Sentences with phrase «symbol of modern»

Here, the artist has utilized the inherent tenacity of life to wrap this symbol of modern society with the fibrous texture of skin.

By no coincidence, both painters were interested in the movies as a symbol of modern life.

Les Demoiselles d'Avignon was met with outrage, distaste and outright shock when shown in 1907, but the image has since been accepted as a symbol of modern Avant - Gardism.

This stunning hotel is a symbol of modern Dubai and sits on its own man - made island off the coast, separated from the shore by a bridge usually populated with the hotel's own collection of Rolls Royces.

Instead we are witnessing what has become the symbol of modern American politics.

Timeless with a youthful spirit, Polo Ralph Lauren is the enduring symbol of modern American style: easy, energetic and cool.

If you visualize the caduceus, the symbol of modern medicine, you'll get a rough idea of the relationships among the ida, pingala, and sushumna nadis.

In some countries, scholars are also subject to violence not specifically for their individual views or actions but simply because of their connection to a higher education institution, which may be viewed as an easy target with predictable schedules, «a proxy for state authority or... a symbol of a modern, education - based society,» the report says.

«And it would be a really important symbol of modern Britain to have somebody of an Asian background representing London.»

The distinctive sail - shaped silhouette of Burj Al Arab Jumeirah is more than just a stunning hotel, it is a symbol of modern Dubai.

TV was considered a great symbol of modern development.

High - end Xerox machines — essentially, complex paper - processing computers — became symbols of modern technology, sometimes getting the upper hand on hapless humans.

A world without God must be self - invented or, worse, left to the lesser gods and empty symbols of the modern world.

Actress Audrey Tautou and designer Gabrielle «Coco» Chanel are both international symbols of modern French femininity — Chanel as the trend - setting couturier who liberated 20th century women with the simplicity and ease of her clothing, and Tautou as the single most recognizable French actress in the world, thanks to her captivating performances in films like 2001's Oscar - nominated Amelie and a little 2006 thriller called «The Da Vinci Code.

After all, the plastic bag is one of the ultimate symbols of modern consumerist excess — its sole purpose is to conveniently provide a means of transporting stuff you just bought from the shop to your home.

Eames chairs grew to represent symbols of modern design.

They have evolved to represent symbols of modern design.

Not exact matches

««Modern» means brands that are inclusive, brands that are more approachable, that are not just based on exterior symbols of status,» says Luis.

You want your brand to be the modern equivalent of a maker's mark: a symbol of something of value and of use.

CoinLion (Token Name / Symbol: LION), a new cryptocurrency exchange and portfolio management platform designed to address the fragmented marketplace and the needs of the modern day cryptocurrency trader

Not much different from modern - day office buildings, where companies compete to have the biggest outward symbol of their might.

For Gilkey, the «neo» of his orthodoxy is precisely where he remained most liberal» not just his penchant for talking about biblical symbols and myths but also his conviction that the problem of historical consciousness is the context for all modern theology.

The Passion of Christ is the particular form and symbol of the passion of modern alienated man.

The modern American HR office is a symbol of a culture's defining virtue down.

While the conversion of numerology to arithmetic was essential for the rise of modern science, historiography and mathematics, in which numbers had to be neutralized and emptied of any symbolic suggestion in order to be utilized, the result is that numerological symbols are reduced to signs.

Here we had a minister in his study with some books, clearly including the Bible, an open window showing some symbols (like a factory) of the activity and confusion of modern society, and something like a typewriter to show the minister as an active scholar and not just a passive recipient.

The modern tendency to deconstruct and demythologize religion has deprived it of its rich myths, symbols and rituals — and of a sense of the sacred imbued in the ordinary.

However, a host of modern gadgets, of which electric can openers and push - button automobile window lifts are typical, are not primarily functional but are toys for the amusement of people «who have everything,» and are symbols of the repudiation of labor.

In a democracy of worth the destruction of traditional social symbols, which has taken place so widely in modern society, would be halted.

In our generation there is danger and hope — danger that these noncognitive accouterments will lose their aesthetic harmony and hypnotic power when integrated with the basic prehensions of science, and be reverted into impotent and empty symbols, jarring, ugly, and without force in final satisfactions: hope that the power of Jesus as lure will reassert itself in an aesthetic context devoid of supernaturalism, a context such that (the language now picks up echoes of van Buren) the vision of Jesus, the free man, free from authority, free from fear, «free to give himself to others, whoever they were «1 — such that this vision in its earthly, human purity will lure our aims to a harmonious concrescence, integrating scientific insight and moral vision and producing a modern, intensely fulfilling human satisfaction.

Instead, find modern practices that follow the symbols and significance of a foot washing service.

The perplexity of this leader from the image — ridden West, standing in the presence of a mystery that still evaded him, is a true symbol of Israel's place in the ancient world: a place that might well be equally unique in the modern, save for our debt to Israel herself.

Reinhold Niebuhr wrote in 1939, «The idea of the resurrection of the body is a Biblical symbol in which modern minds find the greatest offence and which has long since been displaced in most modern versions of the Christian faith by the idea of the immortality of the soul.61

Christian transcendence is a myth; church structures therefore must go; the liturgy, God and belief, and all symbols of transcendence are out of place in the modern secular world.

On the one hand, this all too modern symbol of Yes - saying unveils the impotent passivity and the inhuman detachment of Christian faith in God, of Christian dependence upon and submission to God, the demonic consequences of which are so passionately portrayed in Ivan Karamazov.

Justin points out that «rape had been used at times a s a symbol of domination, with armies raping the (male) leader of a conquered enemy... Clearly, in some cultures and contexts — whether in ancient times or in modern - day prisons — male - male rape had been used or threatened as a method of violent humiliation and domination.»

Rouault's Head of Christ is a profound symbol of the wellsprings of modern faith.

The essence of things can be revealed only abstractly and expressionistically; however, the abstracted «lies» of modern art, the myths and symbols of our time, are, with few exceptions, devoid of specific religious doctrine or even subject matter.

Let us first ask why it was that the revelation of God employed the contemporary symbol of the Logos and its associated world view rather than any of our modern «isms»?

It is the «modern» mode of belief in symbols, an expression of the distress of modernity and a remedy for that distress.

Reform and reappropriation are always on the agenda, but to believe that there is some neutral ground from which we can rearrange the defining symbols and commitments of a living community is simply a mistake - a common mistake of modern liberalism.

This is very much a picture of modern soceity no wonder many would want our symbol to be changed to a turkey.

In Bellah's view, this capacity to differentiate symbols from the truths they convey is a prime example of the more complex, more highly differentiated character of modern religion.

Not only has there been a greater degree of differentiation between symbols and truth in modern religion but there has also been an increasing degree of differentiation among kinds of symbols.

Finally, Tillich's greatest weakness was his relative inability to discern in classic religious symbols the fresh complexity of meaning that he found (with ease, insight and fluidity) in symbols from ancient Greek and modern secular culture.

Under the influence of scientism, the Enlightenment's exaltation of reason, modern philosophy and the suspicions cast by social science many intelligent people today suspect that religious symbols are no more than psychic or social «projections.»

For example, modern artists have found themselves challenged by primitive man at the common level of the use of symbols; a modern humanist could be influenced by, say, the historical Socrates, because of a common devotion to a certain understanding of the meaning and significance of truth; and so on.

One hears echoes of Ruskin's nostalgia for the harmony of the medieval manor in contrast to the din of modern factories, or of James» preference for the Virgin over the dynamo as the central symbol of power in society, or of Schumacher's «small is beautiful» against the «great industrial city.»

Ancient and worldly, almonds have appeared throughout civilization from antiquity to modern times, celebrated as a symbol of good luck, fertility and love.

Originally constructed in 2004 but with renovations ensuring it maintains, if not exceeds, modern standards, The Ambrose Hotel has evolved into a symbol of exclusivity with a charisma and character all its own.