Sentences with phrase «synthetic polymer»

Benefits of Faux Wood Blinds - Faux wood blinds are either made entirely of a composite material or PVC or comprise a wood core coated in a synthetic polymer.

Via Wikipedia: «Caprolactam is the precursor to Nylon 6, a widely used synthetic polymer... In water, caprolactam hydrolyzes to aminocaproic acid, which is used medicinally.»

Metal pans coated with the synthetic polymer known as polytetrafluoroetheylene (PTFE)-- or more commonly known by the trademark name Teflon — remove the need for fat to prevent food from sticking.

Betadine, the brownish antiseptic that's common in emergency rooms, includes a synthetic polymer made of chemicals derived from petroleum.

Tim Bavington, She is Love, 2011 / Synthetic polymer on canvas / 72 x 72 inches / Collection of the McNay Art Museum

Synthetic polymer paint and newspaper on linen, 87 × 84 1/2» (221 × 214.6 cm).

Synthetic polymer on canvas board, 18 × 24 in.

Synthetic polymer and mixed media on canvas, 84 × 84 in.

Synthetic polymer, charcoal, ink, grease pencil and graphite on paper, 15 × 20 in.

Synthetic polymer and mixed media on plywood, 48 × 66 1/2 in.

Works included: Roy Lichtenstein «Still Life with Picasso», 1973 Screenprint Edition of 90, 30 AP 30 x 22 inches Ellsworth Kelly «Study for «Red Orange Panel»», 1978 Pencil and collage on paper 30 x 27 3/4 inches Robert Smithson «Photomarkers, (Six Stops on a Section)», 1968 Photographs mounted with Plexi glass 24 x 24 inches SR1968 - 001 Constantin Brancusi «Brancusi dans l'atelier, autoportrait», 1915 Vintage gelatin silver print 9 x 6 3/4 inches Constantin Brancusi «Self Portrait», 1922 Vintage gelatin silver print 11 1/4 x 9 inches Andy Warhol «Self Portrait», 1966 Silkscreen ink and synthetic polymer paint on canvas 22 x 22 inches Andy Warhol «Buddhas», 1983 Graphite on paper 31 3/4 x 24 inches Courtesy of the Andy Warhol Foundation WA1983 - 001 Donald Judd «Untitled», 1966 - 7 Galvanized iron painted red (lacquer) 5 x 40 x 8 inches Courtesy Paula Cooper, New York JD1966 - 001 Weegee «The Critic», 1943 Vintage gelatin silver print 11 x 14 inches WE1943 - 001 Weegee «The Flower Seller», 1941 Vintage gelatin silver print 13 3/4 x 10 3/4 inches WE1941 - 001 Weegee «Mayor LaGuardia at 123rd Street Police Station With Officials on Night of Riot», 1947 Vintage gelatin silver print 10 3/4 x 14 inches WE2004 - 014 Weegee «Victory Celebration», 1945 Vintage ferrotyped silver print 11 x 14 inches WE1945 - 001 Weegee «Children's Performance, at the Palace Theater», 1940 Vintage gelatin silver print 10 1/4 x 13 1/4 inches WE2004 - 015 Weegee «Mother and Daughter, Tenement Fire, Harlem» [I cried when I took this picture], 1942 Vintage gelatin silver print 10 1/4 x 13 3/8 inches WE2004 - 012 Carleton Watkins «Mt. Broderick, Nevada Fall, 700 feet, Yosemite 1861», 1861 Albumen print from wet collodion negative 15 3/4 x 20 1/2 inches WAC1861 - 001 vitrine at gallery center - all works by George Ohr

Synthetic polymer and mixed media on Masonite, 96 × 96 in.

Synthetic polymer on canvas, 60 1/8 × 48 in.

Wax crayon and synthetic polymer on paper, 35 1/8 × 22 7/16 in.

Synthetic polymer on canvas with artist's frame and picture light, 10 1/2 × 13 1/2 in.

Synthetic polymer, oil, colored pencil, watercolor, and pastel on nitrocellulose - impregnated canvas, wood, and canvas with felt, dimensions variable.

Synthetic polymer on plywood, 24 1/4 × 52 3/4 × 1 1/4 in.

Synthetic polymer with collage and tape on canvas, 75 × 83 3/4 in.

Alex Mackin Dolan, «Untitled,» 2017, Wood, synthetic polymer paint, plexiglass, archival inkjet prints, 4 x 30 3/4 x 9 inches, 10.2 x 78.1 x 22.9 cm

Children's drawings, newsprint, papier mâché, synthetic polymer, oil and pastel on canvas, 6 ′ 6 ″ x 12 ′ (198.1 x 365.8 cm).

Synthetic polymer and gesso on newspaper, 22 1/4 x 33 3/16 in.

stamped by the Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts, Inc., New York, initialed «VF» and numbered «PA 87.003» on the overlap synthetic polymer paint and silkscreen ink on canvas 14 x 11 in.

Alex Mackin Dolan, «Malenville Bootleg in Eight Panel Cabinet, Goldenrod», 2017, Wood, synthetic polymer paint, plexiglass, archival inkjet prints, 33 x 62 1/2 x 4 1/4 inches, 83.8 x 158.8 x 10.8 cm, AMD033

Alex Mackin Dolan, «P.A.o.A. Cabinet, Celadon Green (Open)», 2017, Wood, synthetic polymer paint, plexiglass, archival inkjet prints, 48 x 24 x 15 inches, 121.9 x 61 x 38.1 cm, AMD038

Wood, plaster, synthetic polymer, taxidermic dog head, and miscellaneous items, dimensions variable.

Synthetic polymer paint and pressure - sensitive tape on cut - and - stapled paper, 19 1/8 x 51 1/2 ″ (48.6 x 130.8 cm).

Lisa Bigelow, born 1930 / By Alfred Leslie (born 1927) / Synthetic polymer on canvas, 1964 — 66 / Indiana University Art Museum, Bloomington, 80.107.

Alex Mackin Dolan, «P.A.o.A. Cabinet, Rosey Brown (Closed)», 2017, Wood, synthetic polymer paint, plexiglass, archival inkjet prints, 47 1/2 x 24 x 3 inches, 120.7 x 61 x 7.6 cm, AMD034

Alex Mackin Dolan, «Cab Timeout in Fragmented Roach Frame,» 2016, Hydro - cal, synthetic polymer paint, uv plexi, archival inkjet print, and glass, 26 x 32 x 2 inches, 66 x 81.3 x 5.1 cm

During the varied career of Abstract artist Estelle Asmodelle, she continued to paint and exhibit and large canvas work using synthetic polymer became her preferred method.

Andy Warhol (1928 - 1987) Jean - Michel Basquiat synthetic polymer and silkscreen ink on canvas 40 x 40 in.

Synthetic polymer paint and silkscreen on canvas.

Andy Warhol, Campbell's Soup Cans, 1962, synthetic polymer paint on thirty - two canvases, each 20 x 16 in., gift of Irving Blum; Nelson A. Rockefeller Bequest, gift of Mr. and Mrs. William A.M. Burden, Abby Aldrich Rockefeller Fund, gift of Nina and Gordon Bunshaft in honor of Henry Moore, Lillie P. Bliss Bequest, Philip Johnson Fund, Frances Keech Bequest, gift of Mrs. Bliss Parkinson, and Florence B. Wesley Bequest (all by exchange); The Museum of Modern Art, New York, NY, U.S.A., © 2011 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York, digital image © The Museum of Modern Art / Licensed by SCALA / Art Resource, NY, Campbell Trademarks used with permission of Campbell Soup Companycontemporary art.

Andy Warhol, Dolly Parton, 1985, Synthetic polymer paint and silkscreen ink on canvas, 42 x 42 in.

Warhol Diptych, 1973/2004; synthetic polymer screenprint and acrylic on canvas; 6 ft. and 11 7/8 in.

Warhol Flowers, 1964 — 65; synthetic polymer screenprint on canvas; 22 1/16 × 22 1/16 in.

Cultivating his own sort of synesthesia, Bavington assigns musical notes to tones of color and compositional elements, so that his paintings seem to pulsate and reverberate with rhythmic bands of synthetic polymer paint.

Oil, synthetic polymer, oil stick, and graphite on paper.

Synthetic polymer and gel paints are combined with collage, using found and rare papers which the artist spends years seeking out.

Alasdair McLuckie The Snail Logic Reading Other Peoples Mail2018 collage on paper, synthetic Polymer paint and ballpoint pen on Binders board artist frame 61 x 36 cm

Synthetic polymer paints and dry pigment on fabric, 9 ′ 10 ″ x 7 ′ 4 1/2 ″ (300 x 224.8 cm).

Synthetic Polymer Paint on Linen with Neon Lights and transformer.

«Crescent Bridge I» (1972) synthetic polymer and mixed media on plywood, above, and «Untitled (for B.C.)» (1973), photo collage, left, by Jay DeFeo.

GLENN LIGON, «Endless Column / Nu Nile (Yellow),» 1985 (synthetic polymer, ink and graphite on paper).

Alasdair McLuckie The Snail Logic to a Man with a Hammer, Everything Looks Like a Nail2018 collage on paper, synthetic Polymer paint and ballpoint pen on Binders board artist frame 36 x 61 cm

Thread, synthetic polymer paint, ink, transfer type, and pencil on paper, 19 5/8 × 19 1/2 ″ (49.8 × 49.5 cm).

Synthetic polymer, ink, and graphite on paper, 22 1/8 × 15 1/4 in.

Oil stick, synthetic polymer, and graphite on canvas, 32 × 32 in.

Tom Wesselmann Study for Mouth, 8, 1966 Synthetic polymer paint and pencil on paper © Estate of Tom Wesselmann / Licensed by VAGA, New York City, NY ★ On show in Drawing Then at Dominique Lévy

Oil, synthetic polymer, oil stick, and graphite on paper, 30 × 22 1/4 in.