Sentences with phrase «tableaux by»

Speaking of GI, Sarah McCrory's inaugural edition felt fresh: a minor coup with a wittily installed Jordan Wolfson retrospective of sorts, a funny - heartbreaking performance by Sue Tomkins, collages by the late — and, in the UK, little know — Brazilian artist Hudinilson Jr, cavorting SketchUp'd tableaux by the young New Yorker Avery Singer, and a lot more besides.

The faux meth labs and sculptural tableaux by Jonah Freedman and Justin Lowe are almost real in their absolute fakeness.

Caldas creates tableaux by closely installing individual works.

What seemed ingenious, a tad sacrilegious, on the printed page comes off as just plain dopey on the big screen, despite some wonderful Mathew Brady - inspired tableaux by veteran photog Caleb Deschanel («The Natural») and an amiably awkward performance by Benjamin Walker, who as Lincoln resembles a young Liam Neeson.

Frances McDormand, who won the best actress award for playing a grieving, furious mother in Three Billboards, created one of the night's most memorable tableaux by asking all the female nominees in the Dolby theatre to stand up.

Not exact matches

The twenty tableaux vivants are atrocious beyond my power to describe; they are all scenes from the Old Testament and Apocrypha, linked by dubious typology to incidents in the Passion of Christ.

A series of set - ups without punchlines that compensate for the deficiency by featuring a truly impressive number of random de-pantsings, people caught in unlikely tableaux that are inevitably mistaken for some sort of sexual deviancy, and a stable of stock characters so locked into their exploitative roles that existential questions of predestination and choice tickle at making the picture interesting.

In short order, Peter and company are being chased through the cosmos by the drone army of High Priestess Ayesha (Elizabeth Debicki), giving us another spectacular tableaux of gilded space pods and a deadly quantum asteroid field as Peter and Rocket banter about who is the better pilot.

Godard makes it a mix of character study, social commentary and street tragedy broken into twelve distinct tableaux (the full French title is Vivre sa vie: Film en douze tableaux), many of them composed of carefully arranged long takes by Raoul Coutard.

Lubezki's win from the latter body was shared with War Horse's Janusz Kamiński, who, despite being dissed by the American Society of Cinematographers (they shrewdly gave his spot to Hoyte van Hoytema for Tinker Tailor Soldier Spy), will likely see his throwback tableaux and battles royal compete in the big race.

Rather than going the Roland Emmerich «big tableaux of destruction» route, Pompeii reduces the disaster to a series of steeplechase set pieces, fiery debris raining into the 3 - D foreground as the characters scamper over bodies and ruins or try to outrun a ship that's been forced inland by a tidal wave.

Whereas the earlier films, mostly shot by Dietrich Lohmann, often framed the groups or members of the group in static tableaux in order to highlight their solidarity and opposition to a lone outsider, this film (Fassbinder's ultimate collaboration with Michael Ballhaus) uses an almost constantly moving camera and a remarkable succession of framing and fracturing devices within the camera frame to underscore the shifting alliances, individual isolation, and internal struggles of the characters.

Tableaux vivants, curated by Valentine Robert for Le Giornate del Cinema Muto.

by Walter Chaw The title refers to a New York Museum of Natural History diorama called «Clash of the Titans» that proposes what a tussle between a sperm whale and a giant squid would look like — and it functions as the final, stirring tableaux of a 16 mm film self - consciously shot in the manner of early Jim Jarmusch or Spike Lee joints.

In Michell's hands, a relatively working - class set of characters becomes incongruously bourgeois through sensuous camera moves and catalogue - ready tableaux accentuated by not only walls of Kubrickian white, but also a decidedly «upscale» piano score.

Designed by Astrid Tonnellier and shot by Pascale Granel — largely in black and white but occasionally slipping into rich, jewel - toned color — the world of Wild Boys is lusciously unreal, its artifice reminiscent of those Maddin films that most resemble fantasy tableaux in department store windows at Christmas.

Titles for primary in are Diary of a Wimpy Kid (2010, PG), South African animated adventure Khumba (2013, U) and inventive computer - animated caper Wreck - It Ralph (2012, PG); related activities include watching and discussing a short film about bullying made by young people, mind - mapping and writing techniques to define what bullying is, creating a series of tableaux and planning a two - minute campaign to counter bullying.

By various intervals — always compact, but ranging from five minutes to a little over a half - hour — the author guides us through a single day, opening windows and doors to historic tableaux (both public and private) wherein human beings have demonstrated ingenuity and grace in giving substance to the flow of time, effectively killing time's passage by investing it with meaningful stufBy various intervals — always compact, but ranging from five minutes to a little over a half - hour — the author guides us through a single day, opening windows and doors to historic tableaux (both public and private) wherein human beings have demonstrated ingenuity and grace in giving substance to the flow of time, effectively killing time's passage by investing it with meaningful stufby investing it with meaningful stuff.

Perhaps more than by the text, readers will be fascinated by the stone - collage illustrations created by Syrian artist Badr, who arranges expressive tableaux of people formed entirely of rocks and pebbles.

Laguna Beach is also home to summertime's remarkable Pageant of the Masters, a one of a kind event when classic artworks are recreated using brilliantly painted tableaux, all populated by real people done up to exactly resemble figures in the original paintings.

Laguna Beach is also home to summertime's remarkable Pageant of the Masters, a one - of - a-kind event when classic artworks are recreated using brilliantly painted tableaux, all populated by real people done up to exactly resemble figures in the original paintings.

Stunning tableaux of green bamboo groves, farmlands grazed by water buffalos and emerald hills rising into misty mountains unfold along the Yangtze's dramatic Three Gorges in China, the Mekong in Cambodia and Vietnam, and Myanmar's fabled Irrawaddy.

Driven by Michael's powerful, multi-layered music — heard like never before in a riveting, state - of - the - art surround - sound environment — ONE takes the audience through a series of seamless visual and musical tableaux, at the heart of a world that is in turn majestic, playful, magical and heart - warming.

Canoeists are often mesmerised by the enchanting river, along the banks of which the vegetation gently caresses the still dark waters, and at times gentle breezes ruffle the surface creating a moving tableaux of shimmering silver that scurry across the surface.

By the time Untitled III was featured with three other paintings of the «Untitled series» (I, IV) in the 1981 Whitney Biennial, it was clear that Untitled III was among the most scintillating of the master's tableaux, a «landscape» from a catalytic moment in his by - then five - decade long careeBy the time Untitled III was featured with three other paintings of the «Untitled series» (I, IV) in the 1981 Whitney Biennial, it was clear that Untitled III was among the most scintillating of the master's tableaux, a «landscape» from a catalytic moment in his by - then five - decade long careeby - then five - decade long career.

Often accompanied by classical music, van der Werve's videos are mesmerizing tableaux in which the artist touches upon issues of mortality, sublime beauty, and the impossible feat to defy the inexorable course of nature.

1987 1987 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue) Perverted by Language, Hillwood Art Gallery, Long Island University, Greenvale, NY (curated by Robert Nickas, catalogue) Reconstruct / Deconstruct, John Gibson Gallery, New York (curated by Robert Nickas, catalogue) Extreme Order: Cemin, Gober, Halley, Lemieux, Steinbach, Lia Rumma Gallery, Naples (curated by Collins & Milazzo, brochure) Primary Structures, Rhona Hoffman Gallery, Chicago (curated by Robert Nickas) Avant - Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (catalogue) Paint — Film, Bess Cutler Gallery, New York Post-Abstract Abstraction, The Aldrich Museum of Contemporary Art, Ridgefield, CT (curated by Eugene Schwartz, catalogue) NY Art Now: The Saatchi Collection, Saatchi Gallery, London (catalogue) Generations of Geometry, Whitney Museum of American Art at The Equitable Center, New York Similia / Dissimilia, Columbia University Art Gallery, New York; travelled to Sonnabend Gallery and Leo Castelli Gallery, New York; Städtische Kunsthalle, Düsseldorf, Germany (curated by Rainer Crone, catalogue) The Castle, documenta 8, Kassel, Germany (curated by Group Material) Reinhard Onnasch Galerie, Berlin (catalogue) Anti-Baudrillard, White Columns, New York (curated by Group Material) Recent Tendencies in Black and White, Sidney Janis Gallery, New York (curated by Jerry Saltz, catalogue) Terrae Motus, Grand Palais, Paris (catalogue) The Beauty of Circumstance, Josh Baer Gallery, New York (catalogue) New York Now, The Israel Museum, Jerusalem, Israel (catalogue) 1986 Admired Work, John Weber Gallery, New York Spiritual America, CEPA Galleries, Buffalo, NY (catalogue); travelled to Stavanger Faste Galleri, Stavanger, Norway (curated by Collins & Milazzo) New New York, Cleveland Center for Contemporary Art, OH Signs of Painting, Metro Pictures, New York, and Donald Young Gallery, Chicago Painting and Sculpture Today 1986, Indianapolis Museum of Art, Indianapolis, IN (catalogue) Paravision II, Margo Leavin Gallery, Los Angeles (curated by Collins & Milazzo) Political Geometries: on the Meaning of Alienation, Hunter College Art Gallery, New York (catalogue) Post Pop, Michael Kohn Gallery, Los Angeles Tableaux Abstraits, Villa Arson, Centre National d'Art Contemporain, Nice, France (catalogue) Europa / Amerika, Ludwig Köln Museum, Cologne, Germany (catalogue) End Game: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston, MA (curated by David Joselit and Elisabeth Sussman, catalogue) Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York The Hidden Surface, Middendorf Gallery, Washington, DC Geometry Now, Craig Cornelius Gallery, New York Surfboards, Michael Kohn Gallery, Los Angeles Art and Its Double: A New York Perspective (El arte y su doble), Centre Cultural de la Funcacio Caixa de Pensions, Madrid; travelled to Fundación Caja de Pensions, Barcelona (catalogue) Rooted Rhetoric, Castel Dell «Ovo, Naples (catalogue)

Enigmatic outlines are drawn by the structures of Sæthre's environments (sculptural and reconstructed interiors, light, and soundscapes), but films and photographic tableaux tend to interject more personal narratives.

Bridging three generations and shaped by distinctive historic events, the large - scale tableaux of Robert Colescott, Kerry James Marshall, and Mickalene Thomas open compelling perspectives on Black culture and representation in an ever changing social and political landscape.

This exhibition affords a fascinating look at the output of some of South Africa's major artists, and will also showcase from our Johannesburg spaces works not yet shown in Cape Town, including Kudzanai Chiurai's Revelations, a series of photographic tableaux exploring politics and power in Africa, new wood sculptures by Willem Boshoff, and a selection of drawings, linocut graphics and sculpture by William Kentridge.

Sarah Lucas Eating a Banana (Revisited), 1990 — 2017 Giclée print 36 × 48 in (91.4 × 121.9 cm) Edition of 25, 5 APs Copyright the artist Courtesy Sadie Coles HQ, London Although she was first associated with the punkish Young British Artists of the 1990s, Lucas's sculptures and photographs also engage the legacy of Surrealism by cleverly transforming found objects and everyday materials like cigarettes, fruits, and vegetables into absurd and confrontational tableaux that address subjects like death, sex, gender, and religion.

2011 Sculpture Now, Galerie Eva Presenhuber, Zurich, Switzerland The Language of Less, Museum of Contemporary Art, Chicago / IL, USA The Art of Narration Changes with Time, Sprüth Magers, Berlin, Germany ILLUMInations (curated by Bice Curiger), 54th International Art Exhibition — La Biennale di Venezia, Venice, Italy The Shape of Things to Come: New Sculpture Part 1, Saatchi Gallery, London, Great Britain Tableaux, Le Magasin, Grenoble, France THE WAY IT WAS N'T, Culturgest, Porto, Portugal After Images (curated by Fionn Meade), Musée Juif de Belgique, Bruxelles, Belgium Isabelle Cornaro, Nikolas Gambaroff, Oscar Tuazon, Eli Hansen, A Palazzo Gallery, Brescia, Italy Fragments Americana (curated by Hedi Slimane), Almine Rech Gallery, Brussels, Belgium Dystopia, CAPC Bordeaux, Bordeaux, France Art In The City, Art Brussels, Brussels, Belgium Under Construction, SAKS, Geneva, Switzerland Light In Darkness, Western Bridge, Seattle, Washington, USA Poste Restante (curated by Eric Fredericksen), Artspeak, Vancouver, Canada You and Now, Balice Hertling, Paris, France

For more than a century, photographers have dealt with the spaces of their studios in strikingly diverse and inventive ways: from using composed theatrical tableaux (in photographs by Julia Margaret Cameron or Cindy Sherman) to putting their subjects against neutral backdrops (Richard Avedon, Robert Mapplethorpe); from the construction of architectural sets within the studio (Francis Bruguière, Thomas Demand) to chemical procedures conducted within the darkroom (Walead Beshty, Christian Marclay); and from precise recordings of motion (Eadweard Muybridge, Harold Edgerton) to playful, amateurish experimentation (Roman Signer, Peter Fischli and David Weiss).

Curated by Brussels - based collective Bunk Club, the installation consisted of four new figurative wall reliefs, cast from acrylic - modified gypsum and arranged in a narrative tableaux, reading across the gallery as a life - size frieze.

Fictive Kin presents works by three contemporary artists who all construct photographic tableaux, and are united by their cultivation of modes of seeing that question conventions behind the photographic representation of three - dimensional objects.

A lead essay by Katherine Brinson probes the artist's roving, research - based process in which historical study, fortuitous encounters and personal relationships are woven into psychologically potent tableaux.

The exhibition will include Yinka Shonibare MBE's «The Crowning» 2007, an elaborate sculptural tableaux of two lovers in a garden setting inspired by a suite of paintings by Jean - Honoré Fragonard.

The SCAD Museum of Art presents Jane Alexander: Surveys (from the Cape of Good Hope), the first major North American survey exhibition of site - specific tableaux, sculptures and photomontages by South African artist Jane Alexander.

Prompted by the devil's representation in poetry, musical compositions, and television, the tableaux are a portal into a place where the real mingles with the magical.

The works in the exhibition range from paintings marked by «water stains» resembling the patina of vintage photographs to Foulkes» tableaux paintings, which are constructed on a massive scale, exhaustingly carved into with a sandblaster, collaged with plaster, paint, and found objects (such as two Coke cans, an American flag, and a tree branch in «Lost Horizon,» 1991).

The images are created through combinations of straightforward photography, physically constructed tableaux, and digital manipulation, which are then contact printed by exposing hand coated paper to light.

Guest curated by Pep Subirós, the exhibition is the artist's first solo show in North America and features site - specific tableaux, sculptures and photomontages.

The New York - based artist draws portraits of people featured in old discarded photographs taken between Emancipation and the modern Civil Rights era and often creates a narrative «tableaux» by pairing the images with found objects.

Over the past decade, she has gained international recognition for her room - sized tableaux, which depict historical narratives haunted by sexuality, violence and subjugation and are made using the paradoxically genteel eighteenth - century art of cut - paper silhouettes.

The playful naiveté of his tableaux is contradicted by compositional exactitude and painterly finesse.

He draws their portraits on wood panels and creates a narrative «tableaux» by combining the images with found objects.

For this show, Fischl continued to paint surrealist tableaux where the quaintness of small - town America is tainted by lurid forms of sexuality and violence.

Snapshots from the Garden of Eden: Photographic tableaux inspired by the tradition of storytelling

Mr. Burton entered art making by way of performance art, an important part of the early 70's art scene, using furniture found on the street for stark tableaux inhabited by silent, slow - moving actors.

23, April 2010 2009 «Home away from home», by Vincenzo Latronico, Domus, November 2009 «Communication seems to be lacking us as well», Gargarin, no. 19, 2009 2008 «Ombre, arte, fucili, case e tableaux vivant.