On top of that,
the synthesizer soundtrack music score seems specifically designed to grate on one's nerves.
Its gangster - land setting, inventively disorienting mise en scène, and
synthesizer soundtrack pay homage to Johnnie To, Wong Kar Wai, Dante Lam, and Hong Kong action films.
Not exact matches
Frierson composed the rest of the
soundtrack on GarageBand using drum machines and»80s and»90s
synthesizer sounds he collected for EarthGamesUW, a project to promote awareness of environmental science through video games.
Essential to his films» success were their
soundtracks — sparse, simple, all -
synthesizer affairs rife with tension, dread, and drama, all of which were composed by Carpenter himself (occasionally in concert with Alan Howarth, a frequent collaborator).
Villeneuve («Arrival,» «Prisoners») steeps the L.A. futurescape with sly references to Scott's original — from the high - tech billboards for Coca - Cola and Atari to the hints of Vangelis»
synthesizer score in the butt - rattling
soundtrack by Benjamin Wallfisch and Hans Zimmer — and the bleak imagery of cinematographer Roger Deakins.
Loosely structured around traditional locked - door puzzles, security clearances, and non-linear character upgrades, Headlander hones in on a very specific aesthetic and commits with wild abandon, right down to a fascinatingly - produced
soundtrack using real vintage sound equipment and
synthesizers recorded to an honest - to - HAL reel - to - reel.
Before getting to the actual concert hall, there was the obligatory merchandise table selling the recently released DQIX on
Synthesizer and Original
Soundtrack as well as reprints of some of the older DQ orchestra albums, posters of the concert, and piano scores (if I had been able to play the piano, I would definitely have picked one of these up).
From bowed dobros and guitars to fujaras, live strings, massive taiko drums and circuit - bended
synthesizers, I hope players will enjoy the
soundtrack as much as we had making it!
The enhanced engine allowed for a far greater degree of graphical realism than older games made using AGI; it also allowed the use of full music
soundtracks by supporting sound cards such as AdLib and MT - 32 MIDI
synthesizers (in fact, King's Quest IV: The Perils of Rosella was the first game to support dedicated sound cards).
Bik's pixel - art graphics capture the classic adventure game look and feel while the
soundtrack, composed with modern music
synthesizers, adds a new level of depth to the experience.
Composed by Koichi Namiki, Katsuhiro Hayashi and Tohru Nakabayashi, both
soundtracks adopted an ambitious funk and fusion style, simulating an impressive range of real world instrumentation (think
synthesizers, drums, slap bass and cowbells), which for its time and hardware limitations, is nothing short of astonishing.
Q Games collaborates with a different artist for each title, and this time they went with High Frequency Bandwidth, a British electronica outfit who provided a funky, almost trip - hop
soundtrack infused with just the right amount of
synthesizer noise and sci - fi samples.