Sentences with phrase «synthetic resin on»

Untitled Blue Monochrome (IKB 44), 1955, dry pigment in synthetic resin on canvas, mounted on panel, 41 × 136 × 3 cm.

Yves Klein, Untitled red monochrome (M 63), 1959 Dry pigment in synthetic resin on board Solomon R. Guggenheim Museum, New York Gift, Andrew Powie Fuller and Geraldine Spreckels Fuller Collection, 1999, 2000.28 © 2013 Artists Rights Society (ARS), New York / ADAGP, Paris

Sadamasa Motonaga, 1962, oil paint and synthetic resin on canvas - Hyogo Prefectural Museum of Art (Yamamura Collection)- Copyright Estate of Sadamasa Motonaga — Photo courtesy of Dallas Museum of Art

Yves Klein, Suaire de Mondo Cane (Mondo Cane Shroud), 1961, pigment, synthetic resin on gauze, 108 x 118 1/2 in.

Yves Klein, «Hiroshima», ca. 1961, dry pigment in synthetic resin on paper on canvas, 138.7 x 279.7 cm.

A very striking deep ultramarine blue work by Yves Klein (1928 - 1962), «RE 40,» a sponge and pigment in synthetic resin on panel, 78 3/4 by 59 inches, Lot 64, sold within its estimates for $ 2,095,750, another auction record.

Heinz Mack Weiße Vibration, 1958 - 59 synthetic resin on canvas 49 1/4 x 38 5/8 inches (125 x 98 cm) 50 1/2 x 40 inches (128,3 x 101,6 cm) frame SW 08197 Private Collection

Yves Klein (1928 - 1962) Anthropométrie sans titre, (ANT 49) signed and dated «Yves Klein 1960» (lower right) dry pigment and synthetic resin on paper laid down on canvas 42 7/8 x 25 5/8 in.

Dry pigment and synthetic resin on paper, mounted on canvas.

Yves Klein (1928 - 1962) IKB 64 signed, stamped with the artist's monogram and dated «Yves 57» (on the overlap) dry pigment and synthetic resin on canvas laid down on panel 21 7/8 x 30 1/2 in.

Untitled Blue Sponge Sculpture (SE 238) c. 1959 Dry pigment and synthetic resin on natural sponge, metal stem, and stone base

Not exact matches

The stiffness of the initially viscous material based on synthetic resin can be determined by two hardening mechanisms: irradiation with UV light, and heat.

A similar composite material is used for the tailpipes on the exhaust system — the compound of ceramic powder and synthetic resin makes this carbon material extremely heat resistant.

Vista 1 — Curling, 2013, graphite, acrylic paint, paper, nail polish, resin, filter charcoal, paper on synthetic paper, approximately 22 x 20 inches

No Escape Hatch 2, 2015, acrylic paint, nail polish, resin, synthetic hair, horticultural charcoal, and graphite on paper, 38 x 50 inches

He then used paint pouring as one of several techniques on canvases, such as «Male and Female» and «Composition with Pouring I.» After his move to Springs, he began painting with his canvases laid out on the studio floor, and he developed what was later called his «drip» technique, turning to synthetic resin - based paints called alkyd enamels, which, at that time, was a novel medium.

Known for their pioneering work with various synthetic resins and synthetic polymers during the 1960s and «70s, these artists are today recognized not only for their active roles in the development of plastics as a newly discovered medium in art, but also for their sophisticated techniques and at times even quasi-acrobatic prowess required to shape them into the seamless, translucent, luscious volumes: some impressive examples of these artistic exploits will be on display at Almine Rech Gallery.

Makeover Culture Disfigured No. 3 2016 digital prints, magazine images, found paper, acrylic paint, glitter, fabric, synthetic hair, resin on wood panel 52» x 68»

Tom Sachs Dome, 2011 synthetic polymer paint & thermal adhesive on card board, resin & carbon fiber 51 x 25 1/4 x 31 inches (130 x 64 x 78,7 cm) chair SW 11136

Yves Klein, Untitled (fire - color painting), 1962, charred dry pigment in synthetic resin with metallic paint on asbestos - coated paper on board, 24 1/2 x 19 in.

Heinz Mack Ohne Titel (Untitled), 1960 synthetic resin, pigments, saw dust on press board 40 1/2 x 44 3/8 x 3 3/8 inches (102,5 x 112,5 x 8,5 cm) Private Collection

A satellite of the major retrospective on Sigmar Polke at the Museum Ludwig: Polke's Biennale cycle of 6 synthetic - resin paintings in Mönchengladbach and the «making of» his German Pavilion at the 42nd Venice

Lot 40, «RE 1,» by Yves Klein (1928 - 1962) is a 78 3/4 - by -65-inch deep blue pigment, synthetic resin and sponges on canvas that was executed in 1958 and has a very ambitious estimate of $ 4,000,000 to $ 5,000,000.

«We also sold the Yves Klein «IKB 93,» blue pigment and synthetic resin laid on panel,» Mr. Rastorfer added later in an e-mail.

Sigmar Polke Hermes Trismegistos 4 (from 4), 1995 synthetic resin and lacquer on polyester, 300 x 400 cm DE PONT museum for contemporary art, Tilburg © Sigmar Polke

The works on view feature the artist's signature use of synthetic resin Kuricoat C - 720, a neon - green substance sprayed at Fukushima Daiichi after the reactor meltdown in an effort to resist the airborne spread of radiation.

For example, in May 2014 at Sotheby's Contemporary Art Sale in New York, his work Relief Eponge Bleu (Re 51)(1959)- comprising dry pigment and synthetic resin, natural sponges and pebbles on board - fetched a cool $ 15 million.

The 17 new paintings are mixed media (acrylic and oil paint, gouache, marble dust, pencil, spray paint and synthetic resin) on wood or canvas.