Mike Gencarelli: «I Heart Shakey» looks like
sweet family film and a sharp right turn from your work with Broken Lizard, what did you enjoy most about it?
But given how vapid and unsatisfying so much of this summer's fare has been so far, I'd be happy to have a good,
sweet family film on screens.
Not exact matches
While a
film about unwittingly ordering raw steak on the first awkward date with his now wife was
sweet and funny, my favourite
film was about an old
family tradition involving pie.
All in the
family: the little sister sports a white lace blouse and skirt from her big sisters» line The Row and
sweet flat sandals to a photocall for her
film Martha Marcy May Marlene.
When Leonardo finally becomes the working, cooking
family man Kate needs, it's where the
film gets a little bit
sweet, but as the premise must sluggishly go through the motions without actually earning the outcome, it all just feels forced, plainly predictable and prefabricated.
Dolphin Tale 2 is a
sweet, albeit slight
family film.
Family gatherings turn out
sweeter in the
films It's A Wonderful Life, Coming Home For Christmas and Mrs. Miracle.
It's also oddly
sweet in the way that the Millers gradually evolve into a real
family over the course of the
film, even if you can see that twist coming from a mile away.
Released nearly three years ago, «Dolphin Tale» was a smart, sophisticated and
sweet live - action
family film with genuine heart.
That's a beautiful sentiment that is carried over to this wondrous and heartwarming movie, a rare feel - good live - action
film for the whole
family that is about who we are on the inside, a
sweet story with a strong message about doing the right thing.
Other titles in this section include: Naomi Kawase's
sweet, light and leisurely AN; Tom Geens» COUPLE IN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of
family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift
family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay
film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystical.
By Pete Hammond hollywoodnews.com: That rare A + Cinemascore rating that Warner Bros. and Alcon Entertainment's Dolphin Tale got last week was a definite sign word of mouth on this
sweet little
family film was going to be major.
It's also oddly
sweet (although admittedly cheesy) in the way that the Millers gradually evolve into a real
family over the course of the
film, even if you can see that development coming from a mile away.
It's also a
sweet, charming,
family - friendly movie that adults will actually want to see with their kids; not just a tolerable
film adults will be willing to sit through.
Infused with comedy, heart and a «beary»
sweet soul, this
film checks all the
family friendly boxes.
When Marnie Was There: Very possibly the final
film from the legendary Studio Ghibli — which took home the 2002 Oscar for Best Animated Feature for Spirited Away — this is a
sweet, almost slight tale of a girl who feels estranged from her
family finding solace with a new (imaginary?)
Others that we've seen and would heartily recommend include the twisted Americana fairytale Lamb, Jason Schwartzman «s other hysterical comedy 7 Chinese Brothers, Joshua Oppenheimer «s Indonesian genocide doc follow - up The Look of Silence, Kodi Smit - McPhee / Michael Fassbender neo-western Slow West, Leslye Headland «s surprisingly
sweet shock - comedy Sleeping with Other People, NZ splatterhorror Deathgasm, 80s action figure throwback Turbo Kid,
family road trip film Manson Family Vacation and Jemaine Clement as a semi-depressive comic book artist in People, Places, T
family road trip
film Manson
Family Vacation and Jemaine Clement as a semi-depressive comic book artist in People, Places, T
Family Vacation and Jemaine Clement as a semi-depressive comic book artist in People, Places, Things.
It must be said right off the bat that Tenenbaums isn't quite as unconventional as Anderson's first two
films, for this one can comfortably be described in a simple manner; it's about the dramas within a
family, and the story leads to expectedly
sweet messages of love and togetherness.
The new setting revivifies the harsh forces of class and gender at work in the story, as the
sweet but inscrutable title character (Freida Pinto) falls under the spell of a wealthy young man (Riz Ahmed) and leaves her
family in dusty Rajasthan for better wages in Mumbai and glamor at the margins of the
film industry.
The
film is a
sweet, wise, meandering tale about life, love, work and
families, and we're never less than a few scenes away from a good meal or drink.
An even cleverer idea was hatched by director Stuart McDonald when he decided to turn this real life Fairy - tale into a
sweet little
family film with Sarah Snook, Alan Tudyk and Aussie actor Shane Jacobson playing second fiddle to the first dog to take the job.
The
film is a
sweet, wise, meandering tale about life, love, work and
families, and we're never less than a few minutes away from a good meal or drink.