Tim Bavington, She is Love, 2011 /
Synthetic polymer on canvas / 72 x 72 inches / Collection of the McNay Art Museum
Synthetic polymer on canvas board, 18 × 24 in.
Synthetic polymer on canvas, 60 1/8 × 48 in.
Wax crayon and
synthetic polymer on paper, 35 1/8 × 22 7/16 in.
Synthetic polymer on canvas with artist's frame and picture light, 10 1/2 × 13 1/2 in.
Synthetic polymer on plywood, 24 1/4 × 52 3/4 × 1 1/4 in.
Lisa Bigelow, born 1930 / By Alfred Leslie (born 1927) /
Synthetic polymer on canvas, 1964 — 66 / Indiana University Art Museum, Bloomington, 80.107.
Synthetic polymer on paper on canvas, 76 1⁄2 × 64 inches.
Enamel, oil, and
synthetic polymer on canvas, 92 3/4 × 142 in.
Buddy Holly (Rave On), 2007 /
synthetic polymer on canvas over panel / 32 x 32 inches / Collection of Perez Art Museum, Miami
Oil and
synthetic polymer on canvas, 68 × 80 in.
The exhibition will include Buck's «At the end of the day... (Holding area, US Customs and Border Protection Nogales Placement Center, Nogales, AZ, June 18, 2014)», giclee print and
synthetic polymer on canvas, 2014.
Graphite, gouache, and transparent
synthetic polymer on paper with cut - and - torn tracing paper, 14 1/2 x 19 1/2 in.
Robert Buck «At the end of the day...» (Holding area, U.S. Customs and Border Protection Nogales Placement Center, Nogales, AZ, June 18, 2014) Giclee print and
synthetic polymer on canvas85 1/2 x 54 x 1 1/2 Courtesy the artist and Ballroom Marfa
Not exact matches
While previous
synthetic polymers involved simple covalent bonding, where molecules shared electrons to bind them together, this system uses highly specific «grabber» ends
on each molecule that bond with only one type of «pin» end
on another molecule.
Now, scientists report they have replicated these antibacterial nanopillars
on synthetic polymers that are being developed to restore vision.
The aim is to make a
synthetic skin substitute that is based
on biodegradable
polymers and peptides which can be reconstituted with the patients own cells.
Hers is not the first
synthetic material tested in this way, but it is the the first
polymer that conducts electricity, which, Schmidt says «has a beneficial effect
on the nerves.»
Recently Pacific Northwest National Laboratory (PNNL)- led materials scientists assembled networks of highly ordered
synthetic protein - like
polymers (peptoids)
on a flat surface, marking a major breakthrough in biomimetic coatings.
Design, fabrication and physical characterization of scaffolds made from biodegradable
synthetic polymers in combination with rp systems based
on melt extrusion.
Shown, KERRY JAMES MARSHALL, «Untitled (policeman),» 2015 (
synthetic polymer paint
on PVC panel with plexi frame).
TOP IMAGE: ALMA WOODSEY THOMAS (American, 1891 — 1978), «Untitled,» circa 1968 (
synthetic polymer paint and pressure - sensitive tape
on cut - and - stapled paper), 19 1/8 × 51 1/2 inches.
Frank Stella (b. 1936) Lettre sur les sourds et muets I signed and inscribed «F. Stella» 75» (
on the stretcher)
synthetic polymer paint
on canvas 141 x 141 in.
Synthetic polymer, silkscreen ink, and graphite
on canvas, 82 3/8 × 57 in.
Known for their pioneering work with various
synthetic resins and
synthetic polymers during the 1960s and «70s, these artists are today recognized not only for their active roles in the development of plastics as a newly discovered medium in art, but also for their sophisticated techniques and at times even quasi-acrobatic prowess required to shape them into the seamless, translucent, luscious volumes: some impressive examples of these artistic exploits will be
on display at Almine Rech Gallery.
Synthetic polymer paints and dry pigment
on patterned fabric, 9 ′ 10 ″ x 7 ′ 4 1⁄2.»
Tom Sachs Dome, 2011
synthetic polymer paint & thermal adhesive
on card board, resin & carbon fiber 51 x 25 1/4 x 31 inches (130 x 64 x 78,7 cm) chair SW 11136
Photo: Jonathan Muzikar, © Isa Genzken; Isa Genzken, Rot - gelb - schwarzes Doppelellipsoid «Zwilling» (Red - yellow - black Double Ellipsoid «Twin»), 1982, lacquered wood, two parts, Collection of the artist, Courtesy the artist and Galerie Buchholz, Cologne / Berlin, © Isa Genzken; Isa Genzken, MLR, 1992, lacquer
on canvas, Lonti Ebers, New York, Courtesy the artist and Galerie Buchholz, Cologne / Berlin, © Isa Genzken; Isa Genzken, Hospital (Ground Zero), 2008, metal tray dolly, plastic flowers in spray - painted vase, ribbon, metal, mirror foil,
synthetic polymer paint
on fabric, shot glasses, fiberboard, and casters, Collection Charles Asprey, Courtesy the artist and Galerie Buchholz, Cologne / Berlin, © Isa Genzken; Isa Genzken, New Buildings for Berlin, 2004, glass and silicone
on wood pedestal, four parts, Kravis Collection, Courtesy David Zwirner Gallery, New York / London, © Isa Genzken; Isa Genzken, Fuck the Bauhaus # 4, 2000, plywood, Plexiglas, plastic slinky, clipboards, aluminum light shade, flower petals, tape, printed paper, shells, and model tree, Private Collection, Turin, Courtesy AC Project Room, New York, © Isa Genzken
Flights and Fantasy, 1970 mixed media collage of various papers and
synthetic polymer paint
on Masonite 8 3/4» x 11 3/4», signed and dated
Synthetic polymer paint, bronze powder and lacquer
on wood, anodized aluminum, rubber, plastic, formica, leather, chrome - plated steel and canvas.
Andy Warhol (1928 - 1987) Camouflage stamped with the Estate of Andy Warhol stamp, stamped twice with the Andy Warhol Authentication Board, Inc. stamp and numbered «PA85.002» (
on the overlap)
synthetic polymer and silkscreen inks
on canvas 40 x 40 in.
Andy Warhol (1928 - 1987) Rorschach stamped twice with the Estate of Andy Warhol stamp and the Andy Warhol Foundation for the Visual Arts stamp and numbered three times «PA75.079» (
on the overlap)
synthetic polymer and silkscreen ink
on canvas 96 x 75 7/8 in.
Synthetic polymer and oil
on cast polyvinyl with clothing, hair, eyeglasses, watch, shoes, upholstered wood chair, ceramic dog with collar, woven rug, postcard, letters, and envelopes, 46 1/8 × 50 1/2 × 48 in.
Loop) Loop Painting 2016 (96 x 96 in.;
Synthetic polymer and oil enamel
on canvas)
32 canvases at 51 x 41 cm or 20 x 16 inches
Synthetic polymer paint
on canvas, scre...
Carroll Dunham, Ship (1997 - 1999),
synthetic polymer paint, urethan paint and pencil
on linen, 10 ′ 1/8 ″ x 13 ′ 1/8 ″; courtesy The Museum of Modern Art
Romare Bearden (1911 - 1988) Flights and Fantasy, 1970 mixed media collage of various papers and
synthetic polymer paint
on Masonite 8 3/4» x 11 3/4» signed and dated
1988
Synthetic polymer paint
on canvas 60 x 48 in.
Glenn Ligon Self - Portrait, 2002 Coaldust, printing ink, oil,
synthetic polymer paint, oilstick, glue and graphite
on canvas 47 1/2 x 35 1/2 inches
John Baldessari, What Is Painting (1966 - 68),
synthetic polymer paint
on canvas, 67-3/4 ″ x 56-3/4 ″; courtesy the Museum of Modern Art
Featured image: Agnes Martin — With My Back to the World, 1997;
Synthetic polymer paint
on canvas, six panels; Each 60 x 60 ″ (152.5 x 152.5 cm); Fractional and promised gift of the Ovitz Family Collection
(detail), 2004
Synthetic polymer paint and ink
on printed paper, 13 sheets, each 6.25 x 4 inches Collection Museum of Modern Art, New York March 4 — June 11, 2007
Lot 108, «Flowers,» is a 22 - inch - square
synthetic polymer and silkscreen inks
on canvas painted by Andy Warhol in 1964.
The 75 - by -65-inch
synthetic polymer and silkscreen ink
on canvas was painted in 1967 and has a modest estimate of $ 400,000 to $ 600,000.
Lot 139, «Four Multicolored Self - Portraits (Reversal Series),» is a 47 - by -36-inch
synthetic polymer and silkscreen inks
on canvas by Andy Warhol that was painted in 1979.
Another fine Warhol is Lot 48, «Mao,» a 36 - by -56-inch
synthetic polymer and silkscreen ink
on canvas that was painted in 1972 - 4.
Silkscreen ink
on synthetic polymer paint
on canvas, 6 11 × 53 ̋.
ASHLEY BICKERTON Tormented Self - Portrait (Susie at Arles), 1987 - 1988
synthetic polymer paint, bronze powder and lacquer
on wood, anodized aluminum, rubber, plastic, formica, leather, chrome - plated steel, and canvas 89.41 x 68.7 x 15.75 inches 227.1 x 174.5 x 40 cm LM12377 Collection of The Museum of Modern Art, New York.
Isa Genzken Disco Soon (Ground Zero), 2008
Synthetic polymer paint
on plastic, cardboard, mirror, spray paint, metal, fabric, hose lights, mirror foil, printed sticker, wood blocks, fiberboard, and casters 86 1/4 x 80 11/16 x 64 15/16» (219 x 205 x 165 cm) Carlos and Rosa de la Cruz Collection Courtesy the artist and Galerie Buchholz, Cologne / Berlin © Isa Genzken
A complete set of screen prints from Warhol's «Mao» series are up for grabs at Christie's evening sale of Asian contemporary art
on May 29 and then «Myths», a silkscreen ink
on synthetic polymer paint
on canvas, will be presented at this year's Hong Kong International Art Fair, from May 27 to 30.