Sentences with phrase «take on a film like»

Gender - swapped reboots have become something of a * thing * in the entertainment industry, with recent / upcoming takes on films like Ghostbusters, Ocean's Eleven...

The movie has elements of a kinder, gentler take on a film like Roger Dodger, which handles a similar protégé relationship with a mentor too unaware to offer any real guidance.

One of the film's best segments comes courtesy of Channing Tatum in a take on films like On the Town, where sailors would sing and dance while on leave.

Not exact matches

Filmmakers, media companies, and the music industry are only taking on small - scale VR projects, like promotional and marketing - related short films, and are not investing huge amounts of money on bigger projects until VR becomes more mainstream.

The path she takes meanders alongside a stream and over train tracks, not far from where hundreds of people converge during the company's summer «bike - in movie» events, gathering on the lawn to enjoy films paired with fine beers — like New Belgium's flagship Fat Tire Amber Ale, the organic wheat offering Mothership Wit and La Folie, a sour ale aged in the large French oak barrels that loom behind the bottling site.

Just like film studio distribution now puts extra emphasis on a film's overseas take, international markets may be crucial for investors looking for returns to supplement domestically driven ones.

It's going to take a lot more then «visions» experienced by people in emotional and suggestible states to convince me, something like something seen by dozens of people who are not in an emotional and suggestible state, which is caught on camera by a person who we can reasonably assume would not tamper with the film.

We were asked to select a food movie that we both liked and since film is something we don't often agree on, it took us about two weeks to finally decide on the food blog movie of all times, «Julie & Julia» with the awesome Meryl Streep as Julia Child.

She appeared in films like Wild and Obvious Child and did a multi-season arc on Girls, but the most prominent role she took in the past few decades has been on Transparent for the past three years.

There is still time for Arsenal to rescue the campaign and lift the EPL trophy in May and I'm sure that all Gooners will be Geordies for the night when Newcastle take on Leicester tonight, but it will take an epic comeback like the one produced by the Arsenal side of the late 80s, the one in the film Fever Pitch that blew a promising position and then went on a late run that culminated in a title decider on the last day at Anfield.

Sure they got the playbook, but it's not like there was back - and - forth film study and on - field instruction taking place.

not really making the news, the atmosphere on last wednesday was really strange, silent, step by step to normal football, but you can't throw away your thoughts immediately, I just got a glimpse of Enkes personality during a film of him shown before the match, I can't realize how hard it must be for his wife to lose him, tomorrow the players of Germans first Bundesliga will wear a black ribbon again, but I think it won't affect the atmosphere like it has with the national team despite of Hannover of course, people will be enthousiastic again, but there is the idea of an «Enke donation» which I like, will keep his name alive, will take some positive emotions on this tragedy and a kind of appeal for everyone to reflect the important things of life and control your own behaviour, I hope so at least, and I hope his wife will cope with that situation, and again: it was really hard for the German nationl team to play under these circumstances, to lose someone close in this way is hard to deal with, on the other hand it causes a close solidarity feeling I think, but of course the world will not change, things are returning to the old soon, but nonetheless for me this tragedy is a kind of human wake - up call, at least a call and then you continue

Like in many of the other films on the list, this directive is taken to the extreme when the robots decide that humanity is a danger to itself and must be pacified.

The film, which hits theaters February 16, is a modern twist on a romantic comedy (boy and girl meet, fall in love, but then break up, and are suddenly reunited, ending up in that awkward stage where they have to debate whether to wave hello while taking out the trash), but it's also a particularly female spin on the coming of age story, the likes of which we're only beginning to see onscreen as more women carve out a place for themselves in writer's rooms and director's chairs.

While this seems like a poor decision on the studios part, let's take a look at the previous film.

I like cinema a lot, and film at home; walks on the coast taking...

Taking your date on a visit to a film studio that's open to the public, like the Warner Bros Harry Potter Studio Tour, could be a really fun date idea in bad weather.

BOTTOM SUB SLAVE SEEKS DADDY MASTER N HIS MATES TO LITTALLY HAVE ME BOUND, TIED SPREAD BLINDED N GAGGED WITH COCKS TAKING TURNS ON BREEDING ME N FILM WATCHING ME SQUIRM LIKE A WORM KINKY WIRED AS!!!.

There are moments where Django Unchained feels like Quentin Tarantino's take on Blazing Saddles, for example, particularly a sequence involving the KKK that plays far funnier than the rest of the tone of the film.

It's the kind of film that takes its sweet time, and whenever it feels like it, it goes off on surreal tangents.

That seems like a real possibility, especially considering photos snapped on the set of Avengers 4 that seem to take place during the action of past Marvel films.

Where those previous films felt compelled to lunge for edginess (read: sneering raunch) as chaos dutifully descended on characters they didn't like very much — and weren't particularly interested in getting audiences to like, either — Game Night takes care to locate our sympathies with Bateman, and McAdams, and its cast of charming ringers.

With these three films, Spielberg has crafted something like a Trilogy of Good Decisions, in which, at pivotal moments in our nation's history, more or less decent people took the opportunity to make the right choices based on fundamental beliefs in foundational American values.

Having never read the book I'm rating it as just a film and it's really a film that starts well then gets predictable then got silly and confusing, The story was not new but it had a different take on it, It wasn't acted very well but it had some good intense scenes that were done well, With a good cast the story should of been told more deeper and we never really know how it all started which was quite annoying, I did like the ending but the scenes before that completely ruined the film as they didn't make sense or were done that well, It's not a bad film it's just poor for what was on offer.

Yes perhaps not a film with a particular story that will suit those cinema - goers who like to know what's going on, although there are those of us who just enjoy the medium, stunning sets and magnificent photography, I'd take this over Avitar anyday!

Playing through Detective Pikachu, it became readily apparent why the title will be the basis for the upcoming live action film: the game offers up a unique take on the Pokémon world, while simultaneously providing something that feels familiar, much like Pokémon Snap once did on Nintendo 64.

Most of these films, however, focus on elderly people behaving like young people, little more than contemporary non sci - fi takes on «Cocoon».

If you loved the first film in this sequence, you probably have the kidlets banging on your legs to take»em to this sequel, which looks remarkably like a Tom Hanks bomb (a remake of a Cary Grant 50s hit) of a lot of years back.

It is also an interesting political take on the chain of command in the military, lampooning the superior officers as incompetent fools, despite having their hearts in the right place, the film manages to successfully create sympathy for Col. Berman (Ed Harris) in that despite his general inability to do the job, he is actually well liked.

Writer / director Taika Waititi is known for cozy comedies like Eagle vs Shark; his previous film, What We Do in the Shadows, was a hilarious take on vampires with Jemaine Clement.

In the years to come, Sweeney would remain active on screen, appearing in films like Taken 2.

But MAJOR props to Lawrence for taking on such a difficult, aggressively provocative film like this at the peak of her career.

Now director Justin Lin who has taken over from JJ Abrams announced on Twitter today that the film will indeed be titled Star Trek Beyond without any colons like Star Trek into Darkness.

There are times, like this one, when Sutton's film can be a bit more blunt than I'd like — for example, the singer croons «Please don't take my sunshine away» as a man with a gun prowls the area — and even its title as a play on the Christopher Nolan film feels a bit too clever.

Verbinski certainly did his western - movie homework, for outside of all the rootin» - tootin» Rube Goldbergian action scenes, the director consciously evokes John Ford with his widescreen vistas of sun - baked deserts (on - location shooting took place in Utah, Texas, and beyond), and his nod to films like The Searchers with scenes of near - helpless families under attack in the wilderness.

Sound was added during production, but the film's trance - like images could stand on their own as a visual poem in which the action seems to take place on the cusp of dreams and reality.

Tom Hardy has made a name for himself with films like «Inception», «The Dark Knight Rises», «Warrior» and «Tinker Tailor Soldier Spy», but nothing quite prepared him for the full - on challenge of taking over as...

OUR TAKE: Fresh young faces starring in a movie about a board game that hinges on delusion - as directed by Stiles White, a special effects guru from the Stan Winston studio, who has written films like Knowing and The Possession, but is admittedly making his directorial debut with this movie.

With a resume of modest and economical dramas reflecting on everyday folk, director Thomas McCarthy has taken an unassuming approach to charismatic ensembles like his previous films Win Win and The Station Agent.

Though the directing duo behind the «Crank» films seemed like a natural fit to take on such a bizarre character, «Spirit of Vengeance» is only slightly better than the first movie.

Unfolding like Roman Polanski's take on «The King of Marvin Gardens» while simultaneously serving as a suitable spiritual sequel to the director's debut, «Afterschool,» in which the male desire to connect meaningfully with others is frayed and warped by life experience, «Simon Killer» is Antonio Campos» latest chilly, chilling character study, with Corbet effectively replacing Ezra Miller, who led the previous film, as a neuroscience major who studied how the eyes and the brain relate, but has a seriously loose wire between his own brain and his heart.

Well ever since Rockwell picked up best supporting actor, it seemed like it was the night for Three Billboards, a film that many voters might think is a film that speaks to the moment that we're in due to its story about a woman taking on abusers in a small town.

WHY: China is the second largest film market in the world, so when a homegrown movie like «The Mermaid» bulldozes the Hollywood competition on its way to becoming the country's most successful film of all - time, it's hard not to stand up and take notice.

There are numerous instances like this, such as the insistent neighbor in need of a dog - sitter that feels like a subplot or the fact that film conveniently takes place on Chahārshanbe - Sūri / Wednesday Feast, a holiday dating back a few centuries that both celebrates the oncoming of Spring and is a ritual that promises warmth and good health.

Films like The Devil's Candy, February (review # 1, review # 2), Demon (review), Southbound, Ludo (review) and arguably Darling (review) all offer a new take on the possession film.

Sure, most of your better actors would never take a script as poorly written as this one, but at least the money wasted on this torturous road trip could have been spent on something more worthwhile like a Curtis Hanson film, unless it happens to star Eminem.

Pieces of The Crown are more brilliant on their own than they are as a series, taken in as shorter, intently focused films like «The Queen» and another Morgan achievement, the play and film versions of «Frost / Nixon.»

The Hunger Games drags at times, is not particularly imaginative as much as it's campy, the romance part seems more perfunctory as touchy - feely love than steamy and any complexities in characters or angry revolutionary messages can't be drawn out on film like they were supposedly in the book (I'm not one of its 26 million readers, but I'll take the word of those who stated that was so in the book).

The film is so well put together on his end that sometimes you actually feel like you are watching the real story take place rather than a representation.

She particularly excels when working with Paul Feig, as films like Spy and the Ghostbusters remake deftly show, but when she takes direction from husband and screenplay collaborator Ben Falcone, McCarthy's talents are wasted on formless star vehicles that don't serve any purpose beyond further exposing McCarthy's popular presence.