Sentences with phrase «taken by these artists»

Earth tones and comfortable leather seats set the scene in the adjacent VIP lounge while photographs on display, taken by artist Paul Michael, provide a show - stopping glimpse of the tour ahead, including incredible scenes from both the Grand Canyon and the Las Vegas Strip.

Over the weekend, we had maternity photos taken by another artist.

«Bauhaus, Dessau,» taken from a photograph taken by the artist of a stairway in the Weimar - era school with the human figures entirely removed, serves as a chilling reminder of the effects of authoritarianism, globalism, right - wing populism and what the gallery calls «the locusts of power.»

Each painting is based on, «abstracted from», photographs taken by the artist at that specific location and then digitally manipulated.

The road taken by the artists in this exhibition leads the way to the future.

Josef Albers in Mexico brings together never - before - seen photographs and collages taken by the artist during his frequent trips to Mexico, offering a new perspective of his most celebrated abstract works.

The five sections of Before Pictures are named after Crimp's addresses in Manhattan, and each begins with a beautiful black and white photograph of a building he lived in, taken by the artist Zoe Leonard.

The exhibition, on view through September 1, includes 400 photographs taken by the artist in the «60s, originally shown at the Fort Worth Art Center Museum in 1970.

The works on view differ in style, medium, and era, illuminating different approaches taken by these artists.

Photographs taken by the artist of decaying flowers and carvings that memorialize lost loves and loved ones provide the starting point for her exploration on the material and haptic processes of a transfer.

This exhibit highlights the gradual steps taken by the artist to master these forms and includes a series of late paintings that have not been shown since 1991.

Source photographs for the large - scale paintings were taken by the artist, or in some cases by a friend «as close as possible to the artist's viewpoint.»

Often as not, when insurance does not cover the full value of unsold work, the real hit is taken by the artist or (for work on consignment) a collector, to the point that one wonders why more dealers did not have the foresight to move things out of the basement.

Selfies can also be taken by artists, Cindy Sherman's Instagram is a great example.

Where the artist's previous work pointed to the instability of capitalism and often included photographs taken by the artist at political protests, the works in the current exhibition refer to the rise of the Bauhaus and Deutscher Werkbund and their imminent destruction through the Nazi regime.

Andrea Geyer Spiral Lands / Chapter 2 (2008) is a multi-media installation that utilizes a dual construct of an enacted discourse and photographs taken by the artist in 2008 of the Chaco Canyon, a National Historic Park in New Mexico.Spiral Lands / Chapter 2 is constructed as a pairing of excerpts from post-colonial and postmodern discourse with a sequence of photographic representations of landscape from the Southwest.

Forsyth's work explores a breadth of themes, reflected in the range of techniques he employs: analogue and digital exposures taken by the artist exist in his work, alongside computer generated imagery, photograms, and photographic collages from historic magazines and vintage postcards.

The photographs, taken by the artist, depict birds flying against banks of clouds that are suffused with the pale light of an obscured sun.

These prints grew into an extraordinary collection of nearly 450 photographs taken by the artists, photojournalists, and fashion photographers who were at the center of New York's cultural milieu in the 1980s,»90s, and early 2000s.

In showcasing projects completed or conceived in the past six years, this exhibition adds to the rich history of ecological art, demonstrating the wide range of approaches taken by artists in seriously engaging the environment.

In June 1970, in response to the tragedy at Kent State University where four students were shot and killed by National Guardsman, as well as the growing Civil Rights and Anti-Vietnam War movements, Artforum asked a number of artists to respond to the following question, «What is your position regarding the kinds of political action that should be taken by artists?»

Her reworked photographs, taken by the artist in her native Karachi, Pakistan, present a destabilized documentary tradition.

In keeping with Fischl's usual working practice, the starting point for the series are photographs, in this case predominantly taken by the artist himself at art fairs including Art Basel Miami Beach and the Southampton Art Fair and at openings of gallery exhibitions in New York.

The painting is based on a photograph taken by the artist of Volker Bradke, who was one of his friends and assistants.

Featuring works by Edson Chagas, Mimi Cherono Ng» ok, Andrew Esiebo, Em» kal Eyongakpa, François - Xavier Gbré, Simon Gush, Délio Jasse, Lebohang Kganye, Sabelo Mlangeni, Mame - Diarra Niang, Dawit L. Petros, Zina Saro - Wiwa, Thabiso Sekgala, and Michael Tsegaye, «Recent Histories» looks at the creative approaches taken by the artists, as well as studying the sites and collective platforms that enable their practices.

The film re-examines images taken during the Korean War by the character's father, which she viewed as a child; photographs taken in Korea in Kwangju on May 18th, 1980, and photographs taken by the artist in Kwangju and Seoul in 1997.

Laid out on a table are more examples of «Art of the Book» and Foundation 2 - D Design projects as well as Antonia Stoyanovich's Independent Study project «Blackout», a collection of digital photos taken by the artist.

Included art objects will be a bulletin board that charts quotations and images of the Biospherans and visionaries of the project, a number of small gouaches from photographs taken by the artist of areas surrounding the Biosphere that have fallen derelict, a video tour of Biosphere2, portraits of the male visionaries (John Allen, Ed Bass, and Buckminster Fuller) of Biosphere2, and a multi-panel stenciled quote from Buckminster Fuller that encapsulates the contradictions inherent in a project that is the product of a single mind imposing its will upon a group:

This artist book is published in conjunction with Peter Doig's 2002 solo exhibition at Victoria Miro Gallery and offers an alternative visual documentation of the exhibition, represented by twenty - three photographs of the new paintings taken by the artist in his studio.

Hajas would plan and arrange the scene, but the majority of photographs were taken by artist and musician János Veto, whom he met in 1974 and continued to collaborate with for the rest of his life.

Manhattan's Pier 52 shown in a photograph taken by the artist Gordon Matta - Clark, who sliced openings in the shed there to create his own artwork called «Day's End.»

Huge, hyper - detailed photographs of Chernobyl taken by artist - twins Jane and Louise Wilson hang on the entrance staircase, a riposte presumably to the Academy's complacent opulence.

Hence, the watercolour series «LLAMVSS» (2018) was made from photographs taken by the artist with the initial goal of working on the issue of self - portrait with the residents of the Maternal Center.

The Disarm extract of his overarching Desert of Pharan project, shown here at Art Basel Hong Kong, is a collation of photographs and video stills taken by the artist when on shoot from a KSA army helicopter.

The exhibition reveals the many different paths taken by the artist and exposes the myriad forms which abstraction can take.

Part of the Si Cuba Festival in May 2011, it was presented at the Metropolitan Pavilion and presented the varied, and often dissimilar aesthetic and ideological positions taken by artists based in Cuba.

Jealous Gallery presents Drawing Lines, a group exhibition with a selection of works that aim to show the different approaches taken by artists and illustrators in creating images through the application of line to surface.

[12] Fragmento Brasil (1977 - 2005), a synchronized multi-projection piece without sound, is made up of paired sequences of 648 images [13] from three sources: details from Albert Eckhout's mid-17th-century paintings of Brazilian birds set in idealized landscapes of European provenance; the abstract drawings of Yãnomãmi people from Venezuela and Brazil, 1978 — 80; and in conjunction, black & white landscape photographs of the Rio Caroni, Rio Uraricoera and Rio Branco regions in Venezuela and Brazil taken by the artist on a five - month walk in 1977.

There is also Fischli & Weiss» Sichtbare Welt (1987 - 2000), a series of photographs taken by the artists all over the world, critically evoking a parallel between systems of valuation and modes of representation.

Big Self - Portrait (1968), based on a Polaroid taken by the artist, was the first of what Close called «head» portraits and the beginning of his invention with the standard format Polaroid camera.

Guests donned pseudo-historical costumes and posed with an array of fun props for photo portraits taken by the artist — inspired by the photographs he takes of his friends that serve as studies for his drawings.

asks the close of a draft of informal notes taken by artist Gili Tal and Sandy Brown director Fiona Bate for its recent exhibition, Panoramic Views of the City, that ran in Berlin from October 25 to December 13.

The posters are a melange of found photographic television and Internet images juxtaposed against those taken by the artist herself, all of which have been manipulated before being printed.

Syms mixes appropriated images with original, and even stills taken by the artist's father — adding the filter of familial perception that mirrors a media «product» of identity.

Multidisciplinary visual artist Kim Frohsin created the arcane series, Reliquaries, from a variety of media — acrylic paint, glazes, ink, collage, pencils, and dry pigment — built upon pinhole photographs taken by the artist between 2011 and 2013.

The larger right - hand panel is a chiaroscuro painting, also based on a photo taken by the artist, of a woman in antiquated dress drinking, intently, from a glass.

The first exhibition celebrating British history painting will include the haunting image of a tree once used to hang slaves in the US, taken by artist and director Steve McQueen when scouting locations for his Oscar - winning film 12 Years a Slave.

Image of The Old Croghan Man taken by the artist with permission from the National Museum of Ireland

Aspects of Portraiture addresses various approaches to photographic portraiture taken by artists such as Irving Penn, Richard Avedon, Patti Smith, and Carrie Mae Weems, and celebrates the patrons whose gifts are on view, with special homage to our late friend Robinson Grover.

For now, get along and take advantage of the chance to see this substantial show of new work that is particularly interesting in relation to positions taken by artists working here such as Helen Marten and Magali Reus.