He defines
symbolic universes as «bodies of theoretical tradition that integrate different provinces of meaning and encompass the institutional order in a symbolic totality.
Not exact matches
He may also have thought that Whitehead's theism belonged with theism in general
as a fallacious attempt to humanize the
universe; for Santayana, though he saw theistic religion
as possessing a type of poetic or
symbolic truth, was, at the level of blunt factuality, an atheist.)
In defining
symbolic universes Berger contrasts them with simpler levels of legitimation such
as proverbs, maxims, and theories.
The final component in Berger's argument focuses on religion, which he identifies
as a type of
symbolic universe.
The emphasis on
symbolic universes has placed the study of religion in a broader cultural context, suggesting means by which private experiences of the sacred,
as well
as functional trade - offs between religion and secular symbol systems, can be rediscovered.
On one dimension,
symbolic universes are distinguished
as the most encompassing: they embrace and integrate all segments of reality, all institutional or biographic spheres, rather than being limited to a single or narrow aspect of reality.
79 They derive from an attempt to provide «alternative
symbolic universe»
as a cultural reaction to the peasants» situation.
As in similar Native American traditions, «all these
symbolic images and gestures are associated with the wind and with the breathing of the
universe — the visible motion of the power that invests everything in existence» (Jamake Highwater in Ritual of the Wind) To exist in family is to experience an insistent Chinook wind, blowing warm in winter and cool in summer, lending a direction and center to all that one does.
If the «will of God» is understood
as a
symbolic way of saying «the way things are» (the nature of reality in an orderly, cause - and - effect
universe), the profound significance of this step becomes clear.
To see the
universe as a whole in this way with the same God working in the
universe at large, in the life of Jesus and in our lives was put in highly
symbolic language by Paul in his letter to the Colossians about the Cosmic Christ.
To see the
universe as a whole in this way, with the same God working in the
universe at large, and in the life of Jesus, and in the lives of all of us, was put in highly
symbolic language by the apostle Paul in his letter about the «Cosmic Christ» in Colossians 1.
These words are
symbolic of the Yehudi's life and are the most fitting for its close; for of all of the characters in this novel, deeply religious though they are, it is only he who has declared God's oneness, only he who has refused to work for redemption with external means and who has refused to accept a division of the world between God and the devil or a redemption that is anything less than the redemption of all evil and the recognition of God
as the only power in the
universe.
In Adriano Costa's installation, From My Body Comes, Through Your Body Goes, an enigmatic composition by different materials, shapes, textures and colours broadens the boundary between art and non-art, precious and valueless, while what is considered
as our commodity culture is transformed into a
symbolic universe.