Sentences with phrase «taken out of sequence»

The pre-requisite for this training is the 40 hour basic mediation training, although the courses can be taken out of sequence.

So I imagine shots being taken out of sequence and the employment of different camera people to get the shots you want.

Not exact matches

The chase sequence involving an elaborate single take stands out as one of Spielberg's greatest action set pieces.

Oh forgot to mention taking just one thing or outside influence or order out of sequence blows the whole thing up.

But it may be pointed out that (1) no one has ever «unstrung» the Marcan sequence more completely than the author of Matthew did in revising and reorganizing the Gospel of Mark for his special purposes: the book is taken apart and put together again in a new order, combined with the «Sayings Source» (Q) and with other materials, and arranged apparently for didactic use — as a manual, one might say, for the religious educators of the early Syrian church!

Considering the damage that was done to Vettel's car in the crash, naturally there were concerns he could have been on the receiving end of a five - place grid drop for taking a new gearbox out of sequence.

The more complicated the route, the longer it took to work out the sequence of instruction blocks using trial and improvement.

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This was such a fun and easy activity for me to set up, and they got such enjoyment out of it while also incorporating practice in reading, problem solving, measuring, weighing, following instructions, fine motor skills, sequencing, counting, fractions, turn taking, communication, and probably much more!

But by investigating the DNA sequence around the resistance genes, the team figured out how the resistance genes transfer occurred through a new mechanism named «carry back,» where the pathogen basically has a primitive form of «sex» with the Actinobacterium and takes up its resistance genes after it dies.

«You can take advantage of really high - throughput sequencing technologies that allow you, in a single shot, to assess millions of genetic combinations simultaneously and pick out the ones that are successful,» Lu says.

Attendees at Burning Man, the famously free - wheeling yearly Nevada art gathering, don't usually take note of new genomic sequences, but they may want to check out a paper published today in Genome Biology.

Knowing that researchers in the early 20th century had shown that avian predators can wipe out an entire population of cicadas that emerges out of sequence, Koenig decided to take a look at how bird populations might affect the insects» cycles.

Cells take a number of complicated steps to translate their sequence of basic DNA building blocks into proteins, which then act as workhorses to carry out the vital functions of life.

Even as the genome sequencing heavyweights scramble to finish a rough draft of the human genome, they have taken on equally monumental task: churning out a rough draft of the mouse genome by 2003.

Figuring out how a single offshore fault can rupture — perhaps in a sequence of different segments — to produce such a varied history of tsunamis will take many more records like the one in the guano - laced cave.

In some cases, this may take the form of flexible adaptation pathways, with decisions made now for the next 30 years and decisions on the timing and sequencing of alternative options, conditional on future sea - level rise, planned out in advance.

Portable DNA sequencers such as the Oxford Nanopore MinION device have the potential to be truly disruptive technologies, facilitating new approaches and analyses and, in some cases, taking sequencing out of the lab and into the field.

Turns out, there's a scientific reason for why someone you've never met could look uncannily similar to you: Any two people taken at random are going to share about 99.5 percent of their gene sequence, according to Joseph McInerney, executive vice president of the American Society of Human Genetics.

On the other hand, a person that simply takes thyroid medications and does not treat the infection may continue to see declines in his / her health, as eventually, the presence of the infection may burn out the immune system and cause it to start recognizing additional sequences on the infectious organism that may cross-react with different organs in the body... This is why, in the conventional medical approach, it is widely known that having one autoimmune condition will put the person at greater risk for getting another autoimmune condition.

The yoga for flexibility sequence is designed to increase your flexibility, improve your range of motion, take you out of habitual movement patterns and relieve joint and muscle pain.

There are a few widely recognized sequences of poses, such as the Sun Salutation, which is either an incredibly meaningful ritual or a yogic pushup / backbend / stretch which is done in a few minutes, or the Moksha Series, which takes about an hour to complete and pretty much does everything most people want out of yoga.

The opening sequence does a good job establishing that tone as Clooney's protagonist of sorts, Jack, has his latest assignment go horribly wrong when his identity is compromised and he has to take out two hitmen in the Swedish countryside, as well as the woman he'd been bedding.

The movie turns us all into victims and Friedkin makes this point most demonstrably during a courtroom sequence in which he points out to the jurors that it took each of the victims three minutes to die.

Despite the fact that all Alexander has to do is grow up and take over the world, the chronology is all out of sequence, and this prevents the story from building momentum.

Its first major sequence, taking out a heavily armed squad sent to destroy it, is scary and exciting and one of the film's strongest setpieces.

Hugh Jackman, it seems, was born to play Jean Valjean, and he's magnificent from time to time, but even he begins to run out of steam as the battle sequences take over the second half.

The barrel sequence is especially fun, particularly Bombur's antics of rolling between the banks of the river while taking out a multitude of orcs.

The action sequences and fight scenes in the first two acts of the movie are equally impressive in their staging, taking visual cues from sources that include Coogler's own grounded boxing scenes in Creed, as well as many a James Bond film during a nightclub sequence right out of something like Skyfall.

You'd think Raymond would be relatively easy to spot, given his predilection for making all his phone calls from the same Redondo Beach pay phone; but lo, this particular pay phone has so many customers (in 2014) that it takes Roger an entire montage sequence (and a can of mace in the face) before he finally ferrets out his man (a nicely rumpled Tom Berenger, giving the only thing remotely close to a low - key performance here).

Zahler takes his time with almost every scene, letting a sequence of O'Dwyer changing the dressing on his injured leg, for example, play out in its painful entirety.

Unfortunately, these fight scenes are not as clean as they could be, as figuring out One's fight sequences take getting used to, and even still, they can be a challenge due to the inconsistencies of landing attacks or being stunned.

He brings the pacing of Creed's boxing matches to the longer action scenes, producing a fabulously entertaining sequence in which a shoot - out in a South Korean underground casino — presented in part as an uninterrupted long take — breaks out into a rollicking car chase through city streets.

Ryan Coogler knocked it out of the park, some great sequences presented in a «single take / shot.»

Screenwriter Carl Gottlieb (The Jerk, Jaws 2) takes his first stab at directing a feature film, based on the screenplay he co-wrote, and ends up making almost an extended version of the caveman sequence of History of the World Part I, which came out the same year.

There's a major sequence in which he takes the kids out of the woods for the first time in years, and the littlest daughter thinks that everyone she sees is ill.

Finalists: It was a great year for action, largely thanks to George Miller's new action masterwork but even in less perfect films there were inarguable standout sequences like the choreographed unbroken take on the Johnson vs. Sporino fight in CREED or the Hulkbuster Suit vs. Hulk in AVENGERS: AGE OF ULTRON both of which were so strong it's unfortunate to leave them out of the top fivOF ULTRON both of which were so strong it's unfortunate to leave them out of the top fivof which were so strong it's unfortunate to leave them out of the top fivof the top five.

Director Len Wiseman choreographs these sequences well, but they nonetheless take us out of action with their spectacle.

Taking every part of what made the original Mad Max outings so successful, Miller took an absolute shedload of risks, putting stuntmen where they'd never gone before, crafting insane, lengthy action sequences, and wrapping that all together into a visually - arresting story that just so happens to have a slew of kick - ass female characters.

The film takes a good amount of time setting up its central conflict, so when the inevitable confrontation breaks out in the final twenty - or - so minutes, we are so deeply invested in the scenario, the sequence packs a punch.

Nowhere does this become more clear than in the abrupt finale, which takes the movie out of its gritty setting and into a zippy sequence that may or may not be fantasy.

The rest of the bonus material is focused on the behind - the - scenes experience, with «The Making of Incredible» taking a broader approach to the production of the movie, and «Anatomy of a Hulk - Out» offering a more detailed look at the filming of the three Hulk - driven action sequences.

Naturally, in a film of this scale, there's going to be some carnage in the form of some intense fight sequences, and it turns out the final fight scene in the film, which will take place in Wakanda, was 25 pages long.

The only time Hackford is able to generate any real interest, given what he had to take out of the film, is in a well - staged fight sequence in the latter part of the film.

Watching «The Amazing Spider - Man 2» made me long for a low - budget, indie version of the same movie — one that took out all the numbing action sequences and focused instead on the character's inner struggle.

In what instantly becomes one of the series» best aerial action sequences, Rey, Finn and BB - 8 stumble upon a «garbage» spacecraft in a junkyard and use it to take out pursuing TIE fighters.

Take the introductory sequence where Peter Weyland (Guy Pearce, «Iron Man 3») is testing out his new android servant David (Michael Fassbender, «The Light Between Oceans»)-- in an area of four or five minutes we know how David got his name, how existence became a haunting notion and the perks of being Creator.

One of the coolest fight sequences is the elevator scene when Steven takes out about twelve highly trained agents.

This one scene (and it's a killer) is the lone example where the illusion of the continuous take is especially effective, as we feel the suspense as the sequence carries out in real time.

Though a more rigorous investigation would not necessarily have improved the film (the trampling roughshod over the thin scrim between documentary and fiction is too irritating when undertaken with what seems a cavalier disregard for both), it might have taken some of the weight off its broken, load - bearing metaphor leg, and maybe not left room for an essentially stupid, interminable, out - of - place dream sequence in the process.