With its exposed wood interior, Edison bulbs and mason jar aesthetic, Mowry and Cotton is clearly
taking a cue from contemporary dining trends (the bearded waiters in their jeans and cooking aprons would be just at home at many of the restaurants back home in Brooklyn).
«There Will Never Be Silence» tracks how Cage's radical work activated the imaginations of painters and sculptors, making them reconsider negative space both in terms of sight and sound; Cage thought of silence itself as a structure and clearly
took cues from the contemporary art scene of the time.
Not exact matches
Men can put together
contemporary ensembles by
taking a
cue from Pepe Jeans T - shirts» theme, which is all about youthful, timeless fashion.
This is a film that
takes its time,
taking narrative
cues in addition to the visual
from the epics of the mid-20th century, and Tarantino effortlessly subsumes that within his hyper -
contemporary chic.
Taking its
cues from both traditional Caribbean architecture and
contemporary design, the villa is bright and inviting.
The décor
takes its
cues from a variety of sources,
from classic Caribbean tones, to California
contemporary and even hints of Eastern zen.
Pakistani painter Shahzia Sikander puts a
contemporary spin on ancient art, often
taking cues from traditional Eastern ideas of music, texts, scroll painting, and the Persian art of miniature painting.
Midwest Painters Demonstrate Realism and Its Discontents By Jud Yalkut
Taking its
cue from Sigmund Freud's treatise on psychology and civilization, the current exhibition by the Midwest Paint Group tackles the place of realism and figurative art in
contemporary times.
Object - based art, which grew into a major twentieth - century trend and continues today,
took its
cue from the ready - made, and Re-Object explores the continuation and transformation of both lines in
contemporary artistic practice, via large - format photographs and analytical essays on the artists.
Noticeably inspired by western art history and the great painters of the modern era, Orchard's works
take cues from the past while also steadfastly looking to
contemporary painting.
Taking its
cue from the recently published book Avant - Garde Museology, the symposium will address the memory machine of the
contemporary museum vis - à - vis its relationship to the
contemporary artistic practices, sociopolitical contexts, and theoretical legacies that shape and animate it.
Taking their
cue from advertising, comics, science fiction and
contemporary music, artists including Richard Hamilton and Patrick Caulfield embraced non-traditional materials and techniques, and challenged the boundaries between «high» and «low» art.
The seven
contemporary artists in this exhibition: Martin Boyce, Nathan Carter, Abraham Cruzvillegas, Aaron Curry, Kristi Lippire, Jason Meadows, and Jason Middlebrook, have
taken important
cues from Calder including a return to hands - on production, the creative reuse of materials, and explorations of form, balance, color, and movement.
«Ghosts in the Machine» also
takes its
cue from a number of exhibitions designed by artists that incorporated modern technology to reimagine the role of art in
contemporary societies, including Richard Hamilton's «Man, Machine and Motion» (1955).
He writes: «
Taking cues from Colescott, Nina Chanel Abney reminds one also of the mask - like faces of Vincent D. Smith's paintings and the eccentric primitivism of William Henry Johnson, though she also shares a penchant for the
contemporary grotesque with the work of her near
contemporary Dana Schutz.
The seven
contemporary artists in this exhibition: Martin Boyce, Nathan Carter, Abraham Cruzvillegas, Aaron Curry, Kristi Lippire, Jason Meadows, and Jason Middlebrook, have
taken important
cues from Calder including a return to hand - on production, the creative reuse of materials, and explorations of form, balance, color, and movement.
She combines careful borrowings
from historical painting with
contemporary popular culture,
taking cues from such artists as Romare Bearden, Gustave Courbet, David Hockney, Édouard Manet, and Henri Matisse.
Taking style
cues from classic globe light fittings, this luxury pendant light has been reinterpreted, adding a touch of glamour to
contemporary environments.
Contemporary collectables
take their
cue from both the past and the future.