Sentences with phrase «take on these contemporary issues»

None of these artists take on these contemporary issues directly or didactically, but rather make use of unconventional materials to produce a particular experience of the work's physical presence, or else to present surfaces that evoke the polyvalent potential of digital screens to display multiple, even conflicting, perceptual modes, both sequentially and simultaneously.

Not exact matches

The calendar, which features over 40 workshops, performances, dinner programs, tours, and lectures relating to women's history and contemporary issues taking place locally during March, is available free at participating locations, the 37 County - wide Library branches, Erie County's Rath Building, and on the websites www.erie.gov and www1.buffalolib.org.

Students demonstrate their knowledge and understanding of constitutional principles and have opportunities to evaluate, take, and defend positions on relevant historical and contemporary issues.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

He sources miniatures» traditional frameworks to reflect on society and the issues relevant to him and his immediate environment taking a wholly contemporary stance.

Based between Guangzhou and New York City, she has hosted high school debates on contemporary art world issues, made fictional App to create space to talk about gender issues, organized meetings between scientist, artists and philosophers to address the possibility that we live in a simulation, and organize fictional panel taken place in the future.

Contemporary artist Chris Doyle, featured in issue 1, and choreographer / dancer Amy Smith, featured in issue 8, will discuss several of their collaborative experiments and talk about their work together on the forthcoming Red Rovers, a performance piece that takes as it starting point the exploration of the Martian landscape by the rovers Spirit and Opportunity.

As Dial began to tackle wider national histories of oppression and contemporary issues of freedom and equality, his work became more simplified in form and color palette and took on a more pluralist vision.

2012 Hanae Ko,» Devolution: Michael Joo», ArtAsiaPacific, Issue 80, Sept / Oct, pp. 90 - 99 Kwon Mee - Yoo, «Grasping the Context», The Korea Times, August P.Black,» Michael Joo, Exit from the House of Being», NY Arts Magazine, July H.Rui An, «Michael Joo: Exit from the House of Being», Art Asia Pacific, July G. Coxhead, «Michael Joo: Exit from the House of Being», Time Out, 21 May B.Williams, «Michael Joo at Blain Southern», Garage Magazine, 10 May «' Exit from the House of Being» is Michael Joo's first exhibition at Blain Southern», Art Daily, 25 April «ArtInfo UK's Top 3 Exhibitions opening this week», ArtInfo, 23 April Alexandra Seno, «Contemporary Takes on Buddha», Wall Street Journal, February Joyce Hor - Chung Lau, «Asia Society Opens in Hong Kong», New York Times, Arts Section, 22 February

The museum's director, Claudia Gould, told The Observer that when she was still director of the Institute of Contemporary Art at the University of Pennsylvania, in Philadelphia, the position she held before joining the Jewish Museum last year, that museum had considered taking on the show but scheduling issues prevented it.

Started in 1991 in the midst of the Y.B.A. explosion (their first issue featured one of Damien Hirst's butterfly paintings) along with Sharp and Slottover's friend Tom Gidley, frieze's editors sought to provide a fresh and somewhat irreverent take on contemporary art in the widest sense of the term through critical writing, reviews, interviews, and personal accounts.

Strongly influenced by the figurative miniature tradition of the Mughal Empire, the Pakistani - born artist Khalid, takes the tradition one step further and contemplates on contemporary issues such as the female figure, or say, the global politics and the uncertainty surrounding us, as apparent in her previous works.

We've covered them a lot on TreeHugger: The newest batch comes from the the Canary Project, which brought together a Who's Who of contemporary artists for their take on issues