This is not a movie to see in the front row — intrusive close - ups, hand - held camerawork, colour saturated night shots and a relentless
synthesiser score all conspire to make Good Time, shown at London Film Festival, a wild ride.
After 15 years in psychiatric incarceration, Michael escapes and, with murderous intent, returns to stalk the Midwestern, Illinois suburb where he first struck.After opening on the face of a carved, candlelit pumpkin and Carpenter's now iconic
synthesiser score playing overhead, we are introduced to a young, murderous Michael Myers.
This is not a movie to see in the front row — intrusive close - ups, hand - held camerawork, colour saturated night shots and a relentless
synthesiser score all conspire to make Good Time a wild ride.