Sentences with phrase «synth sounds»

The update brings 10 new Drummers with beats appropriate for electronic music and Hip Hop styles like House, Trap, Techno, and Dubstep, plus it adds more than 100 EDM and Hip Hop - inspired synth sounds, each of which includes Transform Pad Smart Control for tweaking sounds to each user's personal taste.

These top treble frequencies sit atop a smooth midrange, which carry lead guitar and synth sounds with ease.

Kyd's masterful synth - driven score transports the listener through the twisted wired innards of Claptrap - from the ethereal to frantic, from trippy to electrical and rhythmic - listeners will relive their favorite in - game missions as the retro 80's synth sounds pulsate through their stereo speakers.

Steve Moore is half of one of my favorite bands, Zombi, known for their heavy bass and trippy synth sounds that pays respects to artists like Goblin or Fabio Frizzi.

«Hazmat Suit» begins with an electronic beat and some abrasive synth sounds but it's not long before the main theme gets back in on the act, the music really picking up the pace after a slight lull, and while «A Happy Family» (whose tone suggests an anything - but - happy family) slows things down again, it's an impressive piece.

Using a similar harmonic sound as The Flaming Lips, the synth sounds probably made The Chemical Brothers and Ratatat very jealous.

The score, by Geoff Barrow and Ben Salisbury, shifts effectively between incongruous acoustic guitar and oppressive breathing - synth sounds that I associate with Denis Villeneuve's Arrival — a film with which Annihilation shares more than a few elements.

Even the electronica groups have taken to recreations of the early 80s synth sound, or that of 60s - 70s experimental «space - age» music.

The score is also unexpected, as Cliff Martinez's compositions give the driving party atmosphere a welcoming but foreboding synth sound.

Hans Zimmer's score seems to eschew traditional instruments in favour of an almost purely synth sound.

The composer of «Fright Night» and «The Terminator» applied his distinctive synth sound to create a hauntingly exotic, and thematic voodoo ceremony for director Wes Craven, complete with drum percussion that conjures the feeling of being in an undead trance.

When I listened to Kanye West's «No Church in the Wild,» bass was almost nonexistent, highs were tinny and the delicate synths sounded like they came from straight from the 1980s: blown out and fried.

The music and audio itself has an eerie percussive and synth sound, that works well with the creepy metallic aesthetic of the game.

It's amazing what a good stereo delay and room reverb can do to give a synth sound «presence».

The music is a digital synth sound that goes well with the theme of the

Electrical contacts will produce a synth sound as one record spins around, for instance, while piezoelectric triggers create that all - important beat on another disc.

Not exact matches

The typically strong but spotty album is easily their darkest or at least most despondent, sounding more like a synth - soaked suicide note than a fond farewell.

I just realized that the keyboard part that sounds like «bells» is basically just the synth part in double time.

Swansea, UK About Blog Scientists of Sound is a new music blog.Find Daily updates of the Indie, Synth, Pop variety.

As you can hear the song is more the typical 80s synth - sound with our mandatory allures for cinematic, score-esque atmosphere.

Using the sounds and styles of popular synth music of the 80s and combining it with the far superior technology of the modern era, I believe this is the way the musicians of the 80s had intended their music to sound.

I have tested many hardware synths as well as a huge amount of VST (virtual instruments) that reproduce the sounds of vintage synthesizers.

Sounds are given space to breathe, the buzz - saw guitars that everyone seems to think have dissappeared are still there, only now they are only a part of the overall picture... they wash over dreamy synths, under Karen O.'s voice (Oh, that voice!)

But those whale - sounding synths recall in fits Arrival's score, and by association how much better that film handled a story with open - ended questions; also, how confident you felt its mysteries were by design, and how its open - endedness encouraged the audience to range and ruminate.

It's not terrible, it's mostly pleasant to listen to, it's beautifully produced and it's easy to recognize the skill it takes to craft their saintly, synth - driven sound.

Creature Comfort is a balls to the walls statement about modern culture with amazing sound, the album shouldve kept that level of fun, instead we got just a very dull synth - pop experience.

When they go mid-tempo and slower and add synths and other textures to their hooks, the songs sound better.

It's a delicate, naked offering that flits between mournful vocals, processed backward synths and serrated edges of what sounds like guitar distortion.

The performances aren't routine, and neither is the score by Ex Machina composers Ben Salisbury and Geoff Barrow, adding an emotional complexity with its mix of heartland guitar, spooky AF strings, and submerged - sounding synths.

Taking Kevin Parker's attention to detail to its logical extreme, Tame Impala's sophomore album was nearly dismissed as Same Impala, a near - identical composite of what made 2010's Innerspeaker such a delight: fuzzy guitar tones, analog synths and the classic dry drum sound.

More powerful than the «inner speaker» album delivering Pink Floyd ambience with at times Lennon - like vocals and a sprinkling of T - Rex, all wrapped up in a modern synth rock blanket of luscious sound.

Some of the music here is big - orchestrated well, and without the synths hiding all the subtleties the players would otherwise be able to bring forth, it would sound so much better.

The accompanying Dolby 2.0 Surround audio is hushed at reference volume but responds well to amplification; Barry DeVorzon's synth score has some nice stereo imaging, but the whole thing sounds a little damp.

The sound and picture quality are awful, the soundtrack is synth - pop trashy and the subplots that pad the story out and disappear completely are ridiculous.

«Pynk» opens with a synth riff indebted to Yazoo's «Only You» and abruptly morphs into a chorus that sounds like TLC playing «Teenage Dirtbag.»

Yet where Swift's earlier forays into pop retained her signature — pulsing synths overlaid with talky teenage vérité — these songs sound far less distinctive.

Their big sound has a wide sonic palette, from the spacey keyboards of Honeytrap to the baroque strings and synths of Sunny, but there are some less inspired moments.

It's little surprise how Gridiron Gang sounds, either, with a big theme pounded out by orchestra augmented by plentiful synths, and softer Thomas Newman - ish piano music (a style previously heard in Rabin's National Treasure) for the inevitable tender moments.

Jewel's score is undoubtedly the film's biggest redeeming feature: a similar synth - pop DNA to «Drive» and Jewel's other work is in there, but it's more varied and unexpected, with rockabilly and industrial influences melded into something that sounds coherent, inventive and even catchy.

The unmemorable orchestral score is supplemented by contributions from Alan Parsons, whose synth - driven music has an electronic dance beat and sounds like discarded tracks from «I, Robot.»

From the minds that brought you «The Sight of the Sound,» an excellent X-Men-themed music video about Dazzler performing underground synth - pop, comes this new video featuring the New Mutants and some 1980s rock n» roll.

The film's surround audio mix combines a few pulsating songs with Marco Beltrami's synth / orchestral shadings and saturated sound effects, meant to evoke the emphatic «bang!»

It alternates between a synth - heavy»80s TV movie sound, elevator jazz music, and a recurring instrumental that seems to lay the groundwork for Randy Newman's «You've Got a Friend in Me.»

When the soundtrack isn't jingling with the cell - phone synth of Cliff Martinez's tangerine nightmare score, a cavernous hush envelops the characters: no walla, no street sounds, no room tone — just robotic, unaffected dialogue («I think you're perfect.

Many of the tunes begin with a simple melody plucked out on a down - home instrument like a banjo or piano, then shift midway through to a more synth - dominated, dreamlike sound.

Part of the thrill is the abrupt tonal shift: The sleek and stylish action thriller's groovy»80s synth drops out, leaving only the sounds of knuckle on flesh, desperate grunts, and soft body parts hitting the ground.

The change in tone isn't radical, but it's still pervasive; while Hans Zimmer scored Howard's previous Brown adaptations with generic strings, here he goes for faux - vintage synths that occasionally sound like James Horner's score for Commando, minus the steel drums.

In his commentary for Cat People, director Paul Schrader described the Oscar - winning composer as an eccentric of sorts; appearing with a huge tape library of pre-recorded sounds, synth beats and emulations, which were multitracked and mixed down by Moroder for that film's final soundtrack.

Killers human and supernatural rampage through this impressive black box, as Jay Chattaway's gritty «Maniac» brings 80's NYC synth sleaze to Joe Spinell's sweaty mannequin lover, while Michael Convertino's strikingly original score to «The Hidden's» body jumping alien slug still stands as one of the genre's most bizarrely percussive and effective soundtracks, samples creating a sound that's violently otherworldly, which also capturing the haunted spirit of the relentless E.T. cop out to bring him in.

A nice bonus, but pretty useless, since the film's Cantonese track is mastered in a robust Dolby 5.1 mix, and the overtly synth score is reduced to a flat mono track, sharing limited headroom with intrusive sound effects.