Sentences with phrase «synth tracks»

Background effects to vocals on songs like «Halo» by Depeche Mode dissolved quickly, and while the myriad synth tracks were tight and cutting at the attack, they didn't surrender the phase - y layers that normally echo into the distance, bringing the listener in.

The whole package is tied together with a great soundtrack by Norio Hanazawa, featuring some excellent synth tracks that sounded awesome for Genesis / Mega Drive hardware and honestly still sound amazing even on the Nintendo 3DS.

Season with: wacky synth tracks.

The atmospheric music in the trailer is a synth track reminiscent of Netflix's wildly popular sci - fi / horror series Stranger Things.

Not exact matches

Instead, the analog synth - driven stylings here are more reminiscent of Vangelis film scores (with a slightly glitchy, IDM twist to prevent things from getting too dated or sleepy), while one track even samples Carly Simon.

Like the Streets or Dizzee Rascal, Arulpragasam's beats are minimal, but tracks such as «Pull Up the People» make use of every ounce of groove as tight, crisp synth lines backing her catchy raga delivery.

Some of the tracks cry out for a bar or two to be spat over, but when you hear that hollow synth on Teeza's «Rum And Coke», you'll be sold on the grime renaissance.

The train harbored a recording studio, where Sonic Youth co-founder Thurston Moore, Italian synth pioneer Giorgio Moroder and many other artists could lay down tracks.

But the band's best - known work came in collaboration with giallo king Dario Argento, and while we love their droney, synth - tastic «Tenebrae» work (sampled by French electro titans Justice for their track «Phantom»), their finest hour is unquestionably via Argento's best film «Suspiria,» about an American ballerina (Jessica Harper) tormented by a witch's coven.

The unmemorable orchestral score is supplemented by contributions from Alan Parsons, whose synth - driven music has an electronic dance beat and sounds like discarded tracks from «I, Robot.»

Atomic Blonde isn't a camp extravaganza, but it does indulge in a heavy dose of unignorable gay pasttimes like diva worship and electronic synth dance tracks.

That somebody is David Robert Mitchell, who nailed the «70s and «80s slasher feel with long tracking shots, a synth score and a plot to scare you off sex for life.

The synth line that lurks around the track plunges into the eardrums like a dagger of ice in its opening moments, while Sia injects the whole enterprise with true diva - power; managing to blend seamlessly with the many other disparate elements that populate this fertile soundscape.

Though the uncompressed PCM track is monaural only, the dialogue recordings are generally clean (if uneven) and the music is nicely presented, whether it's the brittle synth - and - sax stylings of the score by L.A. session musicians Gabriel Black and Lance Ong or the party - pop beats of Texas punk band Refugee.

The attendant 5.1 DTS - HD MA track is a loud, dynamic, synth - pop fever dream with a phat bottom end.

The title track opens with the unmistakable harmonies of Brian Wilson and the time - warp synth magic of Jon Brion, two generations of pop scientists who situate things in the American Dream - scape of Southern California — an excellent sci - fi pop setting, as French ex-pats Daft Punk (another uncredited influence here) might tell you.

A nice bonus, but pretty useless, since the film's Cantonese track is mastered in a robust Dolby 5.1 mix, and the overtly synth score is reduced to a flat mono track, sharing limited headroom with intrusive sound effects.

The track's bass thumped well, synths came through accurately, and vocals sounded clear and crisp.

An app of two halves, GarageBand has various instruments — traditional drums, drum machines, keyboards, synths and guitars — together with an 8 - track recording studio.

The Next Penelope OST — with nineteen tracks of slick, synth - infused electronica — actually stands alone as a decent album.

Having grudgingly agreed to serve the god Poseidon in order to protect the people of Ithaca and find her husband, she must fend off suitors and fight monsters by chewing up the track in a series of retro futuristic neon and synth - soaked space races.

Final Fantasy V Dear Friends is an arranged soundtrack album of Final Fantasy V music containing a selection of musical tracks from the game arranged with live instruments mixed with synth instruments.

If you like synth music, or groups like Daft Punk, you'll definitely want to listen to «Mind Games,» which is a track

Of particular note is the spectacular soundtrack (created by the legendary Chris Hülsbeck), which features some great eighties - style up - tempo synth - rock tracks that are sometimes amusingly upbeat when compared to the bleak worlds they're set against.

Bass, synths, and guitars all get their turn in the spotlight here and really bring the original track to life.

Dungeon in the Desert» is one of his more minimal tracks that relies pretty heavily on a repetitive synth accompaniment, but also features some melodic material in the piano and synthesizer.

Their synth - infused tracks just scream 80s sci - fi soundtrack and this selection from the Mass Effect 3 score basically underlines what I love about Mass Effect music.

Industrial Metal to mirror DOOM's trademark brutal power fantasy gameplay across 31 synth and Metal - filled tracks, spanning over two hours of runtime.To mimic the power of Hell and its corruptive Argent energy, Mick created the «DOOM Instrument».

This is a 15 - track compilation album featuring music from several acclaimed artists, such as «Hitoshi Sakimoto's Basiscape team, electronic master Shinji «MEGATEN» Hosoe and his SuperSweep studio, trance artist bLiNd, EDM artist Steven Silo, and the UK's sentimental synth - pop sensation, Bentley Jones».

Each song has several tracks, like a bassdrum, the hihat, a bassline or some synth playing a melody.

The Deep Rock Galactic Soundtrack, 22 full tracks of gut - punching space dwarf synth goodness will also be available via Steam for $ 7.99 / $ 7.99 / # 5.79.

The soundtrack is interesting because it's very conspicuously bifurcated: About two - thirds of the tracks in the score are by Chris Köbke and evoke the music of Saturday morning cartoons, and the remaining songs are dark, synth - heavy, Vangelis - inspired tracks by Jordy «Timecop1983» Leenaerts.

The 16 bit pixel art, the synth - metal sound track, and the fast paced action all add up to an awesome experience.

The nineties synth beats, and upbeat tempo keyboard tracks keep your speed up and force you to never let up.

The musical similarities extend to the background score composed specifically for the game — many cutscenes and the end credits feature ambient, synth - heavy tracks very much in the style of Jan Hammer, who provided the background music for the show, while the «Theme From Vice City» is comparable to Hammer's «Miami Vice Theme».

There's plenty of love on the official forums, too, though if you don't dig OCRemix - style guitars and synths VG mixxy styles, this may not be your cup of tea, but some dig it a lot: «These tracks are awesome, and have totally rekindled my love for Cave Story.

Andreas Waldetoft, the in - house composer, on the new tracks for synths included in the upcoming story pack

The bonus tracks are cheesy but enjoyable 80s - style synth, while the in - game music is fairly average, predating the era of amazing Sunsoft NES soundtracks that began with Blaster Master.

To see it in motion with extra of its revealed premise, synth - like tracks, and animated cutscenes, you may try the newest trailer under.

His contribution allowed for the tracks that used very «computerized» synth (I'd call it «chiptune-esque» or «chiptune - lite») and it brings a lot of goodness to the album.

Jay - Z and Kanye West's «No Church in the Wild» showcases the Icon Wireless» bass abilities — the sub-bass synth hits on this track, even at moderate volumes, sound like they're coming through a club PA system and you can even feel the bass in the earcups, even at reasonable listening levels.

Radiohead's «No Surprises» was displayed in an immersive set of layers, both side to side, and front and back, calling out slinking reverb tracks and a collage of other synth companions with deft clarity.

The earbuds also have an affinity for synth tones, offering buoyancy in analog pad tracks and swelling attacks from Nord and Moog synthesizers.

These two frequency bands work together in balance to give guitars and synths the presence they need to bring your favorite tracks to life.

With our bass test track, The Knife's «Silent Shout,» bass synth notes distorted slightly but noticeably, and didn't have the power or depth found in the wired, more expensive, Mad Catz Cyborg F.R.E.Q. 5.

The Melody took to the fuzzy crunch of the main synth at the intro of the track like a duck to water, revealing an expansive display of detail, while also showcasing the timbres of the snare and kick drum brilliantly.

But in the bass - focused mode, the kick thuds are a bit heavier and more pronounced, and the sub-bass synth hits on this track are more noticeably present.

They tackled the kick drum hits and synth bass notes of our bass test track, The Knife's «Silent Shout,» without a hint of distortion at top volume.

The bass drum hits won't shake your head, but they have enough presence and mesh with the rapid high - hat to bring the entire track together without disappearing against the synth sweeps or overpowering the spoken vocals.

With our bass test track, The Knife's «Silent Shout,» the low synth notes got very loud without distorting, to the point that my ears began to vibrate uncomfortably at maximum volume without any noticeable crackle.