Children should never be allowed to climb on a dog, to
take valued objects away from them, to pester them when they are resting, to poke, pull, or otherwise physically harass them, or to reprimand them.
Not exact matches
There emerges reflection or self - consciousness.23 Reflection is «the power acquired by consciousness to turn in upon itself, to
take possession of itself as of an
object endowed with its own particular consistence and
value: no longer merely to know, but to know oneself; no longer merely to know, but to know that one knows.»
But
taken at face
value, they are alienating insofar as they betray us into placing our own possibilities outside of us as attributes of God and not of humanity, viewing ourselves as unworthy
objects of a projected image of our own essential nature.
Having been founded on the distinction between knowledge and belief, fact and
value,
object and subject; public and private, Western culture is unable to
take Christianity seriously.
70 % of parents say a Degree Apprenticeship is better
value for money, and two thirds of parents would still prefer their child
took this route even if money were no
object.
By looking longer when the Recipient handed over the non-target
object, the infants seemed to recognize that a miscommunication had
taken place or that the verbal interaction had some communicative
value — even if it wasn't in their native language.
We all know the benefits of recycling, but upcycling
takes the concept one step further by turning used materials into higher -
value objects.
Mark Pellington's latest is a melodramatic look at how we assign
value to the
objects that
take up space in our existence.
I tend to think of hoarding as
objects that have basically no
value (garbage, scraps of paper, etc.), and while I have way more books than I really have room for (some are at my place, and the majority of them
take up 2 closets at my mother's house.
Taking its title from a 17th century posset pot, the exhibition looks at what is meant by the intrinsic
value of
objects and asks what does «the best» mean?
Her sculptures resolve this concept of prosaic «practicality» by the refusal to sensationalise her subjects, metaphorically transcending their designated purpose and intended limitations, and
taking reassurance in
objects and materials existing for their own inherent
value, rather than a perceived use.
Considering the actual
objects, the necklaces and photographs were not unlike each other: both displayed accessories that were signifiers of the time, and the group
took it upon themselves to place
value more so on Albers and Reed's works.
Samella Lewis wrote in her book, African American Art and Artists, «Cultural customs and
objects we have regarded as commonplace
take on new significance and
value in Sonya Clark's artwork.
Taken from common and familiar materials the items are chosen so that anyone could understand the cultural design and use
value of the
object.
In it the writer and curator questions the
value of «doing» in favour of a sort of «undoing», which in Diagonal Z Jeans, Olabarrieta
takes further by emptying these actions and
objects of their function and developing a new «sculptural semi-abstract language» from all the confusion.
Rhodes
takes the concept of the painted
object as his starting point, posing questions that surround the act of painting and the cultural
values assigned to paint, surface and display strategies.
By
taking mundane
objects and presenting them out of context and in such colossal proportions, Oldenburg forced viewers to reassess their daily lives and
values.
And, again, if the
objects are macroscopic, all of the modes can
take on any continuous
value.