Each of the great religions has also developed its own
symbolic language as its interpretation of human existence within the world.
Not exact matches
G to T What makes the Bible divine is that a
symbolic picture
language in oral tradition
as captured in writing transmitted the message over thousands of years and cultures that still reveals the absolute truth.
fred «What makes the Bible divine is that a
symbolic picture
language in oral tradition
as captured in writing transmitted the message over thousands of years and cultures that still reveals the absolute truth»
Closely connected with this point is another: my sensitivity developed
as to the functions of religious
language that are not open to definitive proof or falsification, but nevertheless indicate in
symbolic form the presence of the ultimate.
I have suggested that the
language of religion may be understood
as representing in a mythic and
symbolic way at least a portion of the qualitative data given to us in primary perception.
It tells us that Jesus regarded it
as a time of release from normal religious obligations, a time of rejoicing, and since «in the
symbolic language of the East the wedding is the symbol of the day of salvation», (J Jeremias, Parables of Jesus [rev. ed., 1963], p. 117) a time of the enjoyment of the fruits of God's decisive activity on man's behalf.
My positions on all three are probably still best described
as revisionary (Le, the use of a «limit -
language» approach to the questions of religion and revelation; the use of process categories for understanding the reality of God; and the use of
symbolic literary - critical analyses for interpreting Christology).
But there are two fundamentally different ways of approaching such an explication, and they are correlative with the two primary ways of understanding the
language in which the confessional statement is made: the univocal, which takes the
language as rigidly discursive, and the imagistic, which sees it
as highly analogical or
symbolic.
The directness of the relationship is established not only through the mediation of the senses, e.g. the concrete meeting of real living persons, but also through the mediation of the «word,» i.e. the mediation of those technical means and those fields of
symbolic communication, such
as language, music, art, and ritual, which enable men ever again to enter into relation with that which is over against them.
Here certainly,
as in the case of the other four «last things,» we are talking in highly
symbolic language.
But of course the creedal statement, hallowed
as it is by centuries of use during the celebration of the Eucharist, can be understood only when it is seen
as a combination of supposedly historical data, theological affirmation put in a quasi-philosophical idiom, and a good deal of
symbolic language (with the use of such phrases
as «came down from heaven», «ascended into heaven», and the like).
Each
symbolic language is a kind of super-
language which has to be learned and understood by those who embrace that religion
as their way of life.
In practical operation, both use
language as if it were a literal description of reality, and only in more reflective moments is this
symbolic and interpretive character recognized.
Under such editorship, the church's
language would be «cleaned up,» striking all
symbolic and mythological uses
as pre-literate, primitive, and meaningless.
Hopewell had pursued his fascination with the congregation through a yearlong examination of a local United Methodist and a local Baptist congregation, and arrived in Indiana that fall with a presentation woven of insights about the two churches drawn from fields
as diverse
as history, economics, statistics and sociology, with particular emphasis on literary analysis,
symbolic language, anthropology and mythology.
To see the universe
as a whole in this way with the same God working in the universe at large, in the life of Jesus and in our lives was put in highly
symbolic language by Paul in his letter to the Colossians about the Cosmic Christ.
The key to our human superiority is, scientists agree, in our
symbolic power,
as shown in all human
languages.
His colleague George Lindbeck added an insistence on the primacy of
language over experience and a theory about religion
as a cultural -
symbolic medium.
Theologians such
as Friedrich Schleiermacher, Paul Tillich and Langdon Gilkey have given considerable attention to the sciences while clarifying the
symbolic nature of
language and concepts.
To see the universe
as a whole in this way, with the same God working in the universe at large, and in the life of Jesus, and in the lives of all of us, was put in highly
symbolic language by the apostle Paul in his letter about the «Cosmic Christ» in Colossians 1.
Ironically, the First Amendment protects
symbolic language, even rude gestures such
as «the finger.»
«Some linguists consider such examples of abstract
symbolic reasoning
as an indication of the ability to produce
language, which seems to have arisen in humans only around 100,000 years ago,» Panne says.
We will need to immerse students in
language that, in 9th grader Kinsey's words, «I connect to, or that I think hold brilliance, such
as metaphors,
symbolic meanings or things that make me wish that I had come up with them.»
The opportunity to develop additional programming
as the result of the Tooker loan allows PAFA to pursue a symposium on a group of artists, including Peter Blume, George Tooker, Ivan Albright, and other Americans who used a realist method to invent their own worlds by transforming the
symbolic language of Old Master painting into a contemporary idiom.
Painters needed a new
symbolic language to express both sides of the present,
as with Gottlieb's pictographs and crosses.
The exhibition's chronological installation brings to light intriguing parallels between these three time periods, revealing dynamic through - threads within the artistic depiction of identity from 1912 to the present, such
as the turn to
language,
symbolic attributes, and the metaphorical significance of color and form.
Hollowell's paintings represent the body
as a landscape through geometric form, vivid color and a
symbolic language.
The exhibition's chronological installation reveals intriguing parallels between these three time periods, revealing dynamic through - threads within the artistic depiction of identity from 1912 to the present, such
as the turn to
language,
symbolic attributes, and the metaphorical significance of color and form.
Throughout his career, he created a unique and
symbolic language aimed at eliciting a subjective, emotional experience within the viewer,
as well
as a transcendent escape from political and societal realities.
Hancock transforms traditionally formal decisions — such
as his use of color,
language, and pattern — into opportunities to create new characters, develop sub-plots, and convey
symbolic meaning.
The exhibition brings together a great range of artistic practices and
languages (photography, video, painting, sculpture, installation...), cultures, geographic origins, generations and experiences, to establish a tension between extremely different artistic approaches: melancholy of vanity, ironic play with identity, political biography and existential questioning, the body
as sculpture, effigy or fragment of its
symbolic substitute.
Influenced by the history of painting, especially Abstract Expressionism, Hancock transforms traditionally formal decisions — such
as the use of color,
language, and pattern — into opportunities to create new characters, develop sub-plots, and convey
symbolic meaning.
The main influences came from his contemporaries Joseph Beuys and Georg Baselitz, postwar tendencies in Abstract Expressionism and Conceptual art, but Kiefer is most regarded
as an exponent of the Neo-Expressionism derived from Minimalism and abstraction, advocating representational and
symbolic visual
language.
In this context, the artist uses the pencil
as object and also
as symbolic container; both
as an immediate extension tool of the brain and
as a device for creating a dynamic pattern or
language.
In Barrada's work, politics is inseparable from an attention to form,
as in several works where written
language is replaced by a
symbolic logic.
Many of the works on view in By the Book employ metaphor, allusion, and allegory
as structures to evoke a powerfully
symbolic visual
language, while others are inspired more directly by literary texts and fictional narratives.
His works have been described
as wavering between the primordial and the rational
as well
as the sacred and the secular, communicating through the
symbolic language of myths.
... And Then It All Came Back To Me expands on metaphysical interpretations of the artist's dreams, the invented
symbolic language that has long been a hallmark of the work, and most notably on the idea of self - portraiture
as exploration of the artist -
as - archetype.
Unlike Richter and other better - known contemporaries such
as his friend George Baselitz, he stayed far longer in East Germany, developing away from western influence a faux - naïf
language, at once
symbolic and abstract, that addressed the experience of zero - hour Germany with utter individuality.
The iconic paintings Twombly made after returning to Rome in the early 1960s, such
as Empire of Flora and School of Athens, introduce a rich, complicated, colorful,
symbolic language of forms.
Trash -
symbolic of a saturated culture - emerges
as a
language of composition, resulting in an eerie amalgamation of past, present, and future.
His work is characterized by the use of materials charged with historic and
symbolic meaning, articulated in a
language that references minimalism
as well
as pop art.
Dario Escobar's work is characterized by the use of materials charged with historic and
symbolic meaning, articulated in a
language that references minimalism
as well
as pop art.
Featuring around 100 works from public and private collections,
as well
as international museums, the exhibition titled The Alphabet will celebrate the artist's systematic
symbolic language we came to love oh so much.
With an artistic practice that manifests itself variously
as image, text, sculpture, and sound, Dages engages
language as both form and content, pressing upon and pulling apart the
symbolic nature of this familiar system until it buckles and cracks.
They use a
symbolic visual
language often inspired by their dreams that,
as twins, they claim to share.
As an undergraduate, he focused his studies on
symbolic logic and philosophy of
language.
This
Language Charter gives French a unique and somewhat
symbolic official status, since, under the Canadian Constitution (Canadian Charter of Rights and Freedoms, Sections 15 (1), and 16 (1) to 22) which supersedes the laws of Quebec, English rests on an equal footing with French
as the
language of laws, regulations, court and parliamentary proceedings.
Play is an important vehicle for developing self - regulation
as well
as promoting
language, cognition, and social competence... [Play] gives [children] opportunities to explore the world, interact with others, express and control emotions, develop their
symbolic and problem - solving abilities, and practice emerging skills.