Not exact matches
It wasn't our intention to have the watermelon have a voice, but after we shot it, the footage went off to our
editor, and I
took a look at the cut and saw that he'd inserted these
lines for the watermelon.
Editor's note: LZ Granderson is a senior writer and columnist for ESPN The Magazine and ESPN.com, and has contributed to ESPN's Sports Center, Outside the
Lines and First
Take.
Echoing an editorial
line sometimes
taken by the New York Times, the
editors worry about the future of Catholics in American political life.
David Remnick's is the latest in a
line of in - depth biographies of America's 44th president, and the
editor of the New Yorker magazine
takes his title from the bridge in Selma, Alabama, where civil rights demonstrators were attacked by a white mob and Alabama State Troopers on 7 March 1965.
The political
editor of the Daily Mail, James Slack, has been
lined up to
take over as Theresa May's official spokesperson.
On Blu - ray and DVD with two commentary tracks (one from director Paul Feig and co-writer Katie Dippold, the other featuring
editor Brent White, producer Jessie Henderson, production designer Jeff Sage, visual effects supervisor Pete Travers, and special effects supervisor Mark Hawker), the featurettes «Meet the Team,» «Visual Effects: 30 Years Later,» and «Slime Time,» and «Jokes a Plenty: Free For All,» and a collection of alternate improvisational
takes (what was called «
Line - o-rama» in Judd Apatow disc releases).
NEW Sounds from the Cold — interviews with supervising sound
editor David Lewis Yewdall and special sound effects designer Alan Howarth NEW Between the
Lines — an interview with novelization author Alan Dean Foster Audio Commentary by director John Carpenter and actor Kurt Russell John Carpenter's The Thing: Terror
Takes Shape — a documentary on the making of THE THING featuring interviews with John Carpenter, Kurt Russell, special effects make - up designer Rob Bottin, legendary matte artist Albert Whitlock plus members of the cast and crew (80 minutes — SD) Outtakes (5 minutes — SD) Vintage featurettes from the electronic press kit featuring interviews with John Carpenter, Kurt Russell and Rob Bottin (12 minutes — SD) Vintage featurettes — The Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby cards)
Robert Peston, the BBC business
editor, has been named best TV performer in a non-acting role, while Evan Davis will
take home the radio presenter of the year prize for his work on Today and The Bottom
Line on Radio 4.
Three staffers tell the story: associate web
editor Jake Holmes, who piloted the Fiesta for the SCCA's Starting
Line autocross driving school; senior
editor David Zenlea, who
took it to a track day at Waterford Hills racetrack for an open track day; and associate web
editor Eric Weiner, who used the Fiesta for an SCCA autocross event.
Jonathon Wood looks at the popular 1.5 litre
line / Cars In My Life — RB (Dick) James explains how a boyhood love of cars became a lifelong obsession / Orient Express — Michael Worthington - Williams tells the incredible tale of one of the barn finds of the century / Country Garage — Alan Marsh's childhood recollections of early motoring days in Somerset / Geoffrey Taylor & The Alta — Anthony Pritchard charts the story of the forgotten car that played a major role in Britain's rise in Grand Prix motor racing / Pure Magic — David Tarallo recalls a remarkable Mille Miglia / Low Life — Guy Griffiths
takes an unusual look at motor sport / French Fancy — The
Editor takes to the road in a delightful little Peugeot 202 — believed to be the only one on the road in Britain.
This book is bursting with real life examples and bottom -
line advise to create professional proposals that will make
editors sit up and
take notice.
Yet, as I mentioned in my introduction, we have to be careful about just
taking an
editor's word for it that their strength lies in
line editing.
I'm guessing that this is going to make not one iota of difference in the way Samhain pays the authors that it promotes to Samhain Gold; Samhain then gets to send
editors to conference (comped)(provided that they
take pitches only for the Samhain Gold
line), and we have a very simple test for allowing e-publishers: If you believe you can guarantee decent royalties for a good number of authors (although not for all of them), you're in.
IDW CEO and
Editor - in - Chief Chris Ryall added, «Rovio has
taken what was once a captivating game and built it into an interesting world filled with interesting and, uh, feathered characters who will make a perfect addition to our growing
line of fun, all - ages comics.»
The bottom
line is that there is more to finding an
editor than
taking a friend's recommendation, doing a random online search, or finding the cheapest price.
A great writing group can
take the place of a manuscript reviewer, developmental and
line editor, and act as your beta - reading group, too.
Keep in mind that
line editors will catch a lot of proofing errors, but should not
take the place of final proofing — and proofing will generally not point out content or
line - editing issues but will focus on missing words, grammar, commas, etc..
The Bookseller's Digital Census is carried out every year in the run up to the FutureBook Conference, this year
taking place on 14th November at Queen Elizabeth II conference centre in London and featuring speakers Tom Weldon, c.e.o of Penguin Random House, Carla Buzasi, founding
editor of The Huffington Post UK and author and Hailo head of product George Berkowski, among a packed
line - up.
If your
editor recommends stepping back from a final - stage edit like
line editing,
take heed.
We have a team of professional native speaking
editors to
take care of every
line in your project.
In this unboxing and impressions video, Senior
Editor Jakejames Lugo
takes a deep look at the PlayStation Anthology book from Geeks
Line Publishing.
Made it so
lines are not rendered when
taking the screenshot for the preview image of levels saved in the level
editor
As alluded to in the blog post, three years earlier an article on the BBC about «climate porn» by none other than Richard Black, had interrogated, albeit sympathetically, the Independent's deputy
editor on the noisy
line the newspaper had
taken with respect to climate change.
Using the Razer Phone as a touchscreen can
take some getting used to — especially as this
editor is the type that turns off tap to click — but it feels every bit smooth as any glass -
lined trackpad we've used on all the best laptops.
Eldar Murtazin,
editor in chief of mobile - review, tweeted that 2015 will be the end of the
line for Nexus as Play Edition
takes over.
Google may end the Nexus brand in favour of the Google Play Edition.Eldar Murtazin,
editor in chief of mobile - review, tweeted that 2015 will be the end of the
line for Nexus as Play Edition
takes over.Currently Google Play Edition handsets are made by... Read more