Edmund worked on getting his equipment situated and spent over an hour on just the lighting,
this takes setting up a shot to a whole other level!
Not exact matches
«We drove
up into the mountains and found a derelict building,
set it
up,
took the
shot and got out of there as soon as we could.»
«Some say it will hurt us because we play a pattern offense and
take time to
set up shots,» Mears says.
It has never really been about how much you spend or how much of a genius you are, it
takes sustained competitiveness at the highest level and / or that extra bit of luck to have a
shot at it hence my [previous] happiness at being in the top four [lots of clubs would do almost anything to get in that league], however even that can get stale, to be realistic, I think progress would be aiming for the top two now, enough of these top four stories, it ran its course now we need to aim higher, when the top two is our priority, it becomes inevitable that whoever might be in front of us is bound to slip
up on a few occasions ala Bayern and Dortmund, we should now
set our sights on the top four of the champions league lol
Chlesea beat us on their home ground when we were 2 men short by scoring from a
set play and a deflected
shot, we were and are the better team and we will prove it during the season... this was our game until Dean messed it
up... Gabriel didn't need to react immediately with the spotlight obviously on him, I would have appreciated the red card if it was one of his trademark slides to
take out costa's legs, I am sure Costa is stupid and would have reacted as well.
I think our players kept trying to
set up the ball for a good
shot since the pitch was so bumpy hence why Ramsey may have
taken an extra touch.
He
takes too many
shots, he
takes too many bad
shots, he's
taking good
shots but that's still too many
shots, he's not passing enough, he's not passing enough to the right guys, he's hogging the ball, he needs to
set up guys more, he needs to give
up the ball more, he's not
setting up the right guys enough
After a day of
taking individual portraits, Walter Iooss Jr.
set up the session's crowning
shot: all five shortstops together.
Xhaka, who I like, or at least I like the Xhaka who plays for the Swiss national squad, has shown to be in way over his head in the premiership... of course he showed late in the year that he can stretch the field with the long ball but our squad isn't really
set -
up for that style of play... most of his long passes are in the air not on the ground and our squad without Giroud, which should have been sold the minute the transfer window officially opened, is one of the smallest in England... we need someone who can pick out the runs of our forwards in the lanes and who is fast enough to come forward into space without conceding his defensive responsibilities... we rarely see him
shoot or even be in a position on the field to do so, we rarely, if ever, see him used for
set pieces and it appears that the only person at the club who has ever coached him
up when it comes to tackling is Coq, which explains his atrocious disciplinary record... maybe it's me but didn't you see him coming in and contributing more from an offensive perspective, with his killer left foot, than a deep - lying midfielder... if that wasn't the case we are the stupidest team alive for
taking him over Kante
Fox was encouraged because he saw Maten avoid forcing
shots and instead
setting up baskets for his teammates, including in the start of the second half when the Bulldogs
took control of the game.
Silva tried to make things happen by completing five of his eight
take - ons,
setting up two
shots, and stretching play.
Setting up these 10, 12 play drives in the first half, the Bears weren't really interested in
taking a lot of
shots downfield as they have previously in trying to force the ball over the safeties, but instead
taking what the Cowboys defense was giving them: move the ball downfield slowly and efficiently; smartly playing the field position game.
Correa's touch is stunning, with the ball behind him, he manages to
take two players out of the game with a single touch, which also
sets up his
shot.
He found teammates in the penalty area easily — in the 86th minute, he
set up midfielder Will Johnson, whose
shot bounced off the crossbar — and
took defenders one - on - one with confidence.
Second, he
set up Thomas Vermaelen for the third when it would have been easier to
take a
shot of his own.
Have a space dedicated to
taking product
shots — make sure it's well lit and has an interesting backdrop, like this simple
set -
up by photographer Yeshen Venema
A memorial is
set up at Marjory Stoneman Douglas High days after a
shooting took place at the school located in Parkland, Florida.
Perhaps it's the
set -
up:
taken against a black backdrop with professional lighting, these are portraits, not the sort of natural
shots of animals we're used to.
Although he considers himself an amateur photographer who will put in the time to frame a great
shot, Alakarhu said he found himself using the PureView more because of its easy availability and quick start time when he didn't want to
take the time to
set up a more involved
shot on his digital camera.
Muybridge
set up a series of cameras to
take 12
shots in under half a second, creating an early filmstrip.
I don't edit y photos, I just crop them, but I
take all the photos myself so I can usually
set the camera
up correctly before I get a
shot.
It
took some courage to
set up my camera in the middle of downtown Telluride, in the middle of the street... But this last
shot was worth it!
There are some new mamas out there that I follow that either include their babies in the
shots as a mother and daughter / son type of photo
shoot, or there are the mamas that have their babies and kids off to the side entertaining themselves or napping while the tripod and clicker are
set up and at it or the hubby is
taking the
shots.
Usually, I have to
take extra time to
set up the
shot for him and ask for certain angles, but this time, Dan was ready to go with little direction from me.
Instead,
set up a tripod to snap a few
shots,
take advantage of the self - timer feature or ask a friend / family member to
take some photographs.
Perfect for an anniversary photo
shoot OR to grab some great
shots of the two of you during family
Take a look at the types of online business to start as well as guides to
setting up online, including selling on eBay and selling on Amazon Marketplace.
But just as he's about to
take the
shot, he notices someone aiming at him and realizes he's been
set up.
The entire gag
takes a long while to play out (the money
shot - close -
up on a
set of buttocks most definitely not those of the 62 year - old Willis), though it is infused with the kind of nutty energy that Willis last exhibited in his 1991 megaflop, Hudson Hawk (a film that has since acquired an army of «guilty pleasure» defenders, including yours truly).
And it's not just the suit that lends itself to a different experience, Vanquish essentially
takes the concept of «bullet hell» scrolling
shoot - em -
ups and places it in this 3D shooter: when you enter battlefields (especially on higher difficulty
settings), you're treated to a barrage of enemy fire from all angles, and it can
take everything you have to avoid instant death in many situations.
Hildebrand: Probably just how friendly everyone was, I don't know, and also how slowly things go, because there are so many people, like how slowly it
takes to film certain scenes and to
set up for another
shot takes like fifteen minutes because everyone is getting ready to
set up.
Neeson gets to play the compromised hero
set up as a patsy, and who gets a
shot at redemption when he defies his place in the bad guys» script, but it's no
Taken.
First
up is a
shot of Spielberg on
set directing Ben Mendelsohn as Nolan Sorrento, the vicious, power - grabbing corporate villain who wants to
take control of the Oasis.
ScreenJunkies makes a point to note that they
set up this collaboration a month in advance, and when the timing just happened to line
up with the conflict they
took their
shot.
This three - disc
set boxes
up Shoot First, Die Later (1974), a ruthless crime drama starring Luc Merenda as a corrupt cop on a mission of righteous vengeance (previously released as a stand - alone disc), with two disc debuts: Naked Violence (1969), a juvenile delinquent cop drama by way of social commentary, and Kidnap Syndicate (1975), a revenge thriller with Merenda, this time playing an innocent bystander roused to
take justice into his own hands.
The
set -
up takes a mere twenty minutes before the
shooting starts, making Wheatley's knack for writing interesting characters in a short space of time vital.
Just before the camera was going to roll, he came
up to me and said: «This
shot took two hours to
set up.
The new M (Ralph Fiennes) may not approve of Bond's epic
shoot - out / blow -
up / chopper chase in the middle of Mexico City's Dia de la Muerta (Day of the Dead), one of the most heavily populated
set pieces (with a doozy of a long -
take tracking
shot) in Bond history.
Taking small - town America as his usual backdrop, the director enlivens his
settings with details such as a tracking
shot down quiet residential lanes where teens fling papers off of dented pick -
ups at dawn, or a view of canoes pushing off into mist - shrouded lakes at dusk.
«Hey, remember the time I made my horse poop on the road to derail an enemy car, then
set my cassette player to Aha's
Take On Me and
shot up everyone inside?»
His film runs a little long, and its concluding boxing showdown can't live
up to the remarkable high bar
set by an earlier bout
shot in a single jaw - dropping
take, but in general Coogler turns out to be an excellent successor to Stallone's throne behind the scenes.
This makes the owner's pre-delivery offer to me all the more remarkable: spending a few days testing at Sonoma Raceway (formerly Sears Point) and on the roads around the Napa Valley to
set the car
up on its Öhlins dampers before
taking it for an all - day blast on some spectacular northern California roads for final driving impressions and the photo
shoot you see here.
I like printing a few hardcover versions through Lulu (because it's easier and cheaper to
set up than Lightning Source) and
taking some media kit
shots of me in a bookstore (doesn't have to be an official «book signing» — you can even put a few on the bestseller shelf and
take pictures of them there).
The camera is a wee bit slow to
take a picture, store the image and then
set you
up for the next
shot.
I wake with the birds and
take some brilliant
shots of the sunrise (being two hours ahead of Australian time, I find it easy to wake
up early and make the most of the day), I am rewarded with some excellent photos, then head
up to the small on - site gym which has a range of equipment so you don't have to forgo your workout while you are on holiday, I enjoy cardio workouts and even
set myself
up a circuit including free weights.
I have fallen in love with
setting up shots,
taking pictures, and this here little blog.
Also, each character has their own
set of moves: Mr. Video Game can jump on enemies,
shoot fireballs, and swing a hammer
up close, Slayer can use a whip and throw knives, and Knight can
shoot lances and
take an extra hit that strips him down to his underwear.
To make
up, if you read this on air, please recreate last week's
setting by
taking a
shot,
shot gunning a beer, then playing a game of Edward forty hands before you continue reading.
- split
up into three waves - each wave gives the team a quota of eggs to collect, as well as a time limit - goal is to defeat enemies, causing them to drop eggs - haul those eggs back to the basket - if you meet your quota (and you're still alive) when time expires, all remaining enemies retreat and you move on - when you start out, the difficulty can be
set to 5 % out of a possible 100 % - heavy Salmonids have armor in the front, so you have to him them in the back - when Inklings
take too much damage in Salmon Run, they can be revived by a teammate
shooting them with ink - another boss character is a tall, slender creature that approaches from the shoreline - this boss is made
up off pots, which you have to
shoot to make disappear - another boss is a massive metal eel that rains down ink - the eel is piloted by a Salmonid creature, which you have to
take out to stop the eel - another boss has two trashcans attached to the side of it, and it hovers over the battlefield, - a trashcan opens and it rains down blobs of ink onto you - you can
take him out by tossing bombs into the open trashcans - Nintendo says that 40 % difficulty is the highest difficulty people on the Nintendo E3 team could beat.
While they are solid and workable,
setting up a
shot with spin and angle seems to
take far more button presses than it really should.
Sniper Ghost Warrior 3 — Review Pc, Xbox One, PS4 MA15 + Let me
set the scene for you: 19 years ago, somewhere in the Rocky Mountains, a young boy named Robert lines
up a scoped rifle hoping to
take pot
shots at glass bottles.