Cymbals and high
synth elements tend to get a little painful when the volume is maxed out, but on the bright side they keep a good amount of detail.
Of course, the finale of the film is included, during which Goldsmith takes full advantage of the orchestra and sweetens it with
synth elements which is something he does with complete mastery (ala Small Soldiers, The «Burbs, The 13th Warrior, Mulan, etc.).
Ehrenzeller's collection differs from the current synth - heavy remix trend, but still achieves a contemporary feel with effective use of lighter
synth elements.
Not exact matches
The score, by Geoff Barrow and Ben Salisbury, shifts effectively between incongruous acoustic guitar and oppressive breathing -
synth sounds that I associate with Denis Villeneuve's Arrival — a film with which Annihilation shares more than a few
elements.
There are feints toward a bona fide mystery plot, but that genre
element is just a pretext for a stealth marital drama, held together through strong improv, tight editing (by Swanberg himself), moody cinematography and a
synth score (from Dan Romer) that parties like it's 1991.
Built out of crowd - pleasing
elements as durable as a lacquered, sky - high»80s hairdo, writer - director John Carney's coming - of - age musical is a
synth - drenched joy: a tuneful, deeply personal ode to the impulse that forges a high school rock band.
Fotocrime's Principle of Pain is a
synth - heavy post-punk album with
elements of goth - rock and darkwave that shows a whole new side to Ryan Patterson as an artist.
This tunnel contains the basic
elements of music that include a mixture of bass, beats, drums, guitars, vocals,
synth and a whole range of other musical attributes.
Only the ambient hum of a highly unconventional, effective
synth score by The The could count as a standout
element of a thriller that otherwise borrows relentlessly from the recent past.
The
synth line that lurks around the track plunges into the eardrums like a dagger of ice in its opening moments, while Sia injects the whole enterprise with true diva - power; managing to blend seamlessly with the many other disparate
elements that populate this fertile soundscape.
-- The Guest One of the best movies of 2014, The Guest is a badass
synth - driven trip into a hyper - realistic world that would make John Carpenter proud, set during the days leading up the big Halloween dance, featuring not only substantial seasonal imagery but also thematic
elements of identity versus disguise that lend well to the holiday, the highlight (for me) is a climactic visual homage to the Silver Shamrock masks from Halloween III: Season of the Witch.
Giving the crime movie a well - deserved amphetamine - kick up the backside, Nicolas Winding Refn's «Drive» (about a getaway driver, Ryan Gosling, who becomes unexpectedly involved in the life of his beautiful neighbor Carey Mulligan) wasn't original in its separate
elements: virtually every plot beat had been deployed somewhere before, and its neon - lit,
synth - scored aesthetic called back to classic Michael Mann, Walter Hill and William Friedkin pictures of the»70s and»80s.
In more tense moments, the music changes and becomes reminiscent of Castlevania with an organ's melancholy riff being accompanied by a
synth - y bass and other
elements.
The sub-bass
synth hits that punctuate the beat are delivered with laudable power — we hear the lowest sub-bass
elements they possess, but they're pushed to the forefront of the mix.