Sentences with phrase «synths at»

Yeah this one really does benefit from a cinema viewing just to hear those big synths at full volume!

The Melody took to the fuzzy crunch of the main synth at the intro of the track like a duck to water, revealing an expansive display of detail, while also showcasing the timbres of the snare and kick drum brilliantly.

Not exact matches

At times, I'm known to switch over to lush orchestral synth music from an artist like Banners.

The typically strong but spotty album is easily their darkest or at least most despondent, sounding more like a synth - soaked suicide note than a fond farewell.

Now chemical biologist Virginia W. Cornish and coworkers at Columbia University have developed a technique, called heritable recombination, that exploits yeast sexual reproduction to make multiple genetic changes simultaneously and then to combine them (ACS Synth.

At just over five minutes in length, «Beth / Rest» is a startlingly beautiful and introspective masterpiece that blends 80s synths with smooth saxophone inputs and electric guitars that pay heavy tribute to Peter Gabrielle and the Post-rock era.

While fans of the band's more lo - fi beginnings may stare, open - mouthed, bemused at the central role played by synths on Forcefield, there's every chance they'll be gaining a whole slew of newbies, should these many choruses be set loose.

More powerful than the «inner speaker» album delivering Pink Floyd ambience with at times Lennon - like vocals and a sprinkling of T - Rex, all wrapped up in a modern synth rock blanket of luscious sound.

,» hosted by Brendan Byrne, looks at what's next for humans exploring space, indie rock group The Decemberists reaches past its roots toward modern synth - pop with its new album, «I'll Be Your Girl,» and more top picks.

The accompanying Dolby 2.0 Surround audio is hushed at reference volume but responds well to amplification; Barry DeVorzon's synth score has some nice stereo imaging, but the whole thing sounds a little damp.

And at the final moment, John Powell's tense, jittery score fades into the staccato synth - stabs of Moby's «Extreme Ways» — a song that, in any non-Bourne capacity, sucks real bad.

November 16, 2017 • With angry synths, religious imagery and a symbolic music video, the New Zealand singer provides the empowering song we need at this time of year.

Cliff Martinez's pounding synth - rock score meanwhile makes it feel like Refn is remaking some lost 1980s classic of existential action cool — John Carpenter at his most ruthless, or maybe something produced by Drive's Bernie, played by Albert Brooks, once a sort of LA Woody Allen, here a late - middle - aged urbane mobster who guts arteries with his razor if you let him get close.

Teeming with eerie, ethereal synth music, dark psycho - sexual themes, and references to 1980s horror classics amid a dreary, timeless Detroit landscape, It Follows is a refreshingly subtle, practically gore-less film that at first appears to be a sort of combination of last year's terrifying «Under the Skin» and the graphic novel «Black Hole» by Charles Burns.

«Skydive» almost makes up for the shortcomings of what has gone before - synths are still there, but it's music conceived for specific electronic textures (rather than fake orchestra) and - at last - the orchestra does break free for a while.

From the bleak settings and synth - heavy soundtrack to the hyper - stylized violence and hints of body horror, this film would feel right at home next to Carpenter's early output like «Assault on Precinct 13» and «Halloween.»

, and Giorgio «Electric Dreams» Moroder's synth - laced soundtrack is at - times absolutely appalling (the music that plays when Tony claps eyes on Elvira for the first time is so thick with cheese that it becomes off - putting and laughable).

Always jamming with wild, feral abandon, Soronprfbs consists of: Frank (Michael Fassbender), the damaged, Syd Barrett - like musical genius of the group who suffers from an «above board» medical condition that maintains he must wear a papier - mâché visage over his head at all times; Clara (a scene - stealing Maggie Gyllenhaal), the belligerent and humorless synth / theremin / noisemaker; Baraque (Francoise Civil), the French - only speaking bassist / guitarist; and the aloof Nana (multi-instrumentalist Carla Azar of Autolux, collaborator with PJ Harvey, Jack White), the Moe Tucker - like thumping drummer.

DX: HR's voice acting, beautiful design and excellent synth soundtrack really help draw you into the game, even if its dystopian world does fall into rote Cyberpunk trappings at times.

The synth - heavy intro to Taylor Swift's «Bad Blood» clanged unpleasantly at max volume, though, and Kendrick Lamar's rapping had a metallic, tinny quality.

It was easy to hear the snappy snares and synths of Childish Gambino's «3005,» but the song was low on bass and sounded canned at full volume.

Here at Camden Park Press we're working hard to prepare science fiction author Leigh Saunders» first novel, Synth for release.

Some highlights include an 8 - bit Famicom remix of Frog's theme from Chrono Trigger, a synth - tastic electro rendition of the music from Romancing SaGa and a driving piano medley of «final boss» music from the Final Fantasy series, featuring «Dancing Mad,» «Battle at the Big Bridge» and «One - Winged Angel.»

The story follows a missing person case taken at Valentine's Detective Agency, and leads the player to Far Harbor, where the situation is as tense as the locals, Child of Atom followers, and synths struggle to coexist on a heavily irradiated island that is home to more beasties than you can shake a super sledge at.

Sometimes you are whizzing along to pulsing synth of Sky Road, while at other times you dash to the upbeat jazz of Frozen Factory.

, but if this one is in your wheelhouse, it will be because it lets you shoot many robots while a bass pounds in your ear and synths scream at you.

We looked at the musical journey of the game as kind of a «history of horror film», from orchestral, through the 1980s synth scores, and on to a more processed, artificial modern sound.

Dreamy synth and offbeat folk punk paint a picture of life going by at a snail's pace.

Materials are gathered at the end of each level (with more earned through finding and grabbing ribbons in each level) and can be «synth'd» together to make gear.

Roland Koch, sound designer and business developer at Eat Create Sleep, probably has more synths than you.

Recent presentations of work include «Modern Mondays» at MoMA, «The Companion» at the Liverpool Biennial, «Synth Nights» at The Kitchen, «The Daily Show» at Bureau NYC, «Great Tricks From Your Future» at D - CAF in Cairo Egypt, «In Tones From Light to Dark» at Performa 13, «Excursus IV» at the ICA Philadelphia, Borderline Festival in Athens Greece, Kinomuzeum at Museum of Modern Art in Warsaw Poland, LAMPO at the Renaissance Society Chicago IL, All Ears in Oslo Norway, Kunsthall Stavanger in Norway, the Pérez Art Museum in Miami FL, the Contemporary Arts Museum Houston TX, and a Jerome Foundation Commission from Roulette Intermedium.

This week, we've got a Women's Synth Workshop at the Kitchen, a Ragnar Kjartansson show at the New Museum, a new exhibition of abstract art by Jayson Musson, and more.

Beyond this specific project, the Synth Library as a program / resource at S1 was a major accomplishment that really encapsulated the mission and core values of S1.

Synth Nights: Composers Inside Electronics (March 29 — 31) celebrates forty years since CIE first performed at The Kitchen.

ARTISTS: Tony Conrad, Jutta Koether, and John Miller (sometimes featuring Greg Parma Smith) SOUND: Distorted, at times minimal instrumental music fusing Conrad's violin with Koether's Euro - inflected synths and Miller's looping guitar WHAT THEY DO: A real thinking man's art supergroup, XXX Macarena unites three artistic visionaries who each come from a different corner of the art world — Conrad is a legend in avant - garde video and sound art (he made the landmark, epilepsy - inducing film The Flicker in 1966), Koether is a hypercerebral painter, and Miller is a multitalented artist and critic who teaches at Columbia.

Jay - Z and Kanye West's «No Church in the Wild» showcases the Icon Wireless» bass abilities — the sub-bass synth hits on this track, even at moderate volumes, sound like they're coming through a club PA system and you can even feel the bass in the earcups, even at reasonable listening levels.

Background effects to vocals on songs like «Halo» by Depeche Mode dissolved quickly, and while the myriad synth tracks were tight and cutting at the attack, they didn't surrender the phase - y layers that normally echo into the distance, bringing the listener in.

The kick drum hits and deep bass synth notes get plenty of head - rattling force at maximum (and unsafe) volumes without a hint of distortion.

They tackled the kick drum hits and synth bass notes of our bass test track, The Knife's «Silent Shout,» without a hint of distortion at top volume.

With our bass test track, The Knife's «Silent Shout,» the low synth notes got very loud without distorting, to the point that my ears began to vibrate uncomfortably at maximum volume without any noticeable crackle.