Both dolphins responded correctly to novel,
syntactical forms on the first presentation.
Not exact matches
The significant factor is to recognize how the matter of painting, in each case, is addressed to the spectator — a point underlined in the work of Ron Martin, whose recent shift from an open and painterly
form to a geometric colour structure is a
syntactical, not a stylistic change.
His work, A Sembion, an interactive space filled with
forms created on the basis of a
syntactical analysis of words, has also been shown at the Institute of Contemporary Arts / ICA in London.