Sentences with phrase «taken flat paint»

She has taken flat paint and done nothing but make it labor intensive!!!

My solution, I just took a flat paint brush and covered the tops with the same black acrylic paint.

Not exact matches

Leave your scarf lying nice and flat to dry (this may take up to 24 hours) and if your paint requires it, iron your scarf on the reverse side to heat set your pattern.

I first painted it using a can of flat black spray paint, and yes it took the whole can.

«Start from the outside in, laying the brush flat in one corner of your lip and taking one long smooth stroke to the center of the lip to paint the edge,» says Oquendo.

Hi Diane, I'm doing an old antique bed room suite it's been in the family over 50 years and then some I want to make it right as is have around five pieces to do what do you think I should use and steps I should take should I sand then primer and use pop with a satin or flat paint the bedroom suit will be used so I also want it to hold up years to come,, I'm really having a hard time as it a high dollar bedroom set as we have seen a few just like sell it at estate sells,,, thanks for any info..

FRESH OIL CHANGE, FACTORY WARRANTY REMAINING, COMPLETELY INSPECTED AND RECONDITIONED, TAKE A CLOSER LOOK, 2500 Power Wagon, 6.4 L Heavy Duty V8 HEMI w / MDS, 6 - Speed Automatic, 4WD, # 1 Seat Foam Cushion, 115V Auxiliary Power Outlet, 1 - Year SiriusXM Guardian Trial, 40/20/40 Split Bench Seat, 5 - Year SiriusXM Traffic Service, 5 - Year SiriusXM Travel Link Service, 8.4 Touchscreen Display, 9 Alpine Speakers w / Subwoofer, Air Conditioning ATC w / Dual Zone Control, Apple CarPlay, Auto High Beam Headlamp Control, Auto - Dimming Exterior Mirrors, Auto - Dimming Rear - View Mirror, Black Painted Exterior Mirrors, Black Power Fold - Away Mirrors, Charge Only Remote USB Port, Convenience Group, Deluxe Door Trim Panel, Exterior Mirrors Courtesy Lamps, Exterior Mirrors w / Memory, Exterior Mirrors w / Supplemental Signals, Flat Black 6.4 L Hemi Badge, Flat Black Ram 2500 Badge, Folding Flat Load Floor Storage, For Details Visit DriveUconnect.com, Front Armrest w / Cupholders, Front Center Seat Cushion Storage, Front Door Accent Lighting, Glove Box Lamp, Google Android Auto, GPS Antenna Input, GPS Navigation, HD Radio, Heated Front Seats, Heated Steering Wheel, High Back Seats, Integrated Center Stack Radio, Integrated Voice Command w / Bluetooth, Leather & Luxury Group, Leather Trim 40/20/40 Bench Seat, LED Interior Lighting, Media Hub (2 USB, AUX), Overhead Console w / Garage Door Opener, ParkSense Front / Rear Park Assist System, Power 10 - Way Memory Driver & 6 - Way Passenger Seats, Power Folding Mirrors, Power Lumbar Adjust, Quick Order Package 22P Power Wagon, Radio / Driver Seat / Mirror Memory, Radio: Uconnect 4C Nav w / 8.4 Display, Rain Sensitive Windshield Wipers, Rear 60/40 Split Folding Seat, Rear Dome w / On / Off Switch Lamp, Rear Door Accent Lighting, Security Alarm, SiriusXM Satellite Radio, SiriusXM Traffic Plus, SiriusXM Travel Link, Sun Visors w / Illuminated Vanity Mirrors, Universal Garage Door Opener, Ventilated Front Seats.PERRY»S GOT IT ALL!!!

Before they graduated, when she was in her Renaissance phase, she'd taken a crack at painting Quentin's portrait in the manner of Leonardo da Vinci's John the Baptist, but instead of being flattered, he got all sore about it.

First, the least expensive rooms: In July 2014, Aham Corner Guesthouse took over part of an adjacent guesthouse and the seven basic rooms have been given a facelift with fresh paint, new linens and flat screen TVs.

For those not familiar with Monty Python's animation, think South Park, Salad Fingers or Apollo Gauntlet, where you have flat, paper - like, cut - out 2D images — taking figures from old paintings and animating them.

Hunter writes: «In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.»

Like David Hockney and his flat, large - scale collages of Polaroid prints, Wood takes multi-angle photographs of his subjects and then cuts and pastes the images together to produce his fractured paintings.

Here's Patrick Heron's take on it: But the secret of good painting — of whatever age or school, I am tempted to say — lies in the adjustment of an inescapable dualism: on the one hand there is the illusion, indeed the sensation, of depth; and on the other there is the physical reality of the flat picture - surface.

There are smaller paintings than this, some of theme equally concerned with the process of painting, and with the «deliberately accidental», Callum Innes «s words for the process he adopts of dividing the canvas into two, painting a quarter with a flat colour leaving the other quarter exposed, and then taking the same colour and applying it to the other half of the canvas before «unpainting» it by rubbing it off with turpentine, leaving a ghost of the original colour.

One of the most influential European graffiti artists, best known for breaking the dimensionality of the flat surface graffiti was painted on, took over the entire gallery space by creating site - specific audio - visual installation.

Flat or decorative, a mirror or a blur, it almost takes over her latest paintings.

The surface of Goltzius's Hercules and Cacus appears as flat as the Giotto, and it takes a proper look to confirm that the copies are painted rather than screen - printed.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

Yet, enlivened by an expressive, though always economical, touch, her work resonates just as strongly as a sustained, self - reflexive enquiry into the act of painting: what it might take to bring an image into being on a bounded, flat plane.

She begins a work by covering the canvas with gradated colour, and in works like Menso, 2016, and Lya, 2016, these first paint layers are revealed in the final design, taking on a primacy, and in the case of Lüür, 2015, a three - dimensionality through painted shadows that lift the squirming form off the flat of the canvas and in to space.

Sarah Morris's large paintings take the shape of a flat map of streets usually associated with grid structures.

You know there's a time that it takes to make something and painting traditionally has to do with this kind of uncanny attempt at creating space out of a flat surface, but its's also an incredible pleasure that comes from it... I find it absolutely just human and essential - every time every time it happens.

Compound Flat # 62 is composed of a rectangle and triangle fashioned from wooden sticks suggestive of stretcher bars that have been combined or superimposed; ridges and fields of red, gray and whitish epoxy clay transform this patched scaffolding into deconstructed painting; Manolo Valdes» heavily impastoed (and faceless) takes on Renaissance portraiture come to mind.

For previous exhibitions, Klein based her paintings on photographs that she took at a discrete time and place — during a road trip to the salt flats of Utah, or the deserts of Texas — but these new works represent a varied assortment of photos.

The wall flats adhere to the conventions of theatrical and filmic staging while taking on qualities of large - scale painting and sculpture.

His brightly colored figurative and landscape paintings are rendered in a flat style that takes cues from everyday visual culture like advertising and cinema, in many ways anticipating both the formal and conceptual concerns ofPop Art.

Typically, this involved the creation of large wooden structures - often taking up an entire wall - which consisted of numerous compartments filled with arrangements of «found» objects, commonly fragments of furniture, painted in flat uniform colours - black, gold or white.

His brightly colored figurative and landscape paintings are rendered in a flat style that takes cues from everyday visual culture like advertising and cinema, in many ways anticipating both the formal and conceptual concerns of Pop Art.

While Remi's art has always been about creating dimension within the depths of a canvas or a wall, his new works have taken that idea in an exciting new direction, by transforming a three dimensional object such as a skull through the application of paint and by extracting complex shapes from the flat canvas into sculptural forms.

With The Fall Ganev takes his signature toy soldiers and spray - painted porcelain figurines from literal to the poetic, moving from flat surfaces to the three dimensional.

The artist Kenneth Noland, who was a close friend, saw Annesley's sculptures as the extension of colour field painting: as painting got flatter, Annesley saw the potential of sculpture to take colour to another dimension.

In the exhibition catalogue, Carolyn Lanchner, retired Curator of Painting and Sculpture at The Museum of Modern Art, writes: Jaffe's manipulation of the visual takes the basics, lines, forms, colors, and allows them every freedom her extraordinary imagination can devise, while vigilantly suppressing any errant tendencies towards tactile effects on a uniformly flat surface without material density -LSB-...] Explaining her procedures, she once described how she holds off as long as possible choosing among the «myriad solutions» that occur to her during the making of a pPainting and Sculpture at The Museum of Modern Art, writes: Jaffe's manipulation of the visual takes the basics, lines, forms, colors, and allows them every freedom her extraordinary imagination can devise, while vigilantly suppressing any errant tendencies towards tactile effects on a uniformly flat surface without material density -LSB-...] Explaining her procedures, she once described how she holds off as long as possible choosing among the «myriad solutions» that occur to her during the making of a paintingpainting.

Painting will no longer create space as a theatre; it will give space itself a theatre.5 The paint will meet the surface sensuously, In a broad, flat engagement of the palm, by fingertip daubs, and through varieties of clawing and caressing.6 Painting will always tremble, but very precisely.7 There will be no difference in the world between planning airily away from the canvas and actually taking your brush and making the first mark.8 The revolution will be painted.

German street artist (check out the Widewalls list of 10 German street and urban artists) 1010 (take a look at the 1010 Print Release: Abyss 49) has become well known for his eye catching «portal» designs that play on the eye and the mind, creating optical illusions on a grand scale (read the Bridget Riley: The Stripe Paintings article about one of the masters of creating optical art, Bridget Riley or check the work of Levalet in this Levalet: Bagages article that uses optical illusions in a different way) that turn the sides of flat buildings into an abyss that one could simply walk into as the layers of colour and carefully constructed shadows vanish into a dark centre that hypnotically draw you in (explore the mind blowing optical illusions of Julie Oppermann in this The Intense Afterimage article).

In the test described below, I took some 6 inch square samples of thin aluminum and painted them with flat and gloss paint.

Take a look at the videos below, I managed to paint an entire cabinet in Wickes Chalky Flat Matt paint, straight from the can in 1 minute and 54 seconds!

We're taking the towel bar down today, and after the holes are all patched up, we'll cover up that (flat) sample of Gray Owl with some of the 50 % lightened Gray Owl paint in a satin finish.

Buffing can take 10 -15 minutes depending on how flat and chalky your chalk paint finish is.

I found out that, you can glaze over flat paint, but it takes one hell of an effort to get it to look nice.