Those dumb one - eyed potato - heads and hooded Ku Klux Klan figures are both self - portraits of sorts; tragicomic figures in a schematic universe filled with
symbolic objects like any Renaissance painting.
Not exact matches
The Light Between Oceans paints Tom and Isabel's romance in elliptical glances — a seductive strategy, but also one that leaves them feeling less
like fully fleshed human beings than
objects as
symbolic as that lighthouse, the broken piano in their seaside home, or a metal rattle that becomes integral to the plot.
Her use of minimal shapes,
like the sphere, is often tampered with by a playful take, replacing soul-less,
symbolic objects with pop - infused, less alien ones.
Consistent with his past work, Haggerty maintains in these paintings a focus on the dynamic gesture of line that embodies not actual
objects, but rather, actions or occurrences,
like letters or other
symbolic abstractions.