death.

Published to accompany Nari Ward's mid-career retrospective, the largest - ever survey of his work, «Nari Ward: Sun Splashed» documents the artist's work since the 1990s, an innovative series of sculptures, videos, works on paper, and installations.

This mid-career survey explores Jones's 15 - year career and features paintings, works on paper and sculpture, along with a new series of Acoustic painting and a site - specific installation created especially for the exhibition.

The Tampa Museum of Art will present a survey of paintings and works on paper by artist Mernet Larsen (American, b. 1940).

Don Voisine, Untitled (XX), 2010 Oil on Paper, 4 x 6 inches Courtesy of McKenzie Fine Art, NYC Curated by James Carroll of the New Arts Program, this three venue survey will feature Don Voisine's work from 1988 to the present.

December 7, 2016 — The Bowdoin College Museum of Art (BCMA) will present the first - ever survey of the museum's extensive collection of drawings, the oldest public collection of works on paper on the continent, illuminating the evolving and foundational role of drawing within artistic practice.

It is the first comprehensive survey of Hofmann's works on paper.

Organized by Malba — Fundación Costantini and curated by Philip Larratt - Smith (Deputy Chief Curator, Malba, Buenos Aires) and Frances Morris (curator of Kusama's retrospective at Tate Modern, London) in collaboration with the artist's studio, the exhibition offers an in - depth survey of the work of the most prominent living Japanese artist through over 100 carefully chosen works from 1950 to 2013, including paintings, works on paper, sculptures, videos, slideshows, and installation works.

Many are included among the 18 works on canvas and 50 on paper or cardboard assembled by curator Carol S. Eliel for the much - anticipated survey newly opened at the Los Angeles County Museum of Art.

Allan Stone Projects is delighted to present a major survey of paintings and works on paper by Wayne Thiebaud on view from April 28 — June 18, 2016.

This survey of the Los Angeles artist gathers more than 30 years» worth of works on paper.

Also in 2016 Anderson was the subject of Backdrop at Art Gallery of Ontario, an in - depth survey exhibition featuring previously unseen paintings, sculptures, photographs and large - scale works on paper.

This important survey features ten of Il Lee's new, large - scale ballpoint pen works on canvas and paper from 2005.

However, the 24 large and medium - size canvases and oil - on - paper works in this lively, three - decade survey avoid a feeling of pastiche, and the allusions merge into a unique aesthetic.

The museum's collection of post-war works on paper contains a comprehensive survey of 1960s artists who worked in prints and drawings, from minimalism (Donald Judd, Ellsworth Kelly, and Sol LeWitt) to pop art (Jim Dine, Roy Lichtenstein, and James Rosenquist) to op art (Victor Vasarely and Bridget Riley).

Selected from the Allan Stone Collection, the exhibition will survey paintings and works on paper by a group of artists that reference the landscape.

A year after the Whitney Museum's show, a new survey of James Lee Byars (1932 — 1997) on view at Perry Rubenstein, Mary Boone and Michael Werner galleries includes a careful selection of sculptures, works on paper, large - scale installations and a performance.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

PICASSO SCULPTURE The first museum survey of Picasso's sculpture in nearly 50 years includes assemblages made from nontraditional materials like plywood, as well as photographs and works on paper that reveal his groundbreaking approach to sculpting in three dimensions.

In 2010, a survey exhibition of his work on paper (1975 - 2010) took place at the James Gallery of the Graduate Center of the City University of New York and later travelled to the Memphis Brooks Museum of Art, the Sarah Moody Gallery of Art at the University of Alabama and the Rowan University Art Gallery in Glassboro, NJ.

Tate Modern's large - scale survey is the most significant exhibition of her work ever to be held in Europe, charting her career from early paintings through to new works on paper.

Basquiat: The Unknown Notebooks, January 22 to April 23, is the first - ever survey of the rarely seen notebooks of Brooklyn - born Jean - Michel Basquiat (1960 — 1988) and features the artist's handwritten notes, poems, and drawings, along with related works on paper and large - scale paintings.

Summer Showcase See prints by artists from Andrea Mantegna to Chris Ofili in this survey of the Courtauld Gallery's outstanding collection of works on paper.

While best known for her monumental black cut - paper silhouettes mounted on walls, Walker has been making short films since 2004, and three of these works were included in the survey of her work at the Hammer.

With the nine oil paintings and three works on paper that comprise the exhibition, Miller continues to explore the narrative potential of the animal world by revisiting many of the themes that she has surveyed in her work for the past thirty years, including the relationship between predator and prey, the effect of changing habitats upon both flora and fauna, the folly of our human sense of control over nature, and the passage of time.

Everyone knows the iconic LOVE sculptures and paintings, but this Whitney Museum of American Art - organized survey rounds up more than 100 paintings, sculptures, and works on paper to present the full range of his work over the course of five decades.

James Turrell: The Light Inside Though it includes just half of the largest museum collection of Turrell's light installations interspersed with palate - cleansing selections of his works on paper, this survey raises the question of whether it's possible to overdose on Turrell.

«David Shrigley: Brain Activity», curated by Cliff Lauson of the Hayward Gallery, London, is the largest survey of the artist's work to date, and features groupings of drawings and paintings on paper, a variety of sculptures, several installations, sets of photographs and a selection of animations.

Featuring paintings and works on paper from several of the artist's ongoing series, including System of Display, Untitled (A Victim of American Democracy), and Independance, the exhibition will provide a West Coast audience with a powerful survey of the latest evolutions within Pendleton's practice.