Sentences with phrase «tableau sculptures»

Another series of works, including Diamond Life, 1990, take the form of tableau sculptures that document further aspects of his life, depicting rooms he has occupied, complete with furniture, clothing, paperback novels, cigarette butts and record albums.

Works in the show include a tableau sculpture about airplane hijackings by Eleanor Antin, Robert Arneson's controversial ceramic portrait of assassinated San Francisco mayor George Moscone, and Mike Kelley's first - ever installation (an environment that reimagines a little girl's room).

«The Act of Drinking Beer With Friends...» is an interactive, audience participation, site - specific tableau sculpture, a situation, and a social art work.

Not exact matches

«Drawing together various art forms (video, sculpture, painting, and live performance) across the lines of race, multiple generations and interdisciplinary canons, Blues for Smoke places the idioms of blues, and other distinctly African - American traditions, at the center of the American tableau of creativity.»

He had his first retrospective at the Solomon R. Guggenheim Museum, New York, in 1971, followed by more than one hundred one - person exhibitions, including Dia Art Foundation (1983); «John Chamberlain: Sculpture, 1954 — 1985,» Museum of Contemporary Art, Los Angeles (1986); Staatlich Kunsthalle Baden - Baden (1991); «John Chamberlain: Sculpture,» Stedelijk Museum, Amsterdam (1996); «John Chamberlain: Foam Sculptures (1966 — 79) and Photographs (1989 - 2004),» Chinati Foundation, Marfa, Texas (2005 — 06); and «John Chamberlain: American Tableau,» Menil Collection, Houston (2009).

The Wake and Resurrection of the Bicentennial Negro, tableau, Wilson College, Chambersberg, United States Paintings, Sculpture and Masks, Polk Community College, Winterhaven, United States

His early works — a sculpture of himself at his first communion, a tableau about bed - wetting, a cloaked shepherdess with a lamp — were directly figurative.

Woman on the Run — a large tableau of architecture, sculpture, film, video, neon signs, audio and materials drawn from everyday life — provides a film - noir - like setting for a crime story in which a mysterious woman in Arizona is sought for questioning in the murder of her husband.

Jeremy Anderson began making sculpture in the late 1940's and developed a highly unique language of hand - carved surrealist forms and figures, often arranged as a landscape tableau.

Riffing on the concept and role of public art, Nolan creates a shifting tableau of sculptures that, from one window to the next, morph in scale from table - top to life - size.

Primary Structures, which takes its name from the 1966 seminal exhibition of Minimalist sculpture, is a theatrical tableau of classical columns which plays with and rejects Minimalist principles, including the Minimalists» rejection of pedestals.

These tubes disrupt the notion of tableau in art and disorient the viewer: Should the works be framed mentally as paintings, sculptures, faces, or all three at once?

These soft sculptures are then placed back into her photographic tableaus in which she creates various scenes that address the theatricality and spectacle surrounding state - sanctioned assault.

The original show featured seven tabletop sculptures, one for each day of the week — bizarre, hovering tableaus in which green glass mammoths march over barren obsidian - black plateaus.

by MK Meador & Stephanie Cristello For her first solo exhibition at Carrie Secrist, Carson Fisk - Vittori has assembled a sharp collection of photographs — arrangements of ultra-faux still lives, as well as groups of combines, ready - mades, and assembled sculptures evocative of tableaus.

For her first solo exhibition at Carrie Secrist, Carson Fisk - Vittori has assembled a sharp collection of photographs — arrangements of ultra-faux still lives, as well as groups of combines, ready - mades, and assembled sculptures evocative of tableaus.

In close dialogue with curator Francesco Stocchi, American artist Alex Da Corte has taken Le miroir vivant's provocation as a starting point to create an immersive tableau utilizing the Boijman's collection as raw material: nearly fifty paintings, sculptures, photographs and videos by artists such as Cady Noland, Marcel Broodthaers, Jim Shaw, Gilbert and George, Alexandra Bircken, Carel Visser, Domenico Gnoli, Barbara Hepworth, Duane Hanson, David Hockney, among others.

Anna Virnich's artistic practice incorporates a variety of media, such as sculpture, installation, photography, video and textile - based tableaus made of found fabrics as well as new materials, stretched on wooden frames thus creating organic and almost painterly compositions that oscilate between transparency and density.

Marten, hailing from Macclesen, England, uses fabricated and found objects in her sculptures, tableaus, videos, and cartoony screen - printed paintings.

His solo exhibition at Turner Contemporary brings together the large - scale tableau «My Ghosts» alongside «The Deerson Series», a group of scarecrow - like sculptures, and recent works on paper.

1 Featuring new collaborative commissions and existing work by Vancouver - based artist Tiziana La Melia and Montreal - based artist Maryse Larivière, the exhibition brings together feminist and ecological concerns articulated through tableaus, film, painting, sculpture and rot.

Developed during a residency in Visual and Digital Arts, this exhibition brings together feminist and ecological concerns articulated through tableaus, film, painting, sculpture, and rot.

Inscapes involve painting and sculpture, the object, tableau, performance, story - telling, and conceptual / autobiographical investigations.

At the Atlanta Contemporary Art Center: Dana Schutz's drawings, followed by one of her influences, Peter Saul, whose paintings were half of an unlikely but quite provocative pairing with Mel Edwards» sculptures; the opening tableau of Shana Robins» performance; sculptures by David Shaw and Elonda Billera, from the sublime to the ridiculous; curator Matthew Hicks.

Note here that the tableaus are not mere sites of documentation, although that is a part of why they look the way that they do; rather, they are stand - alone artworks that reframe the relationship between document, relic and formal display in several unique ways that are reminiscent of the ways that Joseph Beuys or Matthew Barney packaged the relics of their actions into fetishizable sculpture.

Images from a polaroid camera capture a tableau of materials, echoing sculpture and painting and transforming preconceived notions.

«American Art Today: Faces and Figures,» The Patricia & Phillip Frost Art Museum (formerly The Art Museum at FIU), Florida International University, Miami, FL, January 17 — March 9, 2003 «The Harlem Renaissance and Its Legacy,» Worcester Art Museum, Worcester, MA, January 18 — April 13, 2003 «A Century of Collecting: African American Art in the Art Institute of Chicago,» Art Institute of Chicago, Chicago, IL, February 15 — May 18, 2003; catalogue «Structures of Difference,» Wadsworth Atheneum Museum of Art, Hartford, CT, February — April 13, 2003 «The Space Between: Artists Engaging Race and Syncretism,» Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, March 18 — June 8, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, Miami, FL, April 25 — November 16, 2003; brochure «Visualizing Identity,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, August 27, 2003 — January 4, 2004 «Drawing Modern: Works from the Agnes Gund Collection,» Cleveland Museum of Art, Cleveland, OH, October 26, 2003 — January 1, 2004; catalogue «Skin Deep,» Numark Gallery, Washington, D.C., March 15 — April 26; brochure «Only Skin Deep: Changing Visions of the American Self,» curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, NY, December 12, 2003 — February 29, 2004; traveled to Seattle Art Museum, Seattle, WA, 2004; Museum of Photographic Arts, San Diego, CA, 2005; catalogue «Supernova,» San Francisco Museum of Modern Art, San Francisco, CA, 2003 «Fast Forward: Twenty Years of White Rooms,» White Columns, New York, NY, 2003; catalogue «Today's Man,» curated by John Connelly, Hiromi Yoshii Gallery, Tokyo, Japan, 2003 «The Disembodied Spirit,» curated by Alison Ferris, Bowdoin College Museum of Art, Brunswick, ME, 2003; catalogue «The Alumni Show,» curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2003; catalogue «Crimes and Misdemeanors,» Contemporary Arts Center, Cincinnati, OH, 2003 «DL: The Down Low in Contemporary Art,» Longwood Art Gallery at Hostos, Bronx, NY, 2003 «The Paper Sculpture Show,» organized by ICI, Sculpture Center, Long Island City, NY, 2003; traveled to Contemporary Art Center of Virginia, Virginia Beach, VA; Hunter Museum of American Art, Chattanooga, TN; Southeastern Center for Contemporary Art, Winston - Salem, NC; Orange County Museum of Art, Newport Beach, CA «An American Legacy: Art from the Studio Museum,» The Parrish Art Museum, Southampton, NY, 2003 «Stranger in the Village,» Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY, 2003 «On the Wall: Wallpaper and Tableau,» The Fabric Workshop and Museum, Philadelphia, PA, 2003 «Family Ties,» curated by Trevor Fairbrother, Peabody Essex Museum, Salem, MA, 2003 «Influence, Anxiety, and Gratitude (Toward and understanding of trans - generational dialogue as a gift economy),» curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, 2003 «American Art Today: Faces & Figures,» The Art Museum at Florida International University, Miami, FL, 2003

Jake and Dinos Chapman, the artists whose works range from a swastika - shaped sculpture named Hell to a tableau of castrated mannequins tied to a tree, have never shied from controversy.

With painting, sculpture, photography and mixed media, the exhibit describes the concepts, tools and techniques of each artist in an educational and entertaining tableau.

His life - sized sculptures presented in tableau - like arrangements, take on the themes of war, greed and power.