Sentences with phrase «synaesthesia in»

Ludwig thinks some of neural processes that cause the type of connections in her experiments also underlie full synaesthesia in humans.

Not exact matches

«Time Lords» discovered in California The discovery of a new form of synaesthesia suggests that 1 human in 50 has the power of perceiving the «geography of time»
The effect also provides a good way to learn about what's happening in the brain in people with synaesthesia, with vEAR's high prevalence making it easier to investigate the mechanisms behind such cross-sensory perception.
While other typical synaesthesias are estimated to have an overall prevalence of 4.4 per cent, the vEAR effect has recently gained some prominence on social media following the rise of «noisy GIFs», and in particular the «thudding pylon» GIF which received thousands of retweets.
Up to one in five people may show signs of a synaesthesia - like phenomenon in which they «hear» silent flashes or movement, according to a new study from City, University of London.
Its prevalence may be greater than other types because auditory and visual events are much more highly correlated in nature when compared to other types of synaesthesia associated with colour and visual forms.
Synesthesia (also spelled synæsthesia or synaesthesia, plural synesthesiae) is a neurological condition in which two or more bodily senses are coupled.
People with synaesthesia hear numbers in colour experience words as tastes.
Edward Hubbard, a neuroscientist at Vanderbilt University in Nashville, Tennessee, who has studied the neural basis of synaesthesia, doubts that chimps experience the same range of synaesthesetic experiences as humans.
He distinguishes perceptual quirks such as the sound - colour correspondence from true synaesthesia, which he believes emerges from associations between higher concepts, not crossed connections in brain areas that process senses.
There is still some speculation over whether Kandinsky actually had synaesthesia or was simply influenced by reports of the phenomenon in other people.
It's not synaesthesia, in which people can «hear» colours or «see» sounds.
A fashion synaesthesia takes over, with the tactility and flow of the garments are in perfect symbiosis with the wearer.
From early scenes of a guard, outside in winter, smoking a cigarette, and hearing exhalation, to the rancor in multiple scenes of violence, McQueen uses synaesthesia better than just about any other film director around.
Kandinsky famously discovered his synaesthesia while listening to Wagner's «Lohengrin» in Moscow.
Beyond synaesthesia, metaphor, or poetry, though certainly these tactics are included, what many of the works and exhibitions written about in Issue 06 of THE SEEN ask us to respond to is an increased sensitivity of our bodies in space when evoked by the senses.
The exhibition includes the following films: Closeup Gallery (2003), in which a magician and his assistant engage in a strange game where cards dance, as if equivalent with inner worlds; Soft Materials (2004) where intimate relationships between man and machine are nurtured in an artificial intelligence laboratory; Harpstrings and Lava (2007) a dark narrative that animates dream images through clashing textures and structures; and the new film Sensorium Tests (2012), which revolves around a recently recognised neurological condition called «mirror - touch synaesthesia».
In some ways, Martin's work turns these distinctions on their head, using mirror - touch synaesthesia to render virtual or remote activities indistinguishable from literal actions.
Ellen Hackl Fagan is an interdisciplinary abstract painter who uses synaesthesia, digital media and interactive performance as tools for developing a corresponding language between color and sound in her work.
In addition to her curatorial and gallery business, Ellen Hackl Fagan is an interdisciplinary abstract painter who uses synaesthesia, digital media and interactive performance as tools for developing a corresponding language between color and sound in her worIn addition to her curatorial and gallery business, Ellen Hackl Fagan is an interdisciplinary abstract painter who uses synaesthesia, digital media and interactive performance as tools for developing a corresponding language between color and sound in her worin her work.
Just released, the essays in this volume — all written between 2011 and 2015 — bring together pieces on particular artists and writers such as Picasso, Kiefer and Susan Sontag, as well as extensive considerations of the mind / body problem and essays tackling elusive neurological disorders such as synaesthesia and hysteria, alongside a towering reconsideration of Kierkegaard.
As if, Seeing in the Manner of Listening... Hearing, as if Looking comprises a body of site - specific works By Cerith Wyn Evans that stimulate synaesthesia.
Who got the synaesthesia vote in the General Election (and who tastes like the inside of a frankfurter)
The exhibition also approaches such expansive subjects as the unconscious, dreams, affect, feminism, and intimacy as well as more unusual conditions such as telekinesis, as in Hiller's Wild Talents (1997) and mirror - touch synaesthesia, as in Martin's Sensorium Tests (2012).
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