Sentences with phrase «synth drums»
The mix of square & triangle wave channels, synth drums, and 8 - bit white noise written in a rock style made for an intense listening experience that matched the level's wild obstacle course.
http://www.originalsoundversion.com/ Not exact matches
Well, with the help of some synths, drum machines, silky sax solos and, presumably, keytars, a producer by the named Tronicbox has made that dream a reality.
Synth voices open, as guitar, galloping, battling drums hit a charging power metal feel.
Whether it's the muffled, unsettling synths that peer out from underneath the groove, the mannered and highly potent collision of seemingly incongruous drum patterns, or simply the masterful arrangement, it all adds up to make a record that's difficult to second - guess and lots of fun to unpack.
«Painting a Hole» piles on more, including a stomping drum beat and a vaguely Middle Eastern synth line, while flavors of 1980s new wave crop up in «Cherry Hearts» and «Rubber Ballz,» each a vivid reflection of the deep record - nerd knowledge that Mercer played down on «Port of Morrow.»
Taking Kevin Parker's attention to detail to its logical extreme, Tame Impala's sophomore album was nearly dismissed as Same Impala, a near - identical composite of what made 2010's Innerspeaker such a delight: fuzzy guitar tones, analog synths and the classic dry drum sound.
Mica Levi's score is absolutely terrifying in its strangeness — all clanging noises, repetitive drum beats and weird synths.
This tunnel contains the basic elements of music that include a mixture of bass, beats, drums, guitars, vocals, synth and a whole range of other musical attributes.
In combination with The Chemical Brother's signature soundtrack, a haunting orchestra of synth - beats and drums, and mesmerizing camera shots and editing (all of which have excellent cohesion), Hanna retains entertainment value, even when its narrative begins to dampen.
Of course, there is far more to Powell's music than drum loops, and the way he combines modern electronics and synths with an orchestra is as impressive as any other film composer.
Fennelly's synths are met by Bean's rising vocals and Mueller's rattling drums.
Produced by Grizzly Bear's Chris Taylor, the record is filled with lovelorn synth - pop backed by crisp drum machines and sparkling electric guitars.
The change in tone isn't radical, but it's still pervasive; while Hans Zimmer scored Howard's previous Brown adaptations with generic strings, here he goes for faux - vintage synths that occasionally sound like James Horner's score for Commando, minus the steel drums.
The composer of «Fright Night» and «The Terminator» applied his distinctive synth sound to create a hauntingly exotic, and thematic voodoo ceremony for director Wes Craven, complete with drum percussion that conjures the feeling of being in an undead trance.
An app of two halves, GarageBand has various instruments — traditional drums, drum machines, keyboards, synths and guitars — together with an 8 - track recording studio.
The Steel Samurai (Warrior of Neo Olde Tokio) has gotten quite a full arrangement with heavy drums, brass sections, distorted guitar riffs and an 8 - bit synth too.
The «Boss Theme» «s driving drums and propulsive synths get you hyped for the battle, while «Sarinuka Sands» is pure metal.
Electric, Acoustic Guitar / Tim Yarbrough Classical, Synth Guitar / William Reyes Synth Bass, Bass / Mustin Drums, Keyboards / Jared Dunn
The overall result was sci - funk; a blend of short horn phrases, funky mute guitar, upbeat drums and percussion, groovin» bass, and a whole lotta synth.
Synths and drum - machine input sound very clean from the high to about the mid-lows.
For a vehicle with enough storage to handle two keyboards, a synth and three drum machines in Pelican cases (as a musician, this is my «family») without putting down the rear seats, that's pretty great.
The sub-bass synth hits and sustain of the drum loop still get plenty of low - end boosting and presence, however.
The drum loop's sustain has some added low - mid and low frequency presence, while the sub-bass synth hits that punctuate the beat have a solid depth, but nothing so powerful that the X12i sounds like a typical bass - forward earphone pair.
On Jay - Z and Kanye West's «No Church in the Wild,» the attack of the kick drum loop is fierce, while the sub-bass synth part underneath it lacks the push it has on systems with heavier low - end.
The low end has some extra oomf to bring kick drums and synth bass to the foreground without drowning out the mids.
The sub-bass synth hits are powerful, as is the sustain of the kick drum loop, but the sound signature is definitely brighter than most on the market.
The kick drum loop's attack gets the treble edge that Bill Callahan's voice doesn't, and the sub-bass synth hits that punctuate the beat are delivered with a decent amount of gusto.
The attack on the kick drum loop here gets a bunch of added high - mid edge, and it cuts through the mix with intensity, while the sub-bass synth hits that punctuate the beat are delivered with booming low - end.
The Melody took to the fuzzy crunch of the main synth at the intro of the track like a duck to water, revealing an expansive display of detail, while also showcasing the timbres of the snare and kick drum brilliantly.
Both the Yevo 1's and IQbuds offered an acceptable sound stage, with slight drum cymbals sounding clear and not blending into the synths.
The kick drum hits and deep bass synth notes get plenty of head - rattling force at maximum (and unsafe) volumes without a hint of distortion.
They tackled the kick drum hits and synth bass notes of our bass test track, The Knife's «Silent Shout,» without a hint of distortion at top volume.
The bass drum hits won't shake your head, but they have enough presence and mesh with the rapid high - hat to bring the entire track together without disappearing against the synth sweeps or overpowering the spoken vocals.
The sub-bass synth hits that punctuate the beat are not delivered with subwoofer - style force, but still have plenty of bass depth, as does the drum loop's sustain, which is given some extra thump.