Sentences with phrase «take viewer comments»
Telephone lines and social media were open to take viewer comments from Medicare recipients to the question: «What is your experience with the Medicare program?»
https://www.c-span.org/ Not exact matches
The «God's Army» comment was taken totally out of context, as any viewer of the video clip can plainly see.
«The spot takes the viewer on a journey that is driven, once again, by Jameson's undying passion,» commented Wayne Hartunian, Vice President, Whiskies and Cognac at Pernod Ricard USA.
well, I would like to make a comment, with of course no harsh bashing or one sided opinionated blather, However, I find it quite simply funny how one could watch a movie and with a couple of sentences and elegant word - ology, thing they can grasp what it takes to compose a work of art and creativity into a 250 page manuscript and then production material for viewers such as myself and yours truly.
I liked each and every bit of it.Your take on the movie is also quite good.I do nt agree with your comments on Tyson.Tyson and his tiger add special humor to the movie.Tiger in the bathroom is one of the craziest part of the movie.Phil, Stu, Alan are definitely there to stay in the heart of the viewers for long.
My blog rarely receives viewers or comments, especially my countless articles on Iran, Antarctica and China — my post which took me ages to write on getting an Iraq visa got about 6 views in 4 months!
Bailey comments: «I think subtlety has to do with a way of seeing and what you value in what you see... The most important thing is for [viewers] to take time to let the paintings unfold.
The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.
Taking these comments on madness by famous intellects at face value only to encounter art born from the tragedy of madness, viewers are confronted with an appalling sense of guilt.