Sentences with phrase «taken by other artists»

Surprise and humor often distinguish his art from a more severe and programmatic approach taken by other artists of his generation.

Not exact matches

Created by legendary Japanese artist Yuji Kaida, Kong and the island's other monsters take center stage.

Among the other fiction films to look for in theaters or on VOD: John Michael McDonagh's Calvary, in which Brendan Gleeson gives a beautifully modulated performance as a dedicated priest who is no match for the disillusionment of his parishioners and the rage of another inhabitant of his Irish seaside village, determined to take revenge against the priesthood for the sexual abuse he suffered as a child; the desultory God Help the Girl, the debut feature by Stuart Murdoch (of Belle and Sebastian), all the more charming for its refusal to sell its musical numbers; Tim Sutton's delicate, impressionistic Memphis, a blues tone poem that trails contemporary recording artist Willis Earl Beal, playing a character close to himself who's looking for inspiration in a legendary city that's as much mirage as actuality; and two horror films, Jennifer Kent's uncanny, driving psychodrama The Babadook, with a remarkable performance by child actor Noah Wiseman, and Ana Lily Amirpour's less sustained A Girl Walks Home Alone at Night, which nonetheless generates some powerful political metaphors.

Mr. Loescher, a teacher in SOTA, mentioned one new class in music theory and production, where students learn the basics of producing music by working in groups where students take on the roles of producer, engineer, writer, marketing manager, graphic artist, and others.

I imagine it it does well, we'll see it for other devices in time, but I'm surprised by some of the reactions - getting the artists of Naruto, One Piece and Ouran Host Club to all sign onto digital editions must of take a lot of work and negociating with Shonen Jump Japan's editorial and Hakuensha [who did dip their toes into digital in the past with that english digital manga site that closed that they were involved in, mind you]

CCRA.R.9) calls for students to «analyze how two or more texts address similar themes or topics in order to build knowledge or to compare the approaches the authors take,» which suggests a strong case for adding the visual «text» to these comparisons, creating a whole other layer by bringing an authorial artist's approach and intention to the mix.

- dev starts with rough 3D models of a stage from the level directo - includes wireframe sketch of the sand - surfing section of the Jakku level - the team will open up the level into the game's engine and play it - that early concept is transformed with their 2D artists - artists can turn out images that capture the essence of what a level might look or feel like in a couple of days - might take six weeks to do a final pass on a level - feedback from designers and other members of the development team comes in every few days - once sketches are approved, the level is passed along to the environment artists - their job includes building the props and assets that fill levels - after the level is «built» Pick takes a look to ensure that it looks good and is consistent to the game as a whole - levels get played hundreds of time by the game's completion

Hi Cory, by far the best inspiration I have had from TAA over the last year has been listening to the inspiring stories and interviews you have had with other artists, who took the leap, and lived their truth!!

Newport Street Gallery is pleased to announce an exhibition displaying a selection of works taken from the Murderme collection, Damien Hirst's collection of over 3,000 works by other artists, from 29th March to 17th April.

Continuing the Warholian reference, on show will be a series of large scale unique silkscreened portraits of the artist as Che Guevara, Joseph Beuys, Elvis Presley amongst others, as well as works based on Warhol's urine oxidation paintings, abstract works made by pissing on copper metallic painted canvas Turk takes a Gestalt approach to cliché and iconic imagery subverting our sense of what we think we are seeing.

A model for other photographers, Ellis wrote a haunting caption to his self - portrait for the Artists Space catalogue: «I struggle to resist the frozen images of myself taken by Robert Mapplethorpe and Peter Hujar.»

It is in and through these individual initiatives that the world of tomorrow takes shape, which though surely uncertain, is often best intuited by artists than others,» says Marcel.

A poet, filmmaker, and multidisciplinary artist, Vicuña takes a predictably broad - based approach, combining the visual and the verbal, and juxtaposing her own fragmentary texts with sustained commentary by others.

An Opening Reception and Gallery Talk with the curator takes place on Sunday, August 7, 2016 from 5 to 7 p.m. «Innovation and Abstraction: Women Artists and Atelier 17» presents abstract graphics and works in other media by eight aArtists and Atelier 17» presents abstract graphics and works in other media by eight artistsartists.

Like that other revered conceptual artist Hans Haake, Macuga blurs the boundaries between artist, curator and collector by taking other artists» works and displaying them alongside objects she's found.

For a cheeky group show «With friends like you...» — a subtle dig at the Cuban art Establishment — Aquiles covered the façade of their home in a Technicolor cladding of cans while six other artists took over the inside with process - based paintings made with human breath, conceptual sculptures hewn from business cards and palettes, and a sculptural installation by the couple's 17 - year - old son, Bastian Silvestre, that comments on the police - related shootings in the U.S..

Taking the plunge into a fascinating imaginative world, Sigethy will again team up with sculptor Liz Lescault for «Fathom Full Five: Going Deeper,» a sequel to their May 2013 «Fathom» exhibition that featured beguiling forms, abstract but undeniably organic, started by one artist and completed by the other — with the promise, this time, of two large - scale installations.

As an artist in residence during the R&D Season: SPECULATION, Knight completed production for Fall to Earth, which takes as its point of departure themes related to socially condemned speech and other forms of silencing or restraint and includes original scores created by different collaborating artists, inspired loosely by Salman Rushdie's magical - realist novel The Satanic Verses and other texts.

This exhibition, entitled The Dance of the Machine Gun & other forms of unpopular expression after the «Futurist Manifesto» by Italian poet F.T. Marinetti, is his first solo show in four years and coincides with the artist's retrospective at the Brooklyn Museum, taken from the Rubell Collection of Miami.

Please take a look at our website for further details: http://www.momentaart.org/momenta-art-past-projects-2015.html Reviews of our exhibitions or events in a traditional sense are welcome, but we also encourage cross-disciplinary approaches that expand and engage with the themes explored by artists and other participants through our programs, possibly addressing broader socio - political phenomena of the year.

Taking selected works from the Collection as its point of departure, including seminal pieces by some of the most prominent artists from Central, Eastern and South - East Europe since the 1960s, including historical works by Mladen Stilinović, Július Koller, Valie Export, Geta Brătescu, Edward Krasiński and Sanja Iveković, the exhibition stages an interplay between these and other historical, contemporary and newly produced works that interpret and critically examine the collection by artists such as Nika Dubrovsky, Tim Etchells, Marcus Geiger, Ashley Hans Scheirl, Vlatka Horvat, David Maljković, Oscar Murillo, Manuel Pelmus and Stephen Willats.

In the early 1990s, Necrorealism reaches international acclaim, and the works by group members take part in the most prominent exhibitions of Perestroika era, such as «In the USSR and Beyond» (1990; Stedelijk Museum, Amsterdam), «Binazionale: Soviet Art around 1990» (1991; Kunsthalle, Düsseldorf; Central House of Artists, Moscow; Israel Museum, Jerusalem), «Kunst Europa» (1991; Kunstverein, Hannover), and others.

Their initial response to an invitation last year by the artist George Henry Longly to take part in a two - stop touring group show was typically immaterial — they conducted seemingly «purposeless» studio visits with each of the other artists (thus questioning and to an extent short - circuiting the careerist expectations that surround the studio visit as a social and professional phenomenon).

Like other artists, he preferred avoiding a systematic approach and the call for novelty.For these artists, if what they do might superficially resemble, say, a Monet, they don't worry because it would take a simple comparison — placing two paintings by either on a wall next to each other — to see the difference.

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step RigArtist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Righother by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step RigArtist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step RighOther Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Rigartist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

Hosted off - site by Bari's 63rd - 77th steps, there is little information about the show, aside from the Italian title that translates to a softly poignant «The Future Was Beautiful For Us» in English and a typically impressive list of artists taking part, including Mathis Collins, Cédric Fargues, Kareem Lotfy, Quintessa Matranga, and Ilya Smirnov among others.

«It's an exhibition of works by fantastic artists, that enrich each other in sometimes surprising ways», Morton comments when he gives me a tour a day before the opening of the exhibition whilst a photographer is taking installation shots.

Six months after Franklin Sirmans took the helm of the Perez Art Museum Miami, the institution has announced a series of major acquisitions, including 100 works donated by Miami developer Craig Robins from his personal collection, as well as the Douglas and Bearden works, and several others by African American artists.

Spanning 155 years, Gun Country brings together more than 40 works, ranging from an albumen print by Timothy H. O'Sullivan taken during the Civil War; photographs documenting pivotal scenes of 1968, including the assassination of Bobby Kennedy; to modern and contemporary works by artists Andy Warhol, Carroll Dunham, and others.

No such provincialism here: although the exhibition is firmly rooted in Wales (now in its seventh edition, it has for the past 12 years taken place at the National Museum Cardiff and other nearby arts centres), selected artists not only represent a broad range of national identities, but are also united by their works» concern with what Artes Mundi's director Karen MacKinnon describes as «global issues».

Alvaro graciously took me on a long walk through the Sheung Wan and Central districts of Hong Kong Island to visit some of the other area galleries and local sites; Hanart TZ Gallery, Osage Soho, Tang Contemporary, Gallery Exit, and 10 Chancery Lane where I saw a new video by Dinh Q. Le, a past member of the Hammer's Artist Council.

The first hexagon of 2018 was placed in the Geobotanical Reserve of the crater of the active volcano Pululahua in Quito, where interactions with other international artists will take place, and will be documented by Álava in a series of books written by the artist, and edited by the journalist Marta Ruiz - Torres.

Solo exhibitions by the artist took place at the following institutions (amongst others): Kevin Space, Vienna (2017); mother's tankstation limited, Dublin; Chisenhale Gallery, London (2016); Helga Maria Klosterfelde Edition, Berlin; Cell Projects, London (2014); Arcadia Missa, London (2012).

In turn its head critic, Michael Kimmelman, made his reputation by hanging out with well - known artists, then writing favorably about them, before taking on the role of architecture critic without reviewing buildings (other than his hopes for Penn Station).

In 2007, film critic Jonathan Romney described Starr's new silent film Theda: «In a 40 - minute black - and - white film Theda British artist Georgina Starr, best known for her series of works inspired by the 1965 thriller Bunny Lake is Missing, pays tribute to this stormiest of divas and undertakes an archeology of gestural art of the silent - era actress (Theda Bara), drawing on the styles of several other now forgotten grande - dames, such as Barbara La Marr and Maud Allan... the film is divided into three parts «prelude», «act» and «epilogue»... but «prelude» is the real coup: in a long single take, Starr runs through the codified expressive repertoire of the Theda - era performer with such precision that any ironic distance evaporate.

Somewhere between the Abstract Expressionists and Pop artists, some would argue; a rogue group of anti-New York, anti-Europeans influenced by outsider art, say others (this is the angle Corbett takes in his exhibition catalogue essay).

Almost more of an interiors book in the style of Apartamento magazine, Tell It to My Heart takes us through Ault's New York apartment, reproducing works by artists such as Felix Gonzalez - Torres, Roni Horn, Tim Rollins & K.O.S., Andres Serrano, Nancy Spero and Danh Vo among many others.

As the artist explained, «if my Abstract paintings show my reality, then the landscapes and still - lives show my yearning... though these pictures are motivated by the dream of classical order and a pristine world - by nostalgia in other words — the anachronism in them takes on a subversive and contemporary quality» (G. Richter, quoted in A. Zweite (ed.)

But his question wasn't wrong per se — it just didn't have much to do with the achievement of his exhibition, which takes a more interesting, less expected tack: Garrels asked six abstract painters working in the United States to «select one or two of their own recent paintings to be shown with works by other artists who have had a significant impact on their thinking and the development of their own work.»

But we also stand to learn much from works by other artists, which take a more holistic and affirmative approach to black history and experience.

His Pop sensibility is now standard practice, taken up by major contemporary artists such as Richard Prince, Takashi Murakami, and Jeff Koons, among countless others.

Other institutions — for example, Yerba Buena Center for the Arts, which, until 15 August, is showing an impressive exhibition called Take This Hammer: Art + Media Activism from the Bay Area — grapple with these issues by featuring the socially engaged art of regional artists.

Probably taking advice from the pioneering photographer and New York gallerist Alfred Stieglitz, who was instrumental in promoting modernism to American audiences, Henderson acquired work by the most avant - garde artists of the day from both sides of the Atlantic — Picasso and Braque, Matisse and Derain, Georgia O'Keeffe and Marsden Hartley, among others.

His Pop sensibility is now standard practice, taken up by major contemporary artists Richard Prince, Takashi Murakami, and Jeff Koons, among countless others.

• Richard Deacon's Restless 2005, a gift from the artist • Arthur Hughes's (1832 — 1915) Elaine with the Armour of Launcelot c. 1867 and The Singer c. 1866, a major bequest • Cecil Gordon Lawson's The Hop - Gardens of England 1874 • the bequest of Nimai Chatterji's important archive of 20th century documents and publications • the donation of a group of works by Don McCullin from Eric and Louise Franck • 58 photographs by Lewis Baltz, San Quentin Point 1982 acquired with funds from PAC • Olga Chernysheva's On Duty 2007, presented by VTB Capital 2011 • Hala Elkoussy's On red nails, palm trees and other icons — Al Archief (Take 2) 2009, with funds from MENAAC • Susan Hiller's Dedicated to the unknown Artists 1972 - 6, with assistance from the Art Fund • Works by Martin Creed, Jeff Koons and Robert Mapplethorpe were added this year to the ARTIST ROOMS colleartist • Arthur Hughes's (1832 — 1915) Elaine with the Armour of Launcelot c. 1867 and The Singer c. 1866, a major bequest • Cecil Gordon Lawson's The Hop - Gardens of England 1874 • the bequest of Nimai Chatterji's important archive of 20th century documents and publications • the donation of a group of works by Don McCullin from Eric and Louise Franck • 58 photographs by Lewis Baltz, San Quentin Point 1982 acquired with funds from PAC • Olga Chernysheva's On Duty 2007, presented by VTB Capital 2011 • Hala Elkoussy's On red nails, palm trees and other icons — Al Archief (Take 2) 2009, with funds from MENAAC • Susan Hiller's Dedicated to the unknown Artists 1972 - 6, with assistance from the Art Fund • Works by Martin Creed, Jeff Koons and Robert Mapplethorpe were added this year to the ARTIST ROOMS colleARTIST ROOMS collection.

Taking Freud's idea of the Uncanny as a starting point, artist Mike Kelley plays Sunday curator and presents work by Jasper Johns, Paul McCarthy, Jeff Koons, Tony Oursler, and others (reprinted from a 1993 catalogue), plus photos of chewing gum wrappers, postcards, record covers, and toys, all connected to ideas of youth and the Uncanny.

By bringing in other artists from Poland, US, Germany, Britain and the Netherlands Openspace has allowed for dialogue and collaboration to take place during this event.

For Camden Arts Centre he has selected a number of key works from this period and is showing them along with works by younger artists who are continuing to experiment with the versatility of analogue media, as well as others who have started to take on board the advent of digital technologies.

Her first exhibition at the Stedelijk Museum, Taking Place (2010), featured works by 20 artists including Stanley Brouwn, Daniel Buren, Jan Dibbets, Rineke Dijkstra, Morgan Fisher, Barbara Kruger, Louise Lawler, William Leavitt, Willem de Rooij, Diana Thater, Ger van Elk, Lawrence Weiner, among others.

Since its publication, a whole new generation of painters has emerged, some inspired by the artists who appeared in that book, others taking cues from new sources.