That four minute clips mainly offers the usual combination of lip -
synch performance and movie snippets, though it's a bit more interesting that most because of an odd storyline that features a battle between humanoid cats and dogs.
They taught me to love and learn Scripture, to share my personal testimony, and to deliver a flawless lip
synch performance to Newsboys» «Shine» which I am certain will come in handy one day.
The clip uses the standard combination of lip -
synched performance and movie snippets, and it runs three minutes and 55 seconds.
A fairly standard mix of lip -
synched performance and movie clips, it offers nothing particularly compelling.
Not exact matches
This allowed them to
synch a real
performance, such as Beethoven's «Serioso» string quartet, to a synthesized version of the same piece that already contained the desired musical notations and scoring in digital form.
Hopper's choice to have the actors singing during filming, rather than lip -
synching to a pre-recorded soundtrack, gives such impact to the
performances — even with his overuse of certain other filming choices — creates such a complete world that even with its flaws, Les Miz had me in the palm of its metaphoric hand throughout.
Mouth movements are
synched to pre-recorded vocal
performances.
«Writing and
performance capture was just beginning,» he explained, continuing, «What followed was an intense year of motion capture clean - up, animation, camera work, set building, lip -
synching, prop building, editing, sound and music, by a team of over 50 artists working across five different studios.»
It is Nottoli's job to ensure that Catera's
performance, price and equipment are in
synch with what young, entry - level luxury - car buyers want.
All our actors did an amazing job, but their
performances were captured in two parts: first we filmed all body animations, then we recorded voice and facial animations in a sound booth, hoping everything would
synch together.
In 2011, Sto completed the Time
Synch Residency at the Clocktower Gallery in NY with his sound and
performance work.
21.3 is a film - remake of a 1964
performance by Robert Morris in which Morris, in the guise of a lecturer, lip -
synched to an excerpt of a foundational art - historical text by Erwin Panofsky.
Performed during the opening of Matthew Barney's Drawing Restraint exhibition at the San Francisco Museum of Modern Art on June 21, 2006; Tina Takemoto (aka Bjork - Geisha) and Jennifer Parker (aka Matthew - Whaler) offered unsolicited
performances of fan dancing, lip
synching, samurai whaling, and chopstick hara - kiri in response to the themes of Drawing Restraint 9.
Their
performance practice involves audio recordings of such discussions, reenacted and lip -
synched by actors.