Sentences with phrase «taking as artistic practice»

Sherman does not see her selfie taking as artistic practice, saying: «I don't think it at all competes with my serious work.

Not exact matches

Museums reported increases in audience without compromise to artistic quality, as well as a change in the practices of staff members who took ownership of their institution's new mission and visitor - centered culture.

In her artistic practice, the artist makes herself available both as a protagonist and as a projection in regard to her sociocultural analyses, taking on different roles in the process.

Language is an important part of Verbicky's artistic practice as well, with the positioning of the letters, symbols, and phrases taking on new life as well, transforming the disparate elements into a continuous story.

The Spooling the Ethnographic course will take as a starting point Hal Foster's 1996 essay The Artist as Ethnographer, which looks at a turn to ethnography / anthropology within artistic practice.

One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional curator José Roca, a native of Colombia who now lives in Bogotá, agreed to take on the project.1 Inspired by a show of Andean chuspas — bags made from coca leaves — that would run simultaneously in the BGC Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery spaces.

All of us have a sense of rhythm takes the 1940s as a decade marked by significant shifts in rhythmic perception both in Africa and the West and traces the integration of African rhythms in twentieth century artistic practices.

On Sunday, December 7th, Joseph Kosuth will take part in a panel discussion on artistic practice and the artist as curator.

Organized within a compatible framework, the studio - like space acts as a site - specific occasion, allowing daily artistic practice, improvizational endeavours, and unexpected interactions to take place.

Taken as a whole, the Colour Charts embody a stratification of artistic principles that allows them to be recognised as one of many important motifs in the complex progression of Richter's oeuvre, connecting the figural to the abstract and firmly grounding his practice within a Conceptual framework.

His artistic practice, spanning four decades, takes the country's contentious socio - political history as its primary subject.

This fall, a group highly acclaimed curators will variously take up questions of international curating, the evolution of global biennials, as well as more particular topics relating to artistic and curatorial practices in Asia.

Nurtured by a general enthusiasm and tangible skepticism towards medium specificity and artistic expertise, Stephany's practice takes many forms, appropriating styles, disciplines and qualifications as needed.

Although most of Tuttle's prolific artistic output since the beginning of his career in the 1960s has taken the form of three - dimensional objects, he commonly refers to his work as drawing rather than sculpture, emphasizing the diminutive scale and idea - based nature of his practice.

The Norton Simon Museum presents Taking Shape: Degas as Sculptor, an illuminating exhibition that explores the compulsive nature of Edgar Degas's artistic practice.

He briefly attended the California Institute for the Arts before leaving to take work as a live - in nanny with a West Hollywood family, an experience that did much to inform his artistic practice.

Pasadena, CA — The Norton Simon Museum presents Taking Shape: Degas as Sculptor, an illuminating exhibition that explores the improvisational nature of Edgar Degas's artistic practice and considers the affinities between sculpting, painting and drawing in his oeuvre.

His work was at the forefront of the Chinese Neo-Realist movement that took hold in the 1990s, and his artistic practice gained crucial momentum when, as a student, Liu experienced firsthand the aftermath of the protests at Tiananmen Square.

It also reflected the pluralism of contemporary artistic practice: the use of media once considered non-traditional (such as video, computers, and found objects), an interest in temporality that took the form of short - lived installations, and the exploration of performative work.

One Stone and the Rain takes CORE Critic - in - Residence Laura A. L. Wellen's 2016 essay of the same name as its departure point to consider contemporary artistic practices that pair the natural environment with a politics of contemporary life in Guatemala.

It is very difficult for me to define how these latest collection of works fit into my practice as a whole, as my artistic career has just begun to take off, isn't it?

She took a two - year hiatus from her artistic practice for the birth of her daughter, and now Ms. Mntambo — known as Nandi to friends and colleagues — has returned to the art world fighting fit.

With her talk entitled «Subverting the Media as Artistic Practice,» Amin was also a guest of «Fill in the Blanks III,» which is an open platform where discussions on space, history and knowledge take place.

AB: Yes, to encourage creative risk taking within the South Asian artistic community and to basically, as Sadia, our director of the foundation, who's right here, put it quite elegantly «To mediate that risk taking between the artistic studio, the artistic practice and the general public».

Sewing together canvases, which had previously been part of Pindell's artistic practice, took on new meaning for her after the accident; while still making use of paint, glitter, and chads in these pieces, she also includes images of body parts, houses, and diners, as if she is stitching herself back together through canvases.

These works play out scientific revelations, shaping his artistic practice while taking on new aspects as they become part of Nasseri's visual and aesthetic experience

All of them take the performance of their everyday artistic practice as a time - based and context - specific act as the start point, and in some cases end point, of their work.

Taken as a whole, the exhibition offers a fascinating glimpse into Kruithof's fluid artistic practice, and suggests a contemporary relationship to images that is more subjective, idiosyncratic, and opaque than ever before.

We will also discuss his project «The Plan of Escape from the Donetsk Region», part of the Pinchuk Art Prize 2013 in which Minin took an essential step in combining his artistic practice as a painter with social engagement.

Taking this title as their starting point, the curators will approach the ever - changing nature of an ecosystem and how this is reflected in artistic and institutional practice.

Reflecting on his work, Álvaro Gil writes: «Most part of my artistic practice and research focuses on constructions based in the concept of customization and in superficial transformations made to size, taking bricolage and DIY (Do it Yourself) as an attitude».

A set of artistic practices which take as their theoretical and practical point of departure the whole of human relations and their social context, rather than an independent and private space.

ESPAC is a private non-profit organization dedicated to encouraging and promoting the artistic practices through the creation of knowledge, taking as starting point our contemporary art collection.

The plates sections are accompanied by a conversation between Johns and Terry Winters, conducted in the summer and fall of 2010, which takes Johns» new works as the starting point for a broader discussion of his artistic practice.

He attended the California Institute for the Arts for one year before leaving to take work as a live - in nanny with a West Hollywood family, an experience that did much to inform his subsequent artistic practice.

A couple of points of clarification: I knew the term glitch before Oval, but Oval helped bring it to the forefront as a term of artistic practice — I think artists took it from musicians.

David Rubin's (no familial relation) take on contemporary art which I have followed for decades (lectures, writing, curating, as well as his own artistic practice) is simply awesome.

Titles such as Circuit Landscape give hints to a geographical genesis of the work, taking into consideration Binion's roots in Mississippi where his family lived and worked on a cotton farm to their migration to Detroit and his father's work within the automotive industry, autobiography was and is clearly a conscious influence on Binion's artistic practice.

Margolles, who began her career as an artist with the collective SEMEFO (from the Spanish acronym for Forensic Medical Service), has taken the subject of death as her principal subject since the beginning of her artistic practice in the 1980s, which combines visual arts and performance.

Moorhead is known for her obsessive artistic practice, in which humble materials are taken to poetic ends in spellbinding sculptures and installations, as seen in her 2007 solo exhibition, A Thing Called Early Blur at the Blaffer Gallery of the University of Houston.

As artists, I believe an important part of our artistic practice is taking this world in, rearranging it, and sending it back out as a questioAs artists, I believe an important part of our artistic practice is taking this world in, rearranging it, and sending it back out as a questioas a question.

The evolutionary processes that have taken place in Williams» practice of late are fully evident, and can be celebrated as a pivotal moment where new artistic terrain is unearthed.

Taking the lead from the recently published anthology of works Playing with Words: The Spoken Word in Artistic Practice, this event encompasses performances, talks and conversations by artists and researchers who employ spoken words as their material and inspiration.»

He took his research into photography and collectionism as an artistic practice to new depths in the Arab Image Foundation, in Beirut, of which he is cofounder.

Even though the outcome of Mickalene Thomas» artistic practice tends to be large - scale paintings encrusted with rhinestones, along the way she is known to take photographs of her subjects as part of that process.