With our bass test track, The Knife's «Silent Shout,» the low
synth notes got very loud without distorting, to the point that my ears began to vibrate uncomfortably at maximum volume without any noticeable crackle.
The kick drum hits and deep bass
synth notes get plenty of head - rattling force at maximum (and unsafe) volumes without a hint of distortion.
With our bass test track, The Knife's «Silent Shout,» bass
synth notes distorted slightly but noticeably, and didn't have the power or depth found in the wired, more expensive, Mad Catz Cyborg F.R.E.Q. 5.
Not exact matches
The typically strong but spotty album is easily their darkest or at least most despondent, sounding more like a
synth - soaked suicide
note than a fond farewell.
Their all - encompassing mechanical melancholia is matched by ethereal ambience and frosty
synth lines that occasional open up to child - like 8 -
note xylophone runs that themselves build into volcanic cacophonies.
Swaddled in Angelo Badalamenti's gorgeous
synth score, with foreboding bass - thrums occasionally making way for a recurring, cascading piano theme of faltering heartbreak — soaring into lonely, plaintive high
notes before falling back into a busier, lower register of despair.»
«
Notes on a Headstone» (7 mins., HD) has composer Fabio Frizzi discussing his
synth score in a surface - y kind of way, and «All in the Family» (6 mins., HD) is a chat with Fulci's daughter Antonella, who provides an occasionally sad defense of her asshole dad.
Highly stylized and reminiscent of B - movies from that era, the color palettes are often a sickly green with a dated
synth music score (of the sort Carpenter's films were
noted for) on the soundtrack.
Of particular
note is the spectacular soundtrack (created by the legendary Chris Hülsbeck), which features some great eighties - style up - tempo
synth - rock tracks that are sometimes amusingly upbeat when compared to the bleak worlds they're set against.
Once while listening to a particularly
synth - heavy album in the car, Missus Raroo
noted, «This sounds like «magic music.
They tackled the kick drum hits and
synth bass
notes of our bass test track, The Knife's «Silent Shout,» without a hint of distortion at top volume.
The sub-bass
synth hits that punctuate the beat and often sound thunderous on bass - forward earphone pairs are powerful here, but the bass presence isn't insanely strong like it often is — we hear just as much of the
synth's raspy top
notes as we do its depth.
The sub-bass
synth hits that punctuate the beat are more implied than delivered — we get their raspy top
notes and a little of their bass depth, but almost none of their sub-bass.