Sentences with phrase «take negative conversation»

Not exact matches

This is human nature, of course, but what I've been telling myself lately is it's not fair to the 199 readers who took the time and effort to add something personal, thoughtful, wise, and encouraging to the conversation when I only remember and engage that single negative comment.

(I) n the course of a long term relationship, taking into account the practical realities of our human need to experience life on our own, or through experiences with other platonic or romantic relationships, perhaps a new kind of conversation can unfold with your spouse or partner where you jointly communicate your needs and set reasonable and practical parameters of what is and isn't allowed in your marriage, so the negative and hidden behaviors associated with adultery don't take place.

Might try taking a step back and picking up wherethe conversation began this turn for the negative andregroup.

This means taking a close look at one's credit history and score to ensure the qualification criteria are met before applying, and potentially cleaning up any negative marks on one's credit before having a conversation for a lender.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

It is an eruption into the present of a past long gone, wreckage which, cut adrift from its own time, has somehow washed up on the shores of the present as poverty and abandonment...» and that `... To let the place begin to speak to us, we need a practice of observation of the kind Keats meant by «negative capability»... Take my advice and skip forward to the far more pragmatic and illuminating: Dust Bunnies and Coffee Stains: Anya Gallaccio in conversation with Clarrie Wallis, curator of contemporary art at Tate Britain — a far better point of entry, where one gets to know, first hand, what the work is really all about.

After the conversations about marital conflict, their wounds took longer to heal, and those who had the most hostile or negative interactions were the worst off.

Resist the temptation to respond to (and bring more attention to) every negative comment online, but do take control of the crisis conversation by issuing frequent updates and information.