Sentences with phrase «tactile connection»

-- the 28th annual exhibition for the Bronx Museum's Artist in the Marketplace (AIM) program for emerging artists — Roberta Smith laments the failure of the current crop of artists to embrace skill - building courses like painting and drawing, replacing the direct, tactile connection to materials with theory and artspeak.
These structures have been carefully and painstakingly built and glazed by hand, molding a tactile connection to the ephemeral identity of home.
Presenting the works of Los Angeles - based artist John Clayton Lee who draws a tactile connection between...
In her process, she strives to reenact the non-linearity and materiality of the past, molding a tactile connection to the disappearing, irretrievable identity of home.
This is a huge deal to me personally because a God of War game contains so much over-the-top, heavy hitting action that you really want to feel a tactile connection to Kratos.
Strangely the Volvo lacks any tactile connection to the road but feels accurate.
Available leather - trimmed 8 - way power - adjustable driver's and front passenger seats, and a leather - trimmed steering wheel create an intimate, tactile connection with the road.
Camry's available leather - trimmed 8 - way power - adjustable driver's and front passenger seats create an intimate, tactile connection with the road.
«Upcycling gives consumers the opportunity to participate in their own DIY projects and get creative, giving them a tactile connection to a green activity that is oftentimes crafty and fun,» he says.

Not exact matches

Then he wants you to feel the connections, the magnets in the strap, the buckle, to witness the soft but solid snap, which he just loves as an interaction with design, a pure, tactile idea.
At PFL we champion making a human connection with a tactile marketing piece to keep a conversation alive, and your customer actively thinking about your product.
But «White Material,» the Frenchwoman's indirect tribute to the Southern African novelist Doris Lessing, would doubtless top my list in many a year: the cineaste in me thrilled to its tactile, tingly command of atmosphere, its laudably complicated politics and its on - edge performance from a peak - form Isabelle Huppert, but it was the personal connection I felt to its finely - drawn conflict between lines of blood and birth that drew an extra shiver from me.
For their IT budgets many education entities have rightly placed emphasis on the digital connection between departments, populations and suppliers but there are areas where greater digital communication can be further enhanced by more tactile productions.
The sense of connection flows almost immediately, and there's a depth of character that's evolved over decades: the timbre and feel of the engine, the easy precision of the gearchange, the tactile rewards associated with build and finish and, even in this old - timer with a comparatively modest 300bhp, a deliciously broad powerband capable of delivering a generous tug from just 2000rpm that simply doesn't let up.
Intuitive • R - Link 2 functions like a personal tablet, and boasts the same tactile qualities: two - finger zoom, page scrolling, drag - and - drop... • A realistic navigation display (3D representation of buildings with the 8.7 - inch version), • R - Link 2 has been tailored for in - car use, with voice commands (navigation, phone, apps and media), text message display and the reading aloud of e-mails via an app, • Bluetooth ® connectivity allows for hands - free calls and wireless music streaming, • Numerous connection and charging possibilities are available for all occupants.
There truly is a connection between the smallest visual, the slightest comment, the tactile experience of grasping a strange piece of stone in your hand, and the books lined up on the shelves.
«That connection between the visual and tactile is so much of what my work is about,» she says.
French artist Isabelle Cornaro's exhibition «Témoins oculaires» (meaning «eye witnesses») at Spike Island (a collaboration with the South London Gallery), probes the surface of such desires, drawing on the connection between the visual and the tactile, on the consumption of objects and the sensual pleasure that this consumption provides.
It adds an element of chance that stimulates my creativity and enhances my connection to a tactile interpretation of the forces around me.
The heavy impasto surfaces lend a visceral and tactile quality, while the incorporated everyday materials, objects or patterns reference connections with his archived quotes.
The tactile, sensory, and textured nature of Kang's works, many of which incorporate repurposed materials sourced directly from factories in South Korea, will help form a physical connection between the objects and the viewer, creating a dynamic and interactive relationship to the surrounding space.
Capitalizing on developing the textures and variegated hues within each paint skin, I work to build a visual connection to the tactile sense.
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