Experts report that
synthetic polymers in polyester are capable of emitting greenhouse gases in more than 300 times the amount generated by carbon dioxide.
Design, fabrication and physical characterization of scaffolds made from biodegradable
synthetic polymers in combination with rp systems based on melt extrusion.
Not exact matches
Intrigued, Vezzosi tried out the recipes and ended up with a compound resembling Bakelite, one of the first
synthetic polymers, which was widely used
in the early 1900s.
The new material, described online 25 April
in Science by
synthetic chemist Andreas Lendlein of mnemoScience GmbH
in Aachen, Germany, and biomedical engineer Robert Langer of the Massachusetts Institute of Technology, is composed of two
polymers, each already used separately
in clinical applications such as drug delivery.
One of Hoyt's latest bows, the 900CX, aims for a slight edge
in the technology race by replacing the typical fiberglass outer coating with a much lighter
synthetic polymer and using a higher percentage of carbon fiber inside.
Thomas came over from the US
in 2008 to research ways of integrating biological and
synthetic polymers into the body.
The advancement, using a new kind of
synthetic polymer (a
polymer is a large molecule composed of many repeated smaller molecules) has self - healing properties that mimic human skin, which means that e-skin «wounds» can quickly «heal» themselves
in remarkably short time — less than a day.
A new
synthetic route to cyclic
polymers has been developed
in which the ends of growing
polymer chains remain attached to a metal complex throughout the entire polymerization process.
The researchers have therefore succeeded
in encoding
in a unique
synthetic polymer both mechanical properties (flexibility, strain profile) and optical properties, which had never previously been achieved.
Modeled after platelets — cells that circulate
in the blood and help stop bleeding by forming clots — the nanoparticles are less than 100 nm wide and made of
synthetic polymers stuck together like a ball of wet sand.
The world's first
synthetic tree consists of nothing more than a super-skinny tube (the «trunk») connecting two networks of microcapillaries (one forms the «roots» and the other the «leaves») embedded
in a porous
polymer.
Further, the
polymer scientists
in the group created
synthetic three - toed gecko feet from fabrics and soft elastomers to model adhesive performance.
Hers is not the first
synthetic material tested
in this way, but it is the the first
polymer that conducts electricity, which, Schmidt says «has a beneficial effect on the nerves.»
We report, herein, a
synthetic approach toward this distinctive
polymer architecture
in high yield (~ 75 %) via efficient ring closing of rationally designed metallosupramolecular
polymers.
Traditional hydrogels made up of either
synthetic polymers or natural biomolecules often serve as passive scaffolds for molecular or cellular species, which render these materials unable to fully recapitulate the dynamic signaling involved
in biological processes, such as cell / tissue development.
Recently Pacific Northwest National Laboratory (PNNL)- led materials scientists assembled networks of highly ordered
synthetic protein - like
polymers (peptoids) on a flat surface, marking a major breakthrough
in biomimetic coatings.
It is among the best spun
polymer fibres
in terms of tensile strength, ultimate strain, and especially toughness, even when compared to
synthetic fibres such as Kevlar.
Osteogenic induction of human bone marrow - derived mesenchymal progenitor cells
in novel
synthetic polymer - hydrogel matrices.
Founding Core Faculty Member Platform Lead,
Synthetic Biology Wyss Institute Professor of Genetics Harvard Medical School Professor of Health Sciences and Technology Harvard and MIT George leads the
Synthetic Biology Platform, where he oversees the directed evolution of molecules,
polymers, and whole genomes to create new tools with applications
in regenerative medicine and bioenergy.
«
In this study, we used a combination of synthetic polymers and ECM proteins to fabricate biocompatible JetValves that are hemodynamically competent upon implantation and support cell migration and re-population in vitr
In this study, we used a combination of
synthetic polymers and ECM proteins to fabricate biocompatible JetValves that are hemodynamically competent upon implantation and support cell migration and re-population
in vitr
in vitro.
Generally speaking, the microfiber used
in cleaning cloths is made from a combination of two
synthetic polymers — polyester and polyamide (which is nylon).
These subtle interventions occasionally house microcosmic activity
in the form of
synthetic, miniature structures of painted
polymer clay along with moss, fungi, plants and other organic materials.
Frank Stella (b. 1936) Lettre sur les sourds et muets I signed and inscribed «F. Stella» 75» (on the stretcher)
synthetic polymer paint on canvas 141 x 141
in.
Synthetic polymer, silkscreen ink, and graphite on canvas, 82 3/8 × 57
in.
Known for their pioneering work with various
synthetic resins and
synthetic polymers during the 1960s and «70s, these artists are today recognized not only for their active roles
in the development of plastics as a newly discovered medium
in art, but also for their sophisticated techniques and at times even quasi-acrobatic prowess required to shape them into the seamless, translucent, luscious volumes: some impressive examples of these artistic exploits will be on display at Almine Rech Gallery.
Photo: Jonathan Muzikar, © Isa Genzken; Isa Genzken, Rot - gelb - schwarzes Doppelellipsoid «Zwilling» (Red - yellow - black Double Ellipsoid «Twin»), 1982, lacquered wood, two parts, Collection of the artist, Courtesy the artist and Galerie Buchholz, Cologne / Berlin, © Isa Genzken; Isa Genzken, MLR, 1992, lacquer on canvas, Lonti Ebers, New York, Courtesy the artist and Galerie Buchholz, Cologne / Berlin, © Isa Genzken; Isa Genzken, Hospital (Ground Zero), 2008, metal tray dolly, plastic flowers
in spray - painted vase, ribbon, metal, mirror foil,
synthetic polymer paint on fabric, shot glasses, fiberboard, and casters, Collection Charles Asprey, Courtesy the artist and Galerie Buchholz, Cologne / Berlin, © Isa Genzken; Isa Genzken, New Buildings for Berlin, 2004, glass and silicone on wood pedestal, four parts, Kravis Collection, Courtesy David Zwirner Gallery, New York / London, © Isa Genzken; Isa Genzken, Fuck the Bauhaus # 4, 2000, plywood, Plexiglas, plastic slinky, clipboards, aluminum light shade, flower petals, tape, printed paper, shells, and model tree, Private Collection, Turin, Courtesy AC Project Room, New York, © Isa Genzken
Andy Warhol (1928 - 1987) Camouflage stamped with the Estate of Andy Warhol stamp, stamped twice with the Andy Warhol Authentication Board, Inc. stamp and numbered «PA85.002» (on the overlap)
synthetic polymer and silkscreen inks on canvas 40 x 40
in.
Graphite, gouache, and transparent
synthetic polymer on paper with cut - and - torn tracing paper, 14 1/2 x 19 1/2
in.
© Nicola Moss «Heritage ecology -
In the mosaic», 2015 Hand cut papers,
synthetic polymer paint,... https://t.co/bz962u5XND
Andy Warhol (1928 - 1987) Rorschach stamped twice with the Estate of Andy Warhol stamp and the Andy Warhol Foundation for the Visual Arts stamp and numbered three times «PA75.079» (on the overlap)
synthetic polymer and silkscreen ink on canvas 96 x 75 7/8
in.
Synthetic polymer and oil on cast polyvinyl with clothing, hair, eyeglasses, watch, shoes, upholstered wood chair, ceramic dog with collar, woven rug, postcard, letters, and envelopes, 46 1/8 × 50 1/2 × 48
in.
Loop) Loop Painting 2016 (96 x 96
in.;
Synthetic polymer and oil enamel on canvas)
1988
Synthetic polymer paint on canvas 60 x 48
in.
Oil and
synthetic polymer on canvas, 68 × 80
in.
Lot 108, «Flowers,» is a 22 - inch - square
synthetic polymer and silkscreen inks on canvas painted by Andy Warhol
in 1964.
The 75 - by -65-inch
synthetic polymer and silkscreen ink on canvas was painted
in 1967 and has a modest estimate of $ 400,000 to $ 600,000.
Lot 139, «Four Multicolored Self - Portraits (Reversal Series),» is a 47 - by -36-inch
synthetic polymer and silkscreen inks on canvas by Andy Warhol that was painted
in 1979.
Another fine Warhol is Lot 48, «Mao,» a 36 - by -56-inch
synthetic polymer and silkscreen ink on canvas that was painted
in 1972 - 4.
Executed
in 1966 - 7, this 22 - inch square
synthetic polymer and silkscreen on canvas, shown below, has an estimate of $ 400,000 to $ 600,000.
The range of objects and other contemporary junk materials employed within the genre is well illustrated
in the works of Joseph Beuys (1921 - 86), such as Eurasia Siberian Symphony (1963, panel, chalk drawing, felt, fat, hare, painted pole, Museum of Modern Art NYC); Ed Kienholz (1927 - 94), such as Back Seat Dodge»38 (1964, truncated Dodge automobile, resin, paint, fiberglass, clothing, chicken wire, beer bottles, plaster, Los Angeles County Museum of Art); Niki de Saint - Phalle (1930 - 2002), such as her Monster of Soisy (1963, paint, various objects, metal frame, George Pompidou Centre); Marisol (b. 1930), such as her Woman and Dog (1964, wood, plaster,
synthetic polymer, taxidermied dog head, and miscellaneous items, Whitney Museum of American Art).
Enamel, oil, and
synthetic polymer on canvas, 92 3/4 × 142
in.
Oil stick,
synthetic polymer, and graphite on canvas 32 x 32
in.
Synthetic polymer and silkscreen ink on canvas, 20 x 16
in.
Placed together
in the expansive, sparsely installed main gallery, the cocktail of visual seductions and visceral assaults of Image is an Orphan contrasts with the deathlike presence of the pair of sculptures made of cast
synthetic polymer: Cold Horizontal (IMAGE) and Cold Horizontal (BODY).
Chocolate Utopian Underground City with Yellow Inner Structure Station with Square Grid under Construction Safety Chrysalis and Abandon Square Habitat with White Expulsion Area and Central White Mine Tunnel Transportation Center, 2003, Ink, watercolor, pencil, colored pencil, felt - tip pen,
synthetic polymer paint, and gouache on colored paper, 54 1⁄2 x 78 5/8
in.
Glenn Ligon, Untitled (Dax Pomade),» 1985,
Synthetic polymer, ink, and graphite on paper 22 1⁄8 × 15 1⁄4
in.
Glenn Ligon, «The Cock / Nu Nile,» 1985,
Synthetic polymer, ink and graphite on paper 22 1/8 × 15 1⁄4
in.
Glenn Ligon, «Endless Column / Nu Nile,» 1985,
Synthetic polymer, ink, and graphite on paper 22 1⁄8 × 15 1⁄4
in.
stamped by the Estate of Andy Warhol and Andy Warhol Foundation for the Visual Arts, Inc., numbered and initialed «VF PA87.003» on the overlap
synthetic polymer paint, diamond dust and silkscreen ink on canvas 228.7 x 178.2 cm (90 x 70 1/8
in.)
Oil,
synthetic polymer, oil stick, and graphite on paper, 30 × 22 1/4
in.