Sentences with phrase «synth music of»

As gritty as Heaven Knows What often feels, it's leavened by empathy and poetic moments: desperate kisses, a passed - out couch nap lit by slanting sunbeams, the beautifully eerie synth music of Tomita.
the beautifully eerie synth music of Tomita.
Using the sounds and styles of popular synth music of the 80s and combining it with the far superior technology of the modern era, I believe this is the way the musicians of the 80s had intended their music to sound.

Not exact matches

The breakout project: Betabrand.xxx, a pornographic parody of the company's website involving videos of «sexy» zippers, socks and pants «getting it on» to cheesy synth music.
Depeche Mode was particularly pivotal in blurring the line between what we know as «synth» music and rock — processing guitars through giant, modular synths so it was hard to tell the difference between what was human - made and what was a computer, and perhaps more important, bringing the blues - based, brooding, masculine energy of»60s and»70s rock into the mix.
Even the electronica groups have taken to recreations of the early 80s synth sound, or that of 60s - 70s experimental «space - age» music.
In his spare time, Michael enjoys reading, playing euro - style board games with his wife, and is an ardent follower of Korean electro / synth and bubblegum pop music.
Swansea, UK About Blog Scientists of Sound is a new music blog.Find Daily updates of the Indie, Synth, Pop variety.
Before computers and software did all the heavy lifting, artists crafted sweeping atmospheric electronic music using looping pedals and synths on top of synths on top of bass guitars.
Puttnam, who worked with him on Midnight Express, intended to use electronic music as a counterpoint to the traditional songs of the period, setting Abrahams» performance in HMS Pinafore against the synth - driven montage of Liddell running over the Scottish hills.
For all of its carefully executed, cool style, soundtracked to a retro synth score and ironic music cuts, «Revenge» is intensely raw, a violent and hallucinatory acid trip for the senses that asserts a feminist perspective in this historically exploitative and misogynistic genre.
Some of the music here is big - orchestrated well, and without the synths hiding all the subtleties the players would otherwise be able to bring forth, it would sound so much better.
The story is much like any sleazy cop thriller full of synth music that could have come from any straight - to - video production company in the 80s or 90s.
This tunnel contains the basic elements of music that include a mixture of bass, beats, drums, guitars, vocals, synth and a whole range of other musical attributes.
November 16, 2017 • With angry synths, religious imagery and a symbolic music video, the New Zealand singer provides the empowering song we need at this time of year.
My favorite shot of the film is the opening one in the psych ward — long continuous take, no audible dialog, set against disorienting synth music.
Of course, there is far more to Powell's music than drum loops, and the way he combines modern electronics and synths with an orchestra is as impressive as any other film composer.
Teeming with eerie, ethereal synth music, dark psycho - sexual themes, and references to 1980s horror classics amid a dreary, timeless Detroit landscape, It Follows is a refreshingly subtle, practically gore-less film that at first appears to be a sort of combination of last year's terrifying «Under the Skin» and the graphic novel «Black Hole» by Charles Burns.
From the minds that brought you «The Sight of the Sound,» an excellent X-Men-themed music video about Dazzler performing underground synth - pop, comes this new video featuring the New Mutants and some 1980s rock n» roll.
«Skydive» almost makes up for the shortcomings of what has gone before - synths are still there, but it's music conceived for specific electronic textures (rather than fake orchestra) and - at last - the orchestra does break free for a while.
For THE DREAM CHILD, Jay Ferguson delivers a synth - heavy score with nods to fairground music and layers of church organs and weird choral samples.
November 8, 2013 • Gary Numan is considered a pioneer of synth - based electronic music who has often featured a heavy rock influence.
Though the uncompressed PCM track is monaural only, the dialogue recordings are generally clean (if uneven) and the music is nicely presented, whether it's the brittle synth - and - sax stylings of the score by L.A. session musicians Gabriel Black and Lance Ong or the party - pop beats of Texas punk band Refugee.
Each delivers consistently audible dialogue and a clean presentation of Riz Ortolani's score, a terrific combination of orchestral music and sci - fi inspired synth.
Many have compared its style to music videos of the 1980s, with its moody synth score by Tangerine Dream lending it a more cinematic atmosphere.
After discussing Scott's viewpoint on his film and the kind of music he had in mind, Nitzsche went off to his studio to compose the music, creating a predominantly synth - based score, centered around a beautiful love theme.
The music he created as the soundtrack to the Back to the Future trilogy remains, quite possibly, my favorite score ever set to film, while later works included the synth - heavy Flight of the Navigator, the sentimentalism of Forrest Gump & Cast Away (both part of his continued collaboration with Future director Robert Zemeckis) and more recently, heroic themes composed for Marvel's Captain America: The First Avenger, The Avengers and the upcoming Avengers: Infinity War.
Bronson was an unbridled beast, as evident from director Nicolas Winding Refn's blistering opening salvo, a character - defining blood - red depiction of Peterson pacing side to side, naked and covered in filth, inside a cage, his fury rising as he psyches himself up for forthcoming fisticuffs, which in Bronson typically arrive in slow - motion and staged to crashing classical music and opera or»80s synth - pop like the Pet Shop Boys» devilishly appropriate «It's a Sin.»
Highly stylized and reminiscent of B - movies from that era, the color palettes are often a sickly green with a dated synth music score (of the sort Carpenter's films were noted for) on the soundtrack.
The music is pretty cool with a mix of chiptunes, electronic synths, and trippy beats.
The line - up includes American hip hop recording artist and actress Snow Tha Product; an electronic music artist and activist Madame Gandhi; Ariana and the Rose, an American synth - pop band from New York; Dana Goldberg, named one of the top three LGBT comedians in the US; and Suzanne Westenhoefer, an out lesbian stand - up comedian.
Swansea, UK About Blog Scientists of Sound is a new music blog.Find Daily updates of the Indie, Synth, Pop variety.
That said, the music is often perfectly timed to cause a minor jump scare, and is usually an ethereal blend of synth and piano.
Some highlights include an 8 - bit Famicom remix of Frog's theme from Chrono Trigger, a synth - tastic electro rendition of the music from Romancing SaGa and a driving piano medley of «final boss» music from the Final Fantasy series, featuring «Dancing Mad,» «Battle at the Big Bridge» and «One - Winged Angel.»
A game that replaces the typical orchestral JRPG music with something like a mix of the Soul Reaver and MGS2 soundtracks with industrial percussion and synth layers featuring modern tonalities.
Final Fantasy V Dear Friends is an arranged soundtrack album of Final Fantasy V music containing a selection of musical tracks from the game arranged with live instruments mixed with synth instruments.
The music, which I initially liked, has become a gruel of synths clogging up my ear canals.
The music is what really sets Gates of Thunder apart, though, with a synth - rock soundtrack sampled directly to CD.
The music and audio itself has an eerie percussive and synth sound, that works well with the creepy metallic aesthetic of the game.
In more tense moments, the music changes and becomes reminiscent of Castlevania with an organ's melancholy riff being accompanied by a synth - y bass and other elements.
Sean Wilson chats to the Tomb Raider and Far Cry composer about what makes a truly great score... Video game music has come on extraordinary leaps and bounds since the early days of 8 - bit synths.
Arc Impulse Saturday @ 8:30 pm https://www.youtube.com/watch?v=LG9dntbF3dAHailing from Chicago, Arc Impulse brings video game music to life by infusing it with their special dose of energetic synth - rock.
When listening to VIRGO's music, it's hard not to dream up the world of Water Planet on your own, as the synths lend themselves to the...
The soundtrack is interesting because it's very conspicuously bifurcated: About two - thirds of the tracks in the score are by Chris Köbke and evoke the music of Saturday morning cartoons, and the remaining songs are dark, synth - heavy, Vangelis - inspired tracks by Jordy «Timecop1983» Leenaerts.
Unlike other gaming events, BitSummit is known for its emphasis on showcasing gaming music through live performances, and BitSummit 4th welcomes the return of Professor Sakamoto, the Famicom - helmeted synth - hero and his crowd pleasing interactivity to the show.
Hip - Hop, New Jack Swing, Synth Pop, and Chill styles of music are all included.
«So when I say Cthulhu Saves The World is already one of my favourite games of 2011 you can be sure I've not been swayed by its astonishingly precise pastiche of early 1990s JRPG cliches, strident synth music, chunky menus and all.
The music is a digital synth sound that goes well with the theme of the
But back in the early days of CD based gaming consoles, many games had generic 90's techno, synth style music.
The musical similarities extend to the background score composed specifically for the game — many cutscenes and the end credits feature ambient, synth - heavy tracks very much in the style of Jan Hammer, who provided the background music for the show, while the «Theme From Vice City» is comparable to Hammer's «Miami Vice Theme».
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