Ludwig thinks some of neural processes that cause the type of connections in her experiments also underlie full
synaesthesia in humans.
Not exact matches
«Time Lords» discovered
in California The discovery of a new form of
synaesthesia suggests that 1 human
in 50 has the power of perceiving the «geography of time»
The effect also provides a good way to learn about what's happening
in the brain
in people with
synaesthesia, with vEAR's high prevalence making it easier to investigate the mechanisms behind such cross-sensory perception.
While other typical
synaesthesias are estimated to have an overall prevalence of 4.4 per cent, the vEAR effect has recently gained some prominence on social media following the rise of «noisy GIFs», and
in particular the «thudding pylon» GIF which received thousands of retweets.
Up to one
in five people may show signs of a
synaesthesia - like phenomenon
in which they «hear» silent flashes or movement, according to a new study from City, University of London.
Its prevalence may be greater than other types because auditory and visual events are much more highly correlated
in nature when compared to other types of
synaesthesia associated with colour and visual forms.
Synesthesia (also spelled synæsthesia or
synaesthesia, plural synesthesiae) is a neurological condition
in which two or more bodily senses are coupled.
People with
synaesthesia hear numbers
in colour experience words as tastes.
Edward Hubbard, a neuroscientist at Vanderbilt University
in Nashville, Tennessee, who has studied the neural basis of
synaesthesia, doubts that chimps experience the same range of synaesthesetic experiences as humans.
He distinguishes perceptual quirks such as the sound - colour correspondence from true
synaesthesia, which he believes emerges from associations between higher concepts, not crossed connections
in brain areas that process senses.
There is still some speculation over whether Kandinsky actually had
synaesthesia or was simply influenced by reports of the phenomenon
in other people.
It's not
synaesthesia,
in which people can «hear» colours or «see» sounds.
A fashion
synaesthesia takes over, with the tactility and flow of the garments are
in perfect symbiosis with the wearer.
From early scenes of a guard, outside
in winter, smoking a cigarette, and hearing exhalation, to the rancor
in multiple scenes of violence, McQueen uses
synaesthesia better than just about any other film director around.
Kandinsky famously discovered his
synaesthesia while listening to Wagner's «Lohengrin»
in Moscow.
Beyond
synaesthesia, metaphor, or poetry, though certainly these tactics are included, what many of the works and exhibitions written about
in Issue 06 of THE SEEN ask us to respond to is an increased sensitivity of our bodies
in space when evoked by the senses.
The exhibition includes the following films: Closeup Gallery (2003),
in which a magician and his assistant engage
in a strange game where cards dance, as if equivalent with inner worlds; Soft Materials (2004) where intimate relationships between man and machine are nurtured
in an artificial intelligence laboratory; Harpstrings and Lava (2007) a dark narrative that animates dream images through clashing textures and structures; and the new film Sensorium Tests (2012), which revolves around a recently recognised neurological condition called «mirror - touch
synaesthesia».
In some ways, Martin's work turns these distinctions on their head, using mirror - touch
synaesthesia to render virtual or remote activities indistinguishable from literal actions.
Ellen Hackl Fagan is an interdisciplinary abstract painter who uses
synaesthesia, digital media and interactive performance as tools for developing a corresponding language between color and sound
in her work.
In addition to her curatorial and gallery business, Ellen Hackl Fagan is an interdisciplinary abstract painter who uses synaesthesia, digital media and interactive performance as tools for developing a corresponding language between color and sound in her wor
In addition to her curatorial and gallery business, Ellen Hackl Fagan is an interdisciplinary abstract painter who uses
synaesthesia, digital media and interactive performance as tools for developing a corresponding language between color and sound
in her wor
in her work.
Just released, the essays
in this volume — all written between 2011 and 2015 — bring together pieces on particular artists and writers such as Picasso, Kiefer and Susan Sontag, as well as extensive considerations of the mind / body problem and essays tackling elusive neurological disorders such as
synaesthesia and hysteria, alongside a towering reconsideration of Kierkegaard.
As if, Seeing
in the Manner of Listening... Hearing, as if Looking comprises a body of site - specific works By Cerith Wyn Evans that stimulate
synaesthesia.
Who got the
synaesthesia vote
in the General Election (and who tastes like the inside of a frankfurter)
The exhibition also approaches such expansive subjects as the unconscious, dreams, affect, feminism, and intimacy as well as more unusual conditions such as telekinesis, as
in Hiller's Wild Talents (1997) and mirror - touch
synaesthesia, as
in Martin's Sensorium Tests (2012).