Sentences with phrase «takes screenplay credit»
That Jackson would even want to take screenplay credit on a project that feels so off - the - cuff and uninspired is curious.
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The screenplay by Rhett Reese, Paul Wernick, and Reynolds simultaneously want us to take this development seriously — giving us multiple scenes of Wade trying to reunite with Vanessa in the afterlife — and to laugh at it — giving us a James Bond - like credit sequence that calls the screenwriters «the real villains,» after offering a series of tongue - in - cheek statements of disbelief about what has transpired.
That's to the credit of Nichols» elegant screenplay, which pares down the events so that the emphasis is taken off the legal proceedings and avoids any overdone speechifying.
As usual, while Leigh takes solo credit for the screenplay, the narrative results from the filmmaker and actors» extensive improvisation and rehearsal.
Maria Bello deserves major credit for taking on such a daring role, even if the screenplay forces her character to over dramatize for much of the second half of the film.
Taking over directing duties from Christopher McQuarrie and also sharing screenplay credit, Edward Zwick (The Last Samurai, Blood Diamond) does little to revive a résumé that has been on a downslide for some time.
Much of the credit goes to Shyamalan's contorted screenplay and leading lady Anya Taylor - Joy, but James McAvoy's consistently unpredictable take on the «split personality» persona is a keystone performance.
True to form, the movie is laden with misplaced gravitas, magic - hour tableaux, and awkward drivel that makes me think that of the film's two credited writers, it's Hitman / Swordfish scribe Skip Woods and not 25th Hour scribe David Benioff who took the final run at the screenplay.
The international production Aftershock has Roth sharing story and screenplay credit, taking top billing as actor, and even presenting in the Tarantino sense.
Singer can't take blame for the deficiencies of the screenplay, which credits his Oscar - winning The Usual Suspects writer Christopher McQuarrie, TV veteran Dan Studney, and DreamWorks Animation scribe Darren Lemke, who shares story credit with comedy director David Dobkin (Wedding Crashers, Fred Claus).
A successful Wahlberg action programmer from yesteryear, F. Gary Gray's hit 2003 take on The Italian Job, gets a Bollywood makeover (completely authorized and official at that; that earlier film and its screenplay gets its due screen credit here) with Players, and famed «director duo» Abbas - Mustan do deserve some due for attempting a balance between faithfulness to the source film (hello, Mini Coopers!)